Twin Peaks

First of all, let me start this review of the third season of Twin Peaks by saying that I deeply love the first and second seasons. They truly are iconic seasons of television, and having recently re- watched them, I came to the conclusion that they firmly stand the test of time.

However, one of the main problems I had with the first and second seasons of Twin Peaks (Although it was mainly in the latter, than the former) was it's deviation away from the central component which I believed made the show tick- the mystery. The mystery of Twin Peaks submerged this seemingly 'normal' town into an environment in which there were endless different otherworldly phenomenon at play. The original Twin Peaks created a feeling of uneasiness for the audience through numerous ways, such as Bob. This feeling of mystery and unease however, became somewhat tangled up in many different love stories which were all a bit too common place in the show. Nevertheless, I persisted with it and still found it to overall be an enjoyable show, despite the various James-Donna-Laura-Maddie-Bobby-Shelly-Leo stories which stretched on.

Now, when I got to this season, I was not disappointed. Season Three of Twin Peaks takes the mystical and the downright weird elements of the first and second season and places them into a show of their own. I would imagine that many of the original viewers who enjoyed the soap opera element of the first and second seasons, will be extremely disappointed. This series is unlike anything else that I have ever witness on television (yes, I did say that when I watched Twin Peaks the first time around!). The revival of Twin Peaks has come at the best possible time, for both the show and television. Modern Television now allows for less constraints on many shows, and more recently, risks have been allowed to be made. The original seasons of Twin Peaks were risks in themselves, but they still had boundaries attached to them. Lynch could not deviate as far as he can today. This combination of modern television and Lynch's vision create a spectacle for television which is unlike anything there has previously been. Some of the visual shots of different elements of the mythology in the new season of Twin Peaks, are absolutely remarkable and unique. The precedent for season three is well and truly based upon Lynch's exploration of Twin Peaks mythology.

Whilst there is a new depth to the show, as we travel further afield to New York City and South Dakota end explore the mythology, the scenes which place us back into the town of Twin Peaks contain the finite amount of nostalgia for the series. It doesn't feel as if there has been a shoehorning of nostalgia in this season, rather the scenes feel appropriate and suitable for the show. Therefore, whilst the show is extending its branches beyond the town of Twin Peaks, the return to the town does not feel as if the show is doing it for the sake of it.

Overall, the new season of Twin Peaks is truly a remarkable piece of television. I find myself wondering 'what if?', in terms of what if we never experienced this show returning? This series could be when Twin Peaks hits another level and surpasses the original run. It will take till the end of the season before we can truly determine that. However, I would urge anyone who was interested in the original run, and anyone who is interested in groundbreaking and unique television to give this show a try. You may not like it, it may deviate too far from the original seasons which you enjoyed so much, or you might find it deviates too far from what you are normally used to. Nevertheless, I believe that this is a show which should be watched to at least engage with the uniqueness of the experience that comes with watching it. So sit back, get yourself some cherry pie and a damn fine cup of coffee and enjoy what is a masterclass return to Twin Peaks.

When someone works hard at something or does something for a long time you can surmise that they well eventually get good at that thing, even masterful. Generally, this is the case for all great directors and David Lynch is no exception. With the newest Lynch-piece we are given something that is an amalgamation of all his previous work without sacrificing his style or creativity. We see the dark-industrial vibe of "Eraserhead", the American suburbia and the dark underbelly late-night bars/clubs/people from "Blue Velvet", "Wild At Heart", and "Twin Peaks", the winding roads and nightmarish features from nearly all his projects specifically "Lost Highway" and "Mulholland Drive", and then last but not least, we see the venture into the digital age with non-linear story and the craziest sound design you may possibly experience in any piece of media that we get from "Inland Empire". There are even remnants of design that hearken back to his old shorts.

This folks, is Lynch's swan song. The Return is already like nothing else ever before on TV and this includes the original two seasons of Twin Peaks.

Lynch allows the material to breathe, and gives the viewer plenty of time to absorb what's on screen. The filming is patient, and every shot is most definitely taken with care. The slow yearning shots is what Lynch uses to draw you in. The unfamiliarity of new faces leaves you with more questions than before. Also, as most already knew going in, The Return is set in many different locations--not just that charming, wholesome town of Twin Peaks. Even knowing Lynch's filmography there are moments that still have me unprepared for the amount of visuals and sounds that evoke nightmares. More terrifying than 90% of what I've seen as a film-goer.

I have to admit that it is taking me some time to adjust to the new vibe of the series knowing well in advance that Lynch and Frost have stated that The Return will be more like the prequel movie FWWM. I am someone who prefers the film to the series because Lynch had more room to work toward his vision. The result is a surrealist nightmare that The Return will have beat by a landslide. With that said, there will be many of you who will not like this at all (even folks who enjoyed the original series because The Return is THAT different). Lynch is certainly an acquired taste and everything isn't for everybody, but for those of you who are willing to give it a shot and appreciate an artist in his top form then maybe there is still some redeeming qualities in this for you. The Return is no run-of-the-mill action series or soap opera so be ready for one of the craziest rides you may ever be on.

It's finally here! And the first 2 hour episode of season 3 is an absolute joy to watch. When the original series aired, i was in my early teens, but i could still enjoy the show. I might not have understood all that was going on, but as it turned out, neither did anyone else.

This was the magic behind Twin Peaks, it had no conclusion, like ever. It's the everlasting chase or hunt for something, that is never found. And once the murderer was revealed in the original series, the viewers left the show quickly, it wasn't suppose to be revealing. People watched it for the mystery, and apparently this mystery could have been stretched for 10 seasons, and people would still have been glued to their seats every time a new episode aired. The show was that captivating, more so than almost anything ever aired before.

This was so different from anything else back then, no one had ever dared to make something like this, almost not even with movies. Actually the show was intended to be just a TV movie, but the people that saw it went ballistic, so they decided to make 7 episodes to air. But then the show exploded in popularity and got 10+ emmy award nominations and suddenly the show became insanely popular.

It's kind of a mystery how, it was definitely not a show made for everyone, but still, it ranks as one of the best shows of all time. Why? What was so special about this show? Well you could probably line up 10 professors and movie experts to try and explain it, you would probably get 10 different answers.

So here we are 25+ years later. The first episode of the new season has just aired, and i am thrilled. This was an absolute joy to watch, and it captures the essence of the original series really well. You can tell that Lynch is all over it, he has total control. And just as you would expect, it is bizarre, weird, mystical, scary and incredibly entertaining. And i have no idea what so ever what is happening.

When i saw this first episode i thought of Quentin Tarantino a lot and how great he is at setting up conversation scenes with lots of tension, like the pipe scene at the beginning of Inglorious Basterds. Which is one of the best scenes in all of movie history.

Here in this first episode you have this kind of tension in almost every scene, and the people could be doing anything. Eating donuts, checking voicemails, deliver packages, watch TV, have sex. Whatever, the suspense is with it all the way, and i have no idea why, because i have no clue what I'm watching. It's just there.

This is one of the things that makes Twin Peaks so special, you are just along for the ride, no matter where it takes you, just enjoy the moment. Let it embrace you, it is what you want it to be. And this show does this better than any other TV show in history. The new season is apparently no exception. After the first episode I'm sold, when the song was performed at the end of it, while we see many of the original cast come together, that just sealed it for me, what a way to continue the saga. Absolutely brilliant film making.

I can't wait to see the rest of it, this is quality.

10/10 first episode - Masterful

Upon first viewing I absolutely hated this show. It wasn't the Twin Peaks I had been excited for, having watched the original series many times over, and I saw few, if any, redeming qualities.

After a rewatch nearly five years later, I had a different mindset in place and made sure to take proper note of clues and plotlines. While I could see more interesting aspects of the "return" this time around, I still cannot possibly give it a positive review.

Sure, there's enough subtext and complexity here for a college course, and there is obviously a high level of craftmanship behind the production, as well as a very pronounced vision guiding everything. But--and I concede that this is of course opinion--that vision clouds the entire show, prohibiting any attempt at a compelling narrative and snuffing out a lot of potentially enjoyable dialogue and acting.

There is a lack of control over the tone, with scenes and performances that stick out like a sore thumb here and there in most every episode, including both completely unfunny lines and unmotivated tugs at your heartstrings. There's artwork and effects work that simply looks awful, probably with a most intentional style but that simply doesn't hold up at the viewers' end. And, as many point out, there is a huge problem in terms of pacing and payoff. Those who are somehow drawn in enough by the mystery playing out appear to ignore this, and I wish I could too!

There seems to be a love-it-or-hate-it thing going on with this show. I would have liked to see more nuanced thoughts than just "David Lynch is a genious, 10/10" or "wtf 1/10". In my opinion, this is a flawed production of a misguided vision in terms of both storytelling and style, but there is enough to the mystery to warrant an attempt at watching. If it didn't waste so much time lost in its own head, it could have been significantly improved.

A Lynch devotee could simply not have asked for anything more for Twin Peaks of 2017. This is what Lynch has been working towards his entire career. What he has given is NOT a retread of the Twin Peaks we know circa 1990, this is a new beast entirely. It's dark, it's beautiful, it's everything that makes Lynch one of the finest artist working today.

If the first few episodes start to make you long for the whimsy and hokiness of the original series, keep going through to Ep4. Lynch is giving this world time to breathe this time around. By the time Ep. 4 arrives we being to see where things are heading and watch this new world start to join with the old Twin Peaks we have all been missing for 25 years.

This is Lynch' OPUS.