Toni Erdmann

I liked this movie a lot. I met "these" people over the last 25 years in Bucharest and in Germany.

In this "new global world", the most of the time everybody is so deep into the details of "knowing how to be" because everybody is already like this, that if you take a step back and watch from a different angle you might wonder if anyone still remembers what it is to be a human. To remember the pleasure of feeling secure and loved by the ones that are guaranteed to be the ones that will do so. And finally if you get the right angle, you have to admit that everyone around you looks ridiculously, trying to find the detail in the detail that would make a difference, even if everybody does everything identically and there is obviously nothing else. The game about being a tough global business-woman/man, up to the most disgusting proofs to be the tougher one, is finally just flat and meaningless.

The whole story is wonderful true. The actors are doing a fantastic job making you feel the frustration and discomfort that should be seen and felt by everyone living in such a world. It is not a slow movie ... it is the shortest version of an never-ending slow life with nothing that would make your heart pound for the true meanings.

This movie brought two points to my mind. Einstein defined madness: - Trying the same thing again and again while expecting a different outcome. - Google was build on the simple idea that everybody is searching for something that everybody is already mentioning... Try to type "Apple" in the Google search field

This is a great movie - but most likely not for everyone. It's about academic upper middle-class people and their family relationships. Not everybody will find that interesting and there is no usual "romantic" plot development. It's a family portrait of a father and her daughter and as such has no (plot) conclusion. It is not the usual light comedy since it touches very serious questions and the prevailing mood is unhappiness (it is however _very_ funny at times ;-)).

That being said, this movie makes some very fine and subtle observations, presents them in a funny and entertaining form yet at the same time in a thought-provoking and philosophical way which will make you think about it for a long time. If you're from an academic (german) household you will find lots of similarities in your own family relations.

This movie is not fast-paced - in fact it often has long shots of lonely people and a lot is not said but has to be filled in by the viewer. So if you don't relate to the characters this movie will feel longish for sure. But if you find traces of your own life or that of your friends and relatives you'll be amazed by the subtlety and finesse in which this movie is directed. Although there are some bizarre events, everything which happens in this movie could happen in real life. There are no implausible scenes in this movie! This is an incredible statement given the crazy and bizarre things which happen in this movie. If you wanna know how that could be true, you might wanna watch it.

I love films , so I had to go watch one of the most talked about films of 2016 with all this fuss and awards going on about it.

As other IMDBers have already mentioned, the expectations were high enough , and I sort of demanded a good film. I cannot say I got that.

The story (which isn't really a story) roughly, is about a woman whose job is basically firing people off of other companies --- and her father who is bizarrely present and around her throughout most of the film , making awkward but somewhat distant jokes , supposedly to help her have a better life.

Toni Erdmann is a bizarre film for sure. Nothing wrong with that, just stating a fact. It's a film that shows us instead of telling us things. Which is respectful, elegant and admirable in a way and that's a plus for Maren Ade.

There are admirable things in Toni Erdmann , but for me there are also big flaws that reduced the overall viewing experience.

The fatal flaw to name, is the starkness and the extreme cold atmosphere of this film and all its characters. For me a film must offer entertainment , in the broad sense. Meaning that a film has to give us a variety of good things that'll "warm us". Good soundtrack , interesting and empathizing characters , a good atmosphere and locations , and of course a solid story that'll surround us and in the end win us with its charm so we'll want to re watch the film after it starts to rust in our memory.

I don't want to watch Toni Erdmann again. There was no charm that won me and so just one preview is enough. I didn't connect with the characters much , not that I don't have common things ,most of us get modern life's problems , and we have common issues with fiction characters who aren't too happy with their life. Its a safe bet. But this doesn't mean you connect with the characters as well.

Toni Erdmann felt very much like you are inside a fridge, sitting in there and viewing stuff in a cold environment. Too cold. Also it runs too long at 2 hours and 40 minutes for the particular story told. For the kind of praise it got , I expected better characters , better dialogues and in the whole a better picture.

The direction in its practical sense of camera placement and movement was mediocre and so was the photography which was pretty basic so don't expect "good pictures".

The admirable things about it, was the good acting, mostly by the father "Toni" but the daughter was modestly good as well in her role. The originality of the film's approach to the father-daughter relationship was another good thing. And lastly the film's themes and questions/problems addressed by the director/scriptwriter Maren Ade. The story had meaning behind it sure, but it was too elegant about those themes (the corporate world vs human values and what matters for modern man vs what should really matter.) These are honorable themes and Maren Ade seems like a decent person to explore and show us a few troubling things in the hope to awaken us, but as a film it was mediocre. Of course that's just my opinion, but I have to say there are some rules in Film making , and mrs Ade neglected a few of them.

6/10

There's just something really magical about this film. I had heard so much praise bestowed upon it but had never really read anything about its premise or plot. I found it to be a very lovely, touching, and brilliant drama, although it also functions as a comedy in more ways than one. I think the real gift of the film is that it's able to be so touching and charming without actually trying to be overly cute and sentimental. The screenplay does so many things and takes so many turns for us to keep on going on this ride with the lead characters. Peter Simonischek and especially Sandra Huller are really fantastic and give us here one of the best pairings of 2016. This is a film to cherish and adore and I really hope it finds an audience. I'm sure it will and I can't wait to see it again.

Initially I didn't know what to make of this movie and while billed as a comedy, there really isn't much that I found laugh out load funny about it until the last third of the movie. There are lots of awkward moments, that some could find funny, but others will not like them.

Most will find this very depressing and will turn it off after the first 60 minutes or so, I nearly did, but thankfully I kept watching and really enjoyed the last third of the movie.

As a father I can speak from experience when I say fathers will do anything to make their children happy and this shows through in this movie. I felt the father's whole misguided aim was to connect with his daughter and try to cheer her up. He can see she is very unhappy with her life. He fails most of the time, but continues to try throughout the movie with sometimes interesting and funny results.

Overall I found this quite a deep, thoughtful and very German movie. Watch lots of German movies and you will know what I mean.

I would be very hesitant to watch it twice.