Flaskepost fra P

As I had seen Kvinden i buret and Fasandræberne and liked them both, it is logical that I set to Flaskepost fra P as well. And I am contented again, even a bit more than with the other two. Following the main leitmotif, there are witty dialogues between the two policemen about faith and religion, and more suspense scenes where the outcome is unpredictable. Perhaps the wrongdoer's identity was revealed too soon, but his motives not revealed until the end and great performances of all stars of the film generated yet a pleasant and intense film experience, based on a renown book by Jussi Adler-Olsen (well, I have not read them, but I am not a person vigorously comparing related books and films, with a trivial conclusion that "the book was much better" :))

So, another good creation within Scandinavian Noir, and another reason and opportunity to acquaint yourself with Nikolaj Lie Kaas' talent.

After watching the first 2 films of the series, I was left amazed at the intrigue of this show. They were dark and complex and left you on the edge of your seat. However, this film was below par in my opinion. I still loved it. However, it did not reach my expectations. The plot of this film is probably the darkest of the lot but I felt there wasn't as good a flow to it as the others. Nevertheless, it was a great film to watch which kept me guessing throughout, with a satisfying ending

I had high expectations for this third film - would it be as good as the two previous films?

I am delighted that it is. But different than the other two films. This film has more dialog between the two main characters, about they're personal life and faith. It brings more depths to the characters, and it does not come in the way of the story-line.

As the previous films, this haunting crime-film is all about the darkest and most twisted evil people, and they're terrible actions towards innocent people. In this film it also deals with children, so it's very gripping. As a Norwegian Im delighted to see Norwegians actors in this film, they really brings life to the film, acting in a convincing way. It even has a Norwegian director. But this it danish crime at it's very very best.

Well, if you like dark tales, this one is for you. Hope they follow this up with more films.

This is the best chapter among the three, in my opinion. "Department Q" is a honest, low-flying franchise; it does few things, but does them very well. It's some kind of a very very good, 2-hours long tv episode. It keeps you hooked till the end (that's something very important in crime fiction), while entertaining you with good photography, good acting, and some tongue-in-cheek humor.

A special mention for the lead actor, that delivers an outstanding interpretation here, something worth of Hollywood in my opinion.

Recommended for a relaxing evening at home, it's fiction with no flaws. On a side note, some sequences in all three movies are violent or gory and can be disturbing to some.

This is the third, and so far the best, film from Jussi Adler-Olsen's crime novels about the Department Q. The first "Kvinden i buret"/"The Keeper of Lost Causes" (2013) I rated 7/10, and was quite disappointed about the much more convoluted "Fasandreberne"/"The absent one" (2014), which I voted 5/10. Then I'm happy to say that this is a big step back from the last film directed by Mikkel Nørgaard.

Acclaimed Norwegian director Hans Petter Moland has taken over, and made a much more serious and darker Nordic noir.

The film is about a serial killer, acting as a cult leader. He kidnaps two children and demands ransom. But before this the Departemnt Q gets a case with a eight year old strange message found in a bottle. This is the start of an intense hunt.

The acting is superb, and mix with religion makes it very interesting. The film is slightly let down by being a lower budget production, though just from being a classic. it's still a very dark crime thriller.

Carl Morck (played by Nikolaj Lie Kaas) is very depressed and heavy minded. He makes his best role so far here. There is also a very strong acting performance by Pål Sverre Hagen, which does another psychopath here, just as in Moland's incredible "In order of disappearance"/"Kraftidioten". Once again a memorable role.

A well recommended Nordic noir.