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A lot of what the characters do makes very little sense. For example the protagonist seemingly has one central goal but then stops to do a good deed that almost destroys everything. A good deed that also has a giant Afro in frontier times? Juliette Lewis' huge lips are also very distracting. Decent story and shot beautifully but things like these pulled me out of the movie.

Peter Dinklage kills it as he does 100% of the time. Great to see him in this unique role and hope he gets more like it in the future.

This paragraph is just to make my review long enough for the new six hundred character requirement instituted because Amazon's $1Billion snow ranked and got bombed on this site. Hopefully they change it back because this is a waste of my and everyone else's time for quite literally absolutely no reason. Boom six hundred characters.

The Thicket (2024) is a gritty Western thriller that has its moments but ultimately falls short of its potential. Based on Joe R. Lansdale's novel, the film sets up an intriguing premise: a young man seeking to rescue his kidnapped sister, teaming up with a bounty hunter and a quirky group of outcasts. The cast, led by Peter Dinklage, gives solid performances, especially Dinklage, who brings a grizzled charm and intensity to his role. Juliette Lewis also shines in her eccentric supporting part (on par with the performance of Dinklage, or even better).

Visually, the film captures the rough, unforgiving world of the frontier, with a stark and at times beautiful atmosphere. There's a tangible sense of danger and lawlessness, enhanced by a strong score that keeps the tension simmering.

However, despite these positives, The Thicket feels uneven. The pacing drags in places, with long stretches where not much happens. Some of the supporting characters, while entertaining, don't get enough depth to feel fully realized. I found the meeting with some characters rushed too. The plot, which starts strong, becomes somewhat predictable, relying on familiar Western tropes without offering much new to the genre.

Overall, The Thicket has moments of grit and character, but its inconsistent pacing and lack of fresh storytelling prevent it from being more than an average watch. It's worth seeing if you're a fan of the genre or the actors involved, but it doesn't quite leave a lasting impact.

Set against the unforgiving backdrop of the Wild West, The Thicket tells the story of a mismatched group of individuals: Reginald Jones, a bounty hunter portrayed by Peter Dinklage; his loyal sidekick Eustace, played by Gbenga Akinnagbe; Jack, who enlists their help to rescue his kidnapped sister (Levon Hawke); Lula, the sister in peril (Esme Creed-Miles); and the menacing outlaw Cut Throat Bill, brought to life by Juliette Lewis.

This film evokes memories of Sergio Corbucci's spaghetti Westerns, yet it opts for a more subdued palette, emphasizing the darker aspects of its narrative and employing somber cinematographic techniques. It is only towards the conclusion that the visuals begin to brighten.

The storyline is populated with nefarious characters and unstable individuals, all too willing to inflict harm on anyone displaying courage or a strong moral compass. Consequently, the innocent siblings endure their share of hardships before they learn to adapt and survive in this brutal, unforgiving environment. Their plight is compounded by the tragic loss of their parents to smallpox and the murder of their grandfather (Guy Sprung) by Bill, which sets off this harrowing journey.

In summary, this film is likely to captivate those in search of a chilling, action-packed thriller that embraces its brutality and mercilessness with a haunting, macabre flair. Enjoy!

The Thicket is a decent film boasts a good cast; stars Peter Dinklage, Leslie Grace, Juliette Lewis, Esmé Creed-Miles, Levon Hawke and Macon Blair. West Texas. After his sister Lula Parker (Esme Creed-Miles) is kidnapped, a desperate boy Jack Parker (Levon Hawke) recruits by a fierce bounty hunter named Reginald Jones (Peter Dinklage) to track down a ruthless and violent killer known only as Cutthroat Bill (Juliette Lewis). So Reginald becomes the leader of the group of outcasts searching for the stolen girl. As he rallies a band of unlikely heroes including a grave-digging ex-slave Eustace Hollow (Gbenga Akinnagbe) and a street-smart woman, Jimmie Sue, (Leslie Grace) for-hire. Together they embark on a perilous quest to track down Cutthroat Bill that leads them into the deadly "no-man's-land" known as... The Thicket. Death comes fast in Texas !.

This is a nice Western with noisy action, thrills, chills , violent attacks , assaults and loads of action. The film deals with the perilous and risked way that the motley expedition carries out their journey to track down to Cutthroat Bill. Exciting, though it is too, the film is not without its thoughtful side. Peter Dinklage (Tyrion Lannister in Game of Thrones) plays a ruthless bounty hunter in this violent revenge Western set in the early oil era of the early 20th century in Texas, in a place full of oil wells, cold envoronment snowy landscapes and where the first motor vehicles such as motorcycles are already seen. The film is full of murderers, blood and redemption. In the movie many sad and brutal events happen being based on the novel of the same name , a mystery/suspense novel written by American author Joe R. Lansdale , released by Mulholland Books in 2013 , which was adapted by playwright Chris Kelley.: The Thicket, here Dinklage plays an eloquent and resentful bounty hunter who will help a young man to find his sister, kidnapped by a bank robber. Directed by Elliot Lester (Blitz, Aftermath), and co-starring Juleitte Lewis (From Dusk Till Dawn, Cape Fear), the film also has in the cast with Levon Hawke (son of Ethan Hawke and Uma Thurman), James Hetfield member of the famous hard rock group Metallica, Leslie Grace (Batgirl) and Andrew Schulz (Sneaky Pete).

The motion picture was professionally directed by Elliot Lester , delivering action and tension enough , although a little slow-moving at times. . This filmmaker is a fine craftsman who has directed some acceptable movies. Elliott's feature film ¨Nightingale¨, starring David Oyelowo and produced by Brad Pitt's Plan B, premiered in 2015 on HBO and earned David a "Best Actor" win at the Critic's Choice Awards. The film also received nominations at the Emmys and Golden Globes. His most recent film ¨Aftermath¨, starring Arnold Schwarzenegger & Scoot McNairy and produced by Darren Aronofsky. In addition, he is attached to direct the sci-fi thriller ¨Continuum¨ for Entertainment Studios with Josephson Entertainment producing. Lester has directed other important films such as: ¨Blitz¨ , ¨Sleepwalker¨,¨Love is the drug¨. In TV, Elliott recently sold ¨Say their names¨ to HBO, which he will direct. Elliott has previously directed multiple episodes of TV, including ¨Will¨ and ¨Containment¨ . Elliott is also an established music video director having worked with Avril Lavigne, Selena Gomez, and The Fray, among others. The Thicket(2024) rating: 6.5/10. Essential and fundamental seeing for Western enthusiasts .

If you like westerns, you got to see it!

Peter Dinklage is amazing in it. Every attempt Dinklage makes to be a Bonafide leading man has never failed! He's shown time and time again that he has the chops, and this movie is no different.

But Juliette Lewis! This was a surprise indeed! Not saying she has not proven herself a good actor as well, but man! She locked down one of the best bad guy performances I ever scene. It's one of those things where the internet is going to need to make a click bait list of most underrated Villains in cinematic history just so they can put Cutthrought Bill on the list persuading the cult status.

Last but not least (well actually...) Jame Hetfeild. I have to admit I'm a big enough fan of Metallica to put in the effort to see this in theatres (which may not have been the cheapest choice considering its a Tubi original film and might be released on the format in a few days for free). Everything I know about Hetfeild is that he took a long time to come out of his shell to try holding some lines in a film, but he does it and does it well enough. It was fun seeing him act.

Surprisingly and oddly unique as a western too taking place in what must of have the very end of the wild west. No dates were given but it is interesting to see cars and bikes in a western. I'm guessing 1910 or 1911.

Anyway, it can drag along some times but overall, it was worth sitting though.

For the press run that Peter went on to sell this thing, I was expecting more. I love Juliette Lewis (The Other Sister, From Dusk 'Till Dawn) and she basically carries the entire film. In my opinion, Peter Dinklage gives an unmemorable performance here yet shines in comparison to the rest of the somewhat unknown cast.

As far as Tubi movies go, this is a decent watch. I just felt like there was something missing. As far as westerns go, this one just doesn't feel like it has a lot of grit. I remember watching an interview with Peter where he recalls one of the producers wanting a character in the film to have a "James Hetfield" look (lead singer of Metallica, for those who don't know) and Peter suggested that they just get James Hetfield to do the movie. Well, there is probably a reason why they suggested a professionally trained actor who looks like Hetfield, rather than Hetfield himself. He does an okay job, even kind of bad at times.

I don't want to get political with this review, but I feel like this needs to be addressed. I understand that every movie can't be Django Unchained. I also understand that life imitates art and visa versa, and we are trying to create a better world here. But there is something inside of me that is crying out every time I watch a period piece made in modern times. It seems like Hollywood is desperately trying to rewrite history to make America's past seem way less racist and horrible than it is. This is a pretty good example of that. There is ZERO racial tension in the film, despite the fact that two out of the five characters are African American who go up against some of the frontier's nastiest outlaws. To my knowledge it isn't even mentioned and I didn't know that Reginald's (Dinklage) counterpart Eustace (Gbenga Akinnagbe) is an ex-slave until I read that in the film's description. No one else in the film mentions it at all. It's not a huge issue, it just feels kind of disrespectful to the people in that time who suffered the horrible atrocities of slavery. I just really don't like the white washing of American history. Sorry, rant over.

Another part of this movie that I didn't enjoy is seeing Andrew Schulz in the film. I don't like this man's comedy, I don't care for his podcast, and I think that he does a middling job here. He also sports the exact same haircut and mustache that we see in modern times which feels out of place. I remember a golden age of film where truly talented actors was enough to get people to see your film. Now we're at a point where we are relying on YouTube stars to get people to watch. It makes me kind of sad honestly.

I really wanted to like this movie more than I did. The cinematography is pretty good, despite the fact they use plenty of cheat codes (filming a western and using a winter backdrop, for example). I saw this for free so I guess beggar's can't be choosers, but I found this film to be average at best.

I stumbled upon The Thicket by sheer luck, at my local hi-fi retailer and immediately after seeing names like Juliette Lewis and Peter Dinklage it caught my attention.

Juliette Lewis has long been one of my favorite actors, her performances in Natural Born Killers, Cape Fear, and Kalifornia have stuck with me for years as some of my favourite films.

So to see her take on a role in a gritty, old-school Western as Cutthroat Bill was an unexpected but welcome treat.

Set in the shadowy outlawed world of early 1900s Texas, The Thicket plunges you into a lawless land where it goes back to vintage western roots and the unknown of life and death which gives the film a brutal, lived-in sense of realism. In this world, moments can happen suddenly and unexpected.

The scenery, from dusty western towns to brooding parlors, is incredibly evocative. The snowy white frosty American outback in the travelling scenes was appealing and enhanced the vision of desolate human struggle, and isolation.

It captures the mood of the Western genre beautifully, without over-romanticizing it. One standout is Hector, played with grim intensity by Andrew Schultz, a villainous parlour keeper and kidnapper of women who gives the story some of its most intense and uneasy moments.

Peter Dinklage, was a witty and hilarious with his delivery of dialogue which greatly enhanced his reputation as someone who can outright lead a film.

One of the biggest surprises was seeing James Hetfield on screen. His rugged presence is immediately recognizable, and as a Metallica fan who's been lucky enough to see them live, it was a bit of an unexpected thrill to spot him from the crowd.

The film offers layers of character depth, especially through Peter Dinklage's haunted bounty hunter, and rough upbringing to Juliette Lewis's wild, almost feral outlaw. Lewis in particular steals every scene, balancing menace and madness with just the right amount of unpredictability and grunt.

That said, not everything hits the mark. Levon Hawke and Esme Creed-Miles bring youthful energy, but the experience is noticeable, they both lack the on-screen charisma needed to anchor a story that demands emotional weight. Their performances feel more like sketches of cliche characters than fully lived-in portraits, and that holds the film back at times.

As The Thicket builds toward its climactic shootout at the isolated cabin, towards the final showdown in the dense brush, things begin to feel a little hollow. The action is there, the stakes are high, but something is missing. Perhaps it's the mythic resonance of carnage in classic Westerns like The Magnificent Seven or The Good, the Bad and the Ugly. Maybe that comparison is unfair, but it's hard not to measure this film against those iconic giants.

In the end, The Thicket is a welcome return to old-fashioned storytelling, steeped in mood and moral ambiguity. It doesn't quite leave a lasting impression, but it's a dark, intriguing ride while it lasts, and worth watching for Juliette Lewis alone.

6/10.

So a question? Are we supposed to believe that everyone in this movie thinks Juliette Lewis is a man? She's clearly a woman, even with the weird croaky voice she attempts. I mean the first scene on the river I am trying to figure out why they are calling her Bill. Are they humoring her or are we supposed to believe they all think she's a man? Even if she was really a man, she still small and weak looking. Not at all scary. I mean the budget seems to be adequate, the acting is decent. The story is a little odd but still a servicable storyline for a good western, if done right. The cold, bleak setting and sets are well made but Juliette Lewis is just terrible. Not her acting as much as the part. Don't get me wrong, I think she is a great actress and love her in a lot of films, but she is not threatening, scary, mean or menacing. I keep thinking why the hell is everyone supposed to be afraid of her. The licorice thing in the store? Weird and gross, but not something I think an outlaw robbing a store would do. Peter Dinklage is another great actor and is decent in this but I guess miscast. He's not a hard boiled bounty hunter killer type, as much as I love him, he would probably be killed in about 13 seconds. I think that's the whole problem with this movie, casting. Trying to make actors and actresses that are normally unthreatening, hard and scary just doesn't work. Just can't buy into it, sorry. I wanted to. If you are someone able to really suspend your disbelief then you might like it. It's not bad, I just couldn't get past the casting. They may explain the gender thing at some point but I am turning it off.

The story and plot was easy to become invested in. It has gritty, interesting, and engaging characters. The story is compelling, violent, raw, and unpredictable. The outlaws were very bad, and the good guys felt like real people. There were many very tense and exciting scenes. The scenery and settings were authentic to a turn of the century rustic western era. The character acting was flawless throughout. I also quite enjoyed the music track. Overall, this movie was well written, well made, well acted, engaging, interesting and worthwhile. I can easily recommend it, but, it's not suitable for children.

If you haven't already, I highly recommend the original novel. The characters are much more hashed out, there is actual growth and change as the story progresses. The main story line more or less follows the novel, however, there is none of the emotional punch that the book was excellent at delivering. There is little chemistry among the main protagonists.

It all felt very rushed getting slotted into a 100 minute runtime. It has the same feeling of the failed "Dark Tower" film with Idris Elba. The actors gave it their best with a weak screenplay. Given the pull Peter Dinklage has, this should have been a 6-8 episode miniseries on HBO.

I really dislike giving bad reviews for movies as they are quite difficult to produce but this film takes the cake for the hard-to-watch event at the end of summer.

I barely made it to the main title screen. The characters seemed bland, boring, and uninteresting; pick any word from that lot and you'll catch the vibe. To hear that this was Dinklage's passion project just really drives home that urge to want this to be good but underdelivers and then-some.

Sad to see it but even worse, can't get through ten minutes. I swear to God it would do some of these writers justice to write interesting characters so that we the viewer can be enthralled with what we are watching intead of bore us to death.

Nasty is the word I would use to describe this. Not worth your time.

In bright but dark western "The Thicket" Levon Hawke's sis Esme Creed-Miles is taken by notorious crim Juliette Lewis (so good again) & her gang - so Hawke teams with Peter Dinklage (also great), Gbenga Akinnagbe & Leslie Grace to hunt them down across bleak snowy terrain... while they themselves are hunted by James Hetfield (yes, him) & Macon Blair. Characters, dialogue and the relatively simple plot are all well written by first-timer Chris Kelley (based on Jon R Lansdale's novel) and it's superbly directed in his trademark ethereal yet gritty style by the classy Elliott Lester (who's growing a solid reputation). Terrific fare, especially for western genre fans.

How many great westerns have you watched & can remember the soundtrack theme ? Almost every great western uncannily has a great soundtrack... this films music is well made & from a talented composer, yet is utterly forgettable while also often intrusive & overblown.

This is certainly one of the worst 'westerns' I've ever seen.

(after seeing 300+ Spaghetti/Euro & many 100's of American ones) I am only reviewing it here as a warning to others who love Spaghetti/Euro Westerns (which this film is a drab imitation of), classic westerns ...& films in general !

This film is the dregs... an overload in stupidity, that could have been entertaining if it wasn't so utterly humorless & predictable. I only sat through it to test my endurance levels & grimace at the dire script, which is seemingly written by a person trapped in a world of z-grade cartoon fantasies & TV trash.

The idea for this film is another RESCUE mission with a bit of bounty hunting & revenge thrown in. It has been done many hundreds of times already, and there is nothing original in this film to add to anything, despite its lesbian arch enemy played by an almost incomprehensible Juliette Lewis. I had to put sub titles on to comprehend what anyone was mumbling during this.

Nothing about it is memorable apart from its incredible unbelievability, & poor filmatic choices. The Direction is bland, the characters rubbish, even Dinklage's, which had some promise at first.

Compare this films to any of the Spaghetti Western 'gems' from 1964-74 (ish) . The Great Silence, California, Four of the Apocalypse, for example, which all have similarities with this film yet ultimately they are different creatures.

This may all seem like a personal/subjective dismissal reliant on simply my TASTE in films, although if you consider the ridiculous events in the opening scenes my disgruntlement should be universal for discerning movie-viewers.

Here are the notes I made of unbelievable stupidity in the film-

1- daft girl stands unmoving in the middle of the road, while a motorbike drives at speed straight towards her from over a distance of about half a mile.

2- the Motorbike can drive at speed on SNOW & ICE !

3- Barge-keepers don't maintain or check their equipment. Have no weapons for defence. Have a single strand , thin rope for barge pulling.

4- Barge puller continues trying to wind the rope while a stand-off is occurring.

5-The grandfather allows a vicious gang to approach his family & tells them they will have to wait until he's used the barge .

6- Granddad pulls a gun on the gang leader who he knows has a vicious reputation.... ...then he shoots at the leader of gang while her back is turned.

...and misses from a few feet, only skimming her ear.

7- She isn't deafened by the shot.

8-He puts his gun down, then says he isn't armed while she shoots him.

9- The boy tries to stop a lynch mob... & gets knocked out.

10-Town Boss provokes a fight over $1

11- Sends gang after Dinklage over a deserved humiliation knowing how skilled Dinklage is.

12- Dinklage & mate are short of money, yet leave a horse after killing its rider.

13- The F-WORD swearing is tiresome, unimaginative & unrealistic , people never swore like that until later in the 20th C .

Better curses could have been used without needing to resort to that DEADWOOD tactic of anachronistic EFFECT over FACT.

14- The stupid kidnapped girl can't fire a gun at point blank range to shoot the gang leader that killed her grand-dad & (as far as she knows) her brother.

There's more, but the BROTHEL RESCUE scene is possibly the most preposterous. Looking back on it, there are so many stylish ways it could have been done by a skilled film maker & script. Instead the idiot Christian Hypocrite protagonist takes her through the main bar area & tries to walk out of the main doors !

Juliette Lewis and Peter Dinklage play interesting characters, but there's nothing apart from the two roles that sets this movie apart from the hundreds of other Westerns that have come before it.

I wasn't familiar with this director's work, and was surprised that he actually directed Blitz, which I liked, because there's a couple of tells that would make one suspect this is the work of a first-time director hamstrung by a low budget: I.e not showing onscreen deaths in all of the killings. Could this be an edit for Tubi to maintain a PG rating or no budget for practical effects?

If the flatness of the script is a result of staying true to the source material from Joe R Lansdale, then I'm not surprised, the few books of his I've tried to read have all come off as derivative.

I should have watched Jim Jarmusch's Dead Man again.

I enjoyed the cinematography and music-they both really stood out. The visuals were captivating, with thoughtful camera work and lighting that set a strong mood. The music perfectly matched the scenes, enhancing the overall vibe and making it more immersive. But the story didn't quite hit the mark for me. It felt like it lacked depth or didn't fully connect, which left me wanting more from the narrative. So, visually and sonically, it was impressive, but the storyline just didn't leave as strong an impact.

I enjoyed the cinematography and music-they both really stood out. The visuals were captivating, with thoughtful camera work and lighting that set a strong mood. The music perfectly matched the.

I'm a big fan of Westerns and The Thicket was a pleasant surprise in a day and age where Western films are so rare. Like most Westerns, the plot is simple; a bounty hunter is tasked with tracking down the kidnapped sister of his client.

Juliette Lewis is brilliant as the villain, barely recognizable, she gives a heck of a performance here as a layered villain with some decency left in her. She lives as a man, with a male name and if it weren't for the cast listing I'd never think she was a woman.

Peter Dinklage plays the bounty hunter and he's as brilliant as always. He brings 100% to the table in everything he does. During the quest to find the kidnapped girl, lots of things transpire, friendships are formed and survival tactics are put to use. I need to mention the set design here because it's A-level stuff. Beautiful sets, props, cinematography, and costume design.

I need to mention James Hetfield, a pleasant surprise seeing his cameo role in this film. Andrew Shultz, a famous NY comedian also has a cameo role in this film which was so surprising to see. Lots of themes are scattered throughout the film's plot, including the fine line between religion and literature.

The Thicket is available for free streaming on TUBI. Western fans will not be disappointed with this one unless you prefer non-modern Westerns, because this film takes place in the mid 1980s. The movie was shot on location in Calgary Alberta Canada, in the bitter cold, and the billowing cold breaths from the actors really added to the atmosphere.

This was just a copied version of John Wayne's True Grit but this version was absolute garbage. The worst part was you couldn't understand a bloody word One eyed Willy, cough, i mean Cut Throat Bill (Juliette Lewis was speaking throughout the entirety of the movie. The whole plot was True Grit and you could feel and sense it from the off. The only thing that was missing from the movie was the rattlesnake part at the end. If you've any sense you'll avoid this trash, it's not down voted five stars out of ten stars for a reason on here.

When fierce bounty hunter Reginald Jones (Peter Dinklage) is recruited by a desperate man to track down a ruthless killer known only as Cutthroat Bill (Juliette Lewis), he rallies a band of unlikely heroes including a grave-digging ex-slave and a street-smart woman-for-hire. Together they embark on a perilous quest to track down Cutthroat Bill that leads them into the deadly "no-man's-land" known as... The Thicket.

I couldn't get over the poor acting. Peter Dinklage himself was great and almost comical to watch him. However, after about an hour into the movie, I just couldn't do it anymore. The storyline is lacking. The character development is awful and I just felt like it was going nowhere. James Hetfield needs to sharpen his acting skills a little more. He was stiff as a board, and it felt like his lines were being read off a paper. There was just nothing about the movie that was grasping me. If you skip this one, it's not going to ruin your evening. I'm sorry Peter. I love you, but this one got away from me. I couldn't even finish it.

Even though the film features moments of brutal and sadistic violence there is something very charming and fascinating about the film.

Firstly, there is Peter Dinklage's character. Hard boiled mysterious stoic warrior.

Secondly, Juliette Lewis, as outlaw Cutthroat Bill. Lewis can play deranged well, but here she is at another level. Very complex mysterious wreck of a psycho.

Thirdly, there is a young cowboy that reminds me of Keith Carradine's character in "McCabe and Mrs. Miller." Tragically enthusiastic and naïve.

Fourthly, the general production. The sombre tone, winter landscape and striking cinematography.

Fifth, it's always nice to see a little standout character and set piece, somewhat related to the main plot. There was that too with the pimp in a brief bordello scene.

Sixth, the final understated denouement.

Interesting gritty sadness inducing viewing.