Un hombre gruñón

When accepting the Best Foreign-Language Film award for Parasite at the 2020 Golden Globes, Director Bong Joon-ho said, "Once you overcome the 1-inch-tall barrier of subtitles, you will be introduced to so many more amazing films."

The reason why I bring up this quote is that there are many great films that just happen to be in a different language. This shouldn't be a detriment to the viewers. After all, there's a reason why we say we're watching a movie, instead of listening to it or reading it. If one looks past the subtitles, they will be able to access more excellent flicks. A great example of this is the 2015 two-time Oscar nominated Swedish movie "A Man Called Ove" due to the simple and effective translation of the book of the same name by Fredrik Backman to the screen.

Since 2012, the book has achieved popularity and retained a cultural legacy in the world of literature due to the deep and simple depiction of a curmudgeon finding ways to heal with the unlikeliest people in the unlikeliest ways. Director and writer Hannes Holm understood this when adapting this through various aspects like cinematography, the transitions, and where to place the big emotional beats. The look of the flick involves drab and bright colors, but they are used as a reflection of Ove's state of mind. In the beginning of the movie when Ove (played by Rolf Lassgård) is inspecting the neighborhood and later whenever he feels depressed, there's a blue tint that clouds the environment. Then, whenever he helps someone like the new neighbors, it brightens up. While this can come off as an obvious way to show how the main character is opening up and healing, it's not blasted into the viewers' faces because Holmes always ensures that the focus is on Ove and his thoughts.

Another element that works beautifully in the film is how it transitions into the flashbacks. Because the novel heavily relies on the stream-of-consciousness device, the movie utilizes this whenever Ove tries to take his own life. Specifically, it flashes back to various moments of Ove's past that get triggered through a variety of things like a conversation with Parvaneh - the pregnant Iranian neighbor (played by Bahar Pars). Then, these thoughts get interrupted when someone needs assistance. Even though I don't remember how the suicide attempts are depicted in the book, they are portrayed somberly in the movie, while the interruptions are more comical. Granted, these scenes can become predictable if the movie was in the wrong hands. Luckily, Holmes makes them into dreams that get disrupted whenever someone wants help. For example, when Ove attempts to take his own life the first time, Parvaneh calls on him to help direct her Swedish husband Patrick as he drives into the neighborhood. As a result, viewers know that someone is going to stand in the way of Ove and his suicide attempts, but the movie is so invested in the flashbacks that it comes as an rude awakening when someone needs Ove's help. This is where the humor comes from.

While the film has its quirky scenes, it's a tearjerker too, and it's another element that it does well. A lot of the emotional scenes take place during the flashbacks. These include the fire at Ove's childhood home and the bomb that goes off on the bus while Ove and his wife Sonja are on vacation. These are usually placed 20 minutes of each other, which allows viewers to think about what they saw and how it affects Ove in the present day while chuckling at various antics like him teaching Parvaneh how to drive. As much as I like the 1939 version of "Goodbye, Mr. Chips," it tries to wring out tears from audiences every 5 minutes, which gets tiring after a while. Speaking of that film, Sonja is like Katherine since both become the person that the titular characters love the most and are able to turn the titular characters' lives around. The main difference is that Sonja's presence remains constant even when she is not on screen because of how Ove constantly thinks of her. This permits audiences to form an emotional attachment to the character and feel the impact of the stuff that occurs to the two characters. Katherine is only present for 20 minutes in "Goodbye, Mr. Chips," and she is barely referred to after she dies despite Chips truly loving her. As a result, audiences don't feel the impact of Katherine and her influence on Chips in the same way that they do for Sonja and her effect on Ove.

And now, I must talk about the strongest aspect of this movie adaptation: the performances. All of the actors do a good job of capturing the spirit of their characters, but of course, I have to single out a few of them. The first is Bahar Pars who plays Parvaneh. Pars played her character as pushy and determined but caring, especially when she wants specifically Ove to help her out. If in lesser hands, Parvaneh could become a nagger, which can become one note very easily. This doesn't happen with Pars as she allows the character to display her caring side, especially when she gets to know Ove more. It also helps that Par and Lassgård have good chemistry with each other, which permits the characters' relationship to evolve naturally.

Ida Engvoll plays Sonja - Ove's wife. She mainly appears in the flashbacks with a younger Ove (played by Filip Berg). Engvoll portrays her as sophisticated, but with a sassy smile and a determination to help others as a teacher. There's also a no-nonsense element to her performance, which makes Ove's attraction to her all the more believable. This is especially true when Sonja out of the blue says that Ove will be a good father.

As mentioned earlier, Filip Berg plays the younger Ove in the flashbacks. Berg brings kindness and awkwardness to the character, showing how he was before all the tragedies occurred. At first, Anglo-American viewers might think that he might be either George or Fred Weasley from the Harry Potter movies, but his deep baritone voice dispels any notion and matches that of Lassgård's. Both Berg and Engvoll have good chemistry, which make their characters' love for each other more believable.

As much as everyone performs well in this movie, the strongest one undoubtedly belongs to Rolf Lassgård who plays the older titular character. The way he moves and speaks all embody a curmudgeon, but above all, he makes Ove more into a person that people can identify with than a caricature. Through his performance, Lassgård makes it clear that Ove fears being lonely and without purpose. Over the duration of the movie, Lassgård lightens up on Ove's curmudgeon ways while not entirely discarding them as the character helps others and opens up about his life and Sonja. The best indication of this emotional transformation is Lassgård smiling in the later parts of the movie when he's with Parvaneh or her daughters. Speaking of transformation, I have to talk about the makeup on Lassgård. Both him and Ove are 59 years old, but in the flick, Lassgård is made to look much older. This makes sense as the world has weighed Ove down so much that he has aged more. I didn't even realize that he had makeup on until I looked at actual photos of Lassgård, who has a full head of hair, and Ove has his balding gray tresses. The way that Lassgård is made up looks very realistic, and I can now understand why Eva Von Bahr and Love Larson got the nomination for Best Makeup at the 2016 Oscars. They deserved it.

In summary, the film adaptation of "A Man Called Ove" proves that great movies can come from other languages because of its deep and simple nature. Holmes truly understood the spirit of the novel and conveyed that in a variety of ways, but the strongest element of the film are performances as it should be with a simple story like this. I can definitely see why the Academy decided to nominate it for Best Makeup and Best Foreign-Language Film at the 2016 Oscars. Like the novel, I recommend the flick to everybody as long as they don't let the subtitles get in the way.

This movie is about an old man that appears to be grumpy. The story gradually reveals his back-story in a masterful way to explain his behaviour that will probably change your opinion of the main character.

I can honestly say that I have never before felt such a strong connection to a character in a movie. This is an absolute masterpiece.

The directing of the movie is also great. It's easy to understand who is who and when a flashback occurs even if you have not read the book.

The greatness of the movie will be most appreciated if you understand Swedish, but even if you depend on subtitles it will still be a gem that you should not miss out on.

I am very conservative with rating movies 10/10, but this one I think truly deserves it!

I've watched A man called Otto (2023 movie) and then the day after i've watched this one (the original) and I dare to say that this one is better! Why? Because in this movie all makes sense, including why the main character likes or dislikes certain things (wont go in depth as I dont want to spoil it for you) but I highly recommend this movie even if you've seen the remake from 2023.

The characters and actors are like one and I've felt that I was watching real life footage and not so much a movie on my laptop.

This is 10/10 movie - no questions asked! Bear in mind that i've watched the movie with EN subtitles and still loved it!

This Swedish original is a great movie, so much better than the American remake "A Man Called Otto".

I usually don't like to read subtitles through an entire movie because it distracts you from watching the actors and the scenes, but in this case it was very well worth it.

This original had much better acting, better and more in depth character background, and the car manufacturer battle was hilarious. The remake did a very poor job in all of these areas, especially in the acting sense. The character were very relatable and realistic.

If you can only watch one version, watch this one, if you plan on watching both, watch this one last, as you will appreciate both of them much better.

"A Man Called Ove" (2015 release from Sweden) brings the story of 59 yr. old Ove. As the movie opens, we see him bickering in a store over the price of flowers on his way to visit his wife Sonja's grave. Not long thereafter, he is given the boot at work, after a 43 yr. career in train maintenance. This leaves him with plenty of time to do the rounds of the small (and traffic-free) community where he lives. Then a young family moves in across the street, not knowing the many strict rules of the community. All along, Ove can't wait to join his beloved Sonja in the hereafter. At this point we're 15 min. into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: first of all, if you have seen the trailer, you are probably expecting something along the line of that other recent Swedish movie, the funny and irreverent "The 100 Year-Old Man Who Climbed Out the Window and Disappeared", as certainly the trailer gives that expectation. Let me stop you right there, as "A Man Called Ove" turns out to be almost nothing like it, and in fact I will say that the movie's trailer is outright misleading. "A Man Called Ove" certainly has some funny moments here and there, but in fact deals a lot more with how someone deals with facing life without a dearly beloved significant other. The movie cleverly looks back at the budding romance between Ove and Sonja in a number of flashbacks, and it's not until the very last 15 min. that we get the full picture. (During one of those flashbacks, we hear Demis Roussos' "Forever and Ever" in the background, which I literally hadn't heard in decades. That guy was HUGE in Europe in the 70s.) The movie also looks at the importance of neighbors and the immediate community (and even integration of migrants, as the wide of the young family fled Iran and is now completely fluent in Swedish). The movie that came to mind as I was watching this is Clint Eastwood's "Gran Torino" of a few years ago. Indeed, certain parallels are uncanny (grumpy older guy, love for cars (in "Ove" it's a Saab), dealing with personal loss, adjusting to new neighbors, etc. Rolf Lassgard is outstanding in the title role, and kudos also to Barar Pars as the young wife from Iran.

"A Man Called Ove" opened with little pre-release fanfare at my local art-house theater here in Cincinnati. The Friday early evening screening where I saw this at was attended very nicely, somewhat to my surprise. So much the better! If you are up for a bittersweet Swedish movie about an older gentleman's adjustment to a new world, I think you will like this quite a bit. "A Man Called Ove" is worth checking out!