A truly magical production, enjoyed all the more for not being encumbered with an all-star cast (although Samantha Morton was rather wonderful as the author's mother, Annie, and Timothy Spall rolled his 'r's in an authentic Gloucestershire accent, narrating with excerpts taken directly from the book as the author himself).
The film was dotted with cameos, perhaps most notably Annette Crosbie as Granny Trill, and there are lots of recognizable faces, but the whole cast performed their tasks in an understated and businesslike fashion-a large cast, as the film dips in and out of different periods of the author's early life in a seemingly random fashion, reminiscent of the book upon which it was based.
Quite how the production team managed to return Slad (the actual village where Lee grew up) to its pre-war look, I have no idea, but it worked beautifully, and the English countryside never looked more alluring. When Lee published Cider With Rosie in 1959, he acknowledged that this world had already passed us by forever, so to re-create it for a Sunday night TV drama was no mean feat...
The costumes were right, the language was right-even the slang, and there was just the right amount of magic dust sprinkled throughout the whole film...
Cider With Rosie used to be part of every English schoolboy's literary canon, but has recently fallen out of favour. I hope there were enough English Literature teachers watching who remember how good & enjoyable a work this is, and will start setting it again as a required text. I know this was part of a short season of BBC modern literary dramatizations, but I hope that in this case, the BBC might consider commissioning an adaptation of the sequel, 'As I Stepped Out One Midsummer's Morning', which has been woefully neglected over the years...
All in all, a marvellous production, not to be missed-it has, in one stroke, re-established my faith in BBC drama... For those of you yet to see it-I'm jealous!..
