Noticias

Glitter (Brokat) is a series starring Magdalena Poplawska and Wiktoria Filus. It is directed by Anna Kazejak, Julia Kolberger, Marek Lechki and Rafal Skalski.

Ten 30 minute episodes that stand out for the well elaborated retro aesthetics.

The year is 1976, in Sopot (Poland), three resolute women face the social and political norms and customs in pursuit of their independence and freedom – financially, sexually and romantically.

About the Series

Through the multiple narratives, the characters in the series offer us a portrait of life in Poland in the 1970’s where the traditional culture meets new trends.

This unavoidably covers the taboo subject this series seemingly revolves around: sex. Also a means to land well paid jobs.

A depiction of an era that counts on a very elaborate production and is well worth watching, particularly, for its good reconstruction of an epoch and the good atmospherics. With good photography, scenography, and performances.

A...

Who Will Write Our History Abramorama Reviewed for Shockya.com and BigAppleReviews.net by: Harvey Karten Director: Roberta Grossman Screenwriter: Roberta Grossman, Samuel Kassow from Kassow’s book “Who Will Write Our History? Rediscovering a Hidden Archive from the Warsaw Ghetto” Cast: Jowitz Budnik, Piotr Glowacki, Piotr Jankowski, Wojciech Zielinski, Karolina Gruzka, Bartlomiej Kotschedoff, Gera Sandler Screened at: […]

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Modern, bourgeois life is stressful, but a lot of the stress is of our own petty devising, according to Polish first-time feature director Paweł Maślona’s energetic, well-crafted, but ultimately rather empty “Panic Attack.” A Warsaw-set ensemble comedy in which six separate storylines showcase a selection of Varsovians brought to near nervous collapse trying to maintain self-serving deceptions, it should play well at home and to local/regional audiences eager for depictions of contemporary life in Eastern Europe that are less dour than those usually afforded by the festival circuit. But while the film is an attractive calling-card for Maślona, its proudly commercial sensibilities make “Panic Attack” an atypical choice in the Karlovy Vary competition lineup, and its glibness may leave international art-house viewers feeling shortchanged.

Comparisons with Damián Szifron’s similarly antic and tragicomic “Wild Tales” are inevitable, but Maślona’s movie is in some ways the more ambitious.