96 Souls

Sorry to say, this is not a good film. Not the acting, the script, the dialogue, the pace.. really, it's hard to find anything good to say about it. Even if the premise had a chance at all, the way it's portrayed completely ruins it. So - two thumbs down from me.

"96 Souls" is captivating from start to finish. The lead scientist at a university lab has his hands full as he deals with personal disappointment and heartbreak at the same time he is fighting for support of his unprecedented research into light-based identification of scent. His life turns upside down when an accident in the lab inadvertently provides the breakthrough he is seeking and more. This low-budget thriller uses simple, but effective special effects to illustrate the "hallucinogenic" quality of his formula – it literally alters one's perception of reality. There is unexpected humor in this film, which doesn't detract from its message about the importance of not abusing potentially exploitative information for harm. It is also a meditation on love and loss, as well as personal redemption. Jack's discovery transforms him as readily as it transforms his field of study. Toyin Moses deserves special recognition for her performance as Bazemint Tapes. Her scene in the mental hospital's music room is both poignant and revelatory, and the young actress is convincing throughout the film. This nicely-written film serves a main course of entertainment with side of morality tale.

The movie started with what seemed to be a well executed story line but somehow lost the plot half way through. The director could have either done away with the pseudo philosophy , or at least developed it properly. Amateurish special effects and cardboard acting from some actors did not help.

Very short review on this one. The story starts out okay with an interesting concept (being able to visibly see odors), but then devolves into absurdist directing and not-so-special "special effects" that have no sensible or reasonable basis. What starts out as science fiction quickly become science slop. Oddly, this happens at the very same time the theretofore reasonable script suddenly explodes in a blast of profanity. It makes one wonder if they completely changed directors and writers 20 minutes into the work... and decided to throw decent writing, reason, acting and good directing out the window in favor of shock schlock. What began as a reasonable premise becomes unbearably ridiculous-- at which point I decided to waste no more of my time than already spent on this spud.

This is a sci-fi based film that moves quickly into social commentary. The main character, Jack Sutree, is a research scientist studying the potential to use light to see olfactory data, namely scent. After an all-night work session he accidentally gives himself the ability to see smells. Soon after, he's begins to see people's souls, or the essence of their humanity. How he deals with this ability frames the film with his actions motivated by his response to events going on in his personal life. A pet's death, a pending divorce, a chance encounter with a damaged, but talente$d, homeless musician and a regent in his department who shills for Big Pharma all affect Jack as navigates the good and bad aspects of this ability to see beyond what everyone else can observe. This is an earnest movie. The tone is set right away as we see Jack dealing with having his beloved dog euthanized. He decides he wants his research to be used for the greater good, not great profits. The writing moves us along briskly, and the authentic Los Angeles locations are a fresh breeze. I thought the cast was put together nicely, especially Rob Locke as Stuart Holloway, Jack's mother's pastor. There is a great scene where he describes an onion in metaphysical terms. All in all a worthwhile movie — there's much to like here.