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This June, Netflix is bringing you a lot of entertainment, from the highly anticipated final chapter of the worldwide hit series Squid Game to the next season of the beloved Shane Gillis‘ comedy series Tires. However, for the purposes of this article, we are only including the films that are coming to Netflix this month and have a 90% or higher Rotten Tomatoes score. So, check out the five best films that are coming to Netflix in June 2025 with a 90% or higher Rotten Tomatoes score.

Vertigo (June 1) Rotten Tomatoes Score: 93% Credit – Paramount Pictures

Vertigo is a psychological thriller drama film directed by Alfred Hitchcock from a screenplay co-written by Alec Coppel and Samuel Taylor. Based on the 1954 French novel D’entre les morts by Pierre Boileau and Thomas Narcejac, the 1958 film follows John, a former police detective who retired...

Alfred Hitchcock: The Iconic Film Collection will collect six of the Master of Suspense’s classics on 4K Ultra HD + Digital: Rear Window, To Catch a Thief, Vertigo, North By Northwest, Psycho, and The Birds.

Releasing on November 26 via Universal, the six-disc set is limited to 5,150. It’s housed in premium book-style packaging featuring artwork by Tristan Eaton along with photos, bios, and trivia.

In 1954’s Rear Window, “A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.”

It’s written by John Michael Hayes (To Catch a Thief), based on Cornell Woolrich’s 1942 short story “It Had to Be Murder.” James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, and Raymond Burr star.

Rear Window special features:

Audio commentary by Hitchcock’s Rear Window: The Well-Made Film author John Fawell Rear Window Ethics – 2000 documentary Conversation with Screenwriter John Michael...

Oppenheimer star Robert Downey Jr. teased potential plans for a remake of Alfred Hitchcock's Vertigo.

In an interview with The New York Times, Downey was asked about his plans to remake Hitchcock’s 1958 thriller Vertigo, to which he replied, "We are certainly looking into it." The actor admitted that even the possibility of touching such a classic is "advisably ridiculous to even consider," but he did add that he was still willing to "look into it." He said, "First of all, who would our partners be in it? Love them, respect them. Second of all, let me reread the original synopsis. I think we can do better."

Related: Robert Downey Jr. Is Remaking Hitchcock's Vertigo With a Star Wars Movie Writer

While the Iron Man star did not reveal further details about a potential Vertigo remake, he did further explain what inspired him to consider bringing a Hitchcock classic back to the big screen.

Though Alfred Hitchcock's Vertigo remains one of the best movies the master of suspense brought to screens, that isn't giving Paramount – which produced the original 1958 thriller – pause. Especially since the studio has Robert Downey Jr. interested in starring.

Hitch's original saw writers Alec Coppel and Samuel A. Taylor adapting the Boileau-Narcejac novel D’entre les morts (From Among The Dead) into the story of John 'Scottie' Ferguson, a San Francisco police detective forced to retire when he develops a severe fear of heights.

Scottie is reluctantly dragged back into action when Gavin Elster (Tom Helmore), an old acquaintance from college and shipping magnate, enlists his help to shed light on the disturbing behaviour of Madeleine (Kim Novak), his icy, remote wife. However, as the intrigued friend follows unsuspecting Madeleine's every move, more and more, a dangerous attraction teetering on the brink of obsession begins to form…

Paramount has Steven Knight...

Here's some news that just might make your head spin a little. For all those movie lovers who hold up the 1958 "Vertigo" as a stone-cold classic, you might not want to look down. Apparently, Paramount Pictures, the studio behind the original film, has started greasing the wheels for a remake. The Alfred Hitchcock movie, of course, starred the great James Stewart as a former cop forced into early retirement after a harrowing and deadly encounter on the job leaves him with a debilitating case of acrophobia -- a fear of heights, for all the laypeople out there.

The report comes courtesy of Deadline, but that's really only the tip of the iceberg. Incredibly enough, this project will apparently bring on Steven Knight to write the script. Oh, and the cherry on top? None other than Robert Downey Jr. is being looked at to fill the role originally played by Stewart.

In an unexpected twist fit for an Alfred Hitchcock film, it seems as if one of the legendary director's most famous feature films is in line for a modern reboot, and one of the biggest names in cinema is eyeing up the lead role. Deadline reports that Paramount Pictures has acquired the rights to a remake of the Hitchcock-directed thriller from 1958, Vertigo, and that Robert Downey Jr. is keen to take on the role first played by James Stewart in the original film. Paramount was the studio where the 1958 version was made, and as such, the Hitchcock Estate made the studio their preferred choice for bringing the remake to life, with the original film having been adapted by Alec Coppel and Samuel A. Taylor from the Boileau-Narcejac novel D’entre les morts (From Among the Dead).

Exclusive: Paramount Pictures has preemptively acquired a remake of the 1958 Alfred Hitchcock-directed psychological thriller Vertigo, with Robert Downey Jr eyeing the James Stewart lead role of the former police detective forced to retire after a line of duty trauma that leaves him with fear of heights and vertigo. The script will be written by Steven Knight, the See and Peaky Blinders creator who just signed on to write a Star Wars film.

Davis Entertainment’s John Davis and John Fox are producing with Team Downey’s Robert and Susan Downey.

Paramount was the home for the original film, and the Hitchcock Estate favored the studio as the landing spot for this. The original was scripted by Alec Coppel and Samuel A. Taylor from the Boileau-Narcejac novel D’entre les morts (From Among the Dead).

After he’s shelved by his affliction, the police detective is hired by an acquaintance to shadow his wife,...

Universal’s top-of-the-line Alfred Hitchcock classics make the jump to Ultra HD in a worthy update. We’ve seen these before but they’re always different in a theatrical setting… and the quality is so amazing here, a big home theater setup can duplicate a theatrical experience. It might as well be a Robert Burks / John L. Russell cinematographer’s film festival too, or an ‘Editor George Tomasini Festival’ — that unheralded ace cut all four of these masterpieces. And fans of Psycho have an extra treat: a slightly longer original cut.

The Alfred Hitchcock Classics Collection Ultra HD

Rear Window, Vertigo, Psycho, The Birds

Blu-ray

Universal Pictures Home Entertainment

1954-1963 / 1:85 widescreen / Street Date September 8, 2020 /

Starring: James Stewart, Grace Kelly, James Stewart, Kim Novack, Janet Leigh, Anthony Perkins, Rod Taylor, Tippi Hedren.

Cinematography: Robert Burks (3), John L. Russell (1)

Film Editor: George Tomasini (4)

Original Music: Franz Waxman, Bernard Herrmann

Screenwriters: John Michael Hayes,...

“Two Pints Of Guinness”

By Raymond Benson

Kino Lorber’s new double-bill Blu-ray release of comedy classics starring the legendary Alec Guinness features the nautical-themed The Captain’s Paradise, and Barnacle Bill. The former is often thought of as one of the Ealing comedies, but it is not so.

Paradise was nominated for the “Story” Academy Award (a category that no longer exists), and it was written by Alec Coppel. It is indeed a well-written and clever vehicle for Guinness, who delivers his usual above-it-all confident demeanor when his character is faced with domestic and professional disaster. He plays Captain Henry St. James, whom his chief officer Ricco (Charles Goldner) constantly calls a “genius” because Henry has found the perfect path to “paradise”—a double life with two women—one in the Spanish town of Kalique (actually Ceuta) in North Africa, next to Morocco, and one in Gibraltar. His ship, The Golden Fleece,...

No Highway in the Sky

Blu-ray

Kl Studio Classics

1951 / B&W / 1:37 flat Academy / 99 min. / Street Date February 7, 2017 / available through Kino Lorber / 29.95

Starring : James Stewart, Marlene Dietrich, Glynis Johns, Jack Hawkins, Janette Scott, Niall MacGinnis, Kenneth More, Ronald Squire, Elizabeth Allan, Jill Clifford, Felix Aylmer, Dora Bryan, Maurice Denham, Wilfrid Hyde-White, Bessie Love, Karel Stepanek.

Cinematography: Georges Périnal

Film Editor: Manuel del Campo

Original Music: Malcolm Arnold

Written by: R.C. Sherriff, Oscar Millard, Alec Coppel from the novel by Nevil Shute

Produced by: Louis D. Lighton

Directed by Henry Koster

A few years back, whenever a desired title came up on list for a Fox, Columbia or Warners’ Mod (made-on-demand) DVD, my first reaction was disappointment: we really want to see our favorites released in the better disc format, Blu-ray. But things have changed. As Mod announcements thin out, we have seen an explosion of library titles remastered in HD.

The Hidden Room (aka Obsession)

Written by Alec Coppel

Directed by Edward Dmytryk

U.S.A., 1949

On a quiet London night British upper class housewife Storm Riodan (Sally Gray) and secret American ex-pat lover Bill Kronin (Phil Brown) return the former’s lavish flat for a night of passion. Unbeknownst to them Storm’s husband, the brilliant if extremely sensitive Dr. Clive Riodan (Robert Newton) lingers behind the curtains, listening to their every word. He eventually makes his presence known, catching both completely off guard in the process. So intense is the doctor’s jealousy that he threatens to murder dear Bill point blank with a firearm. When Storm retires to her quarters out of embarrassment, the doctor forces Bill to accompany him outside when the film cuts to…a scene few days later as Clive Riodan attends to a patient in his private office. His wife is convinced his...

Voting is currently underway on the Sight & Sound poll for the greatest film ever made, which takes place every ten years, and is generally seen as one of the most definitive of such polls. And one film that's near-certain to place in the top ten, given that it's been there in every poll since 1982 (and placed second in 2002) is Alfred Hitchcock's "Vertigo." The film was relatively poorly received on release, and indeed, remained unseen for twenty years, one of the five films to which Hitchcock bought back the rights to leave to his daughter (the so-called Five Lost Hitchcocks, which also include "The Man Who Knew Too Much," "Rear Window," "Rope" and "The Trouble With Harry"). But since its re-release in 1984, the film has grown into the great director's most acclaimed masterpiece, and is now one of the most examined, deconstructed and written about films in the history of the medium.

"To see a man, to see a man about a dog, or to see a man about a horse is an English language colloquialism, usually used as a smiling apology for one's departure or absence - generally as a bland euphemism to conceal one's true purpose." —Wikipedia.

So, this is number three in a series of three pieces with a connection to the anti-communist blacklist in post-war America. While John Berry was blacklisted, and Leo McCarey was a friendly witness before Huac in 1947, the director of Obsession (1949), had a more complex relationship with the various struggling factions.

In 1950, Dmytryk appeared in a short film, The Hollywood Ten, puffing thoughtfully on a pipe, under the direction of John Berry. In the company of eight screenwriters and one producer, Dmytryk, who was riding high after the success of early film noir hits Murder My Sweet and Crossfire. All ten were being menaced...

Alec Coppel's novel "A Man About a Dog" is being adapted once again, this time by Think Tank Films . Thaddeus O'Sullivan will direct from a script by Rob Green ( The Bunker , House ). Described as a psychological thriller, the story centers around a jealous husband and the revenge scheme he exacts against his wife's lover. The title "A Man About a Dog" takes its cue from the narrative's canine who leads investigators to the husband. Richard Johns ( Shadow of the Vampire ) and Rupert Jermyn will produce. Coppel's source material was realized in 1949 by Edward Dmytryk and was known then as Obsession , or, The Hidden Room .