- Nacimiento
- Defunción23 de abril de 1992 · Calcuta, Bengala Occidental, India (una enfermedad del corazón)
- Alias
- Manik
- God
- Altura1.94 m
- Satyajit Ray nació el 2 de mayo de 1921 en Calcutta, Bengal Presidency, British India [ahora India]. Fue un escritor y compositor, conocido por La canción del camino (1955), Nayak (1966) y El invicto (1956). Estuvo casado con Bijoya Ray. Murió el 23 de abril de 1992 en Calcuta, Bengala Occidental, India.
- CónyugeBijoya Ray(1948 - 23 de abril de 1992) (su muerte, 1 niño)
- Niños
- PadresSuprabha Ray
- FamiliaresSouradip Ray(Grandchild)Ruma Guha Thakurta(Niece or Nephew)Upendra Kishore Raychowdhuri(Grandparent)
- Japanese film-maker Akira Kurosawa and Ray were acquainted. Kurosawa said of Ray's work, "To have not seen the films of Ray is to have lived in the world without ever having seen the moon and the sun.".
- The Legion of Honor is the most prestigious award in France and presented to those having exhibited outstanding lifetime achievement in their chosen field of work. Instead of inviting him over to France for the ceremony, then French president François Mitterrand personally went to Ray's doorstep in Calcutta to present him with the honor.
- In 1967, he wrote a script for a movie entitled "The Alien". Columbia Pictures was in talks to produce it. Peter Sellers and Marlon Brando were supposed to be up for the leading roles. However, Ray was surprised to find that the script he had cowritten had already been copyrighted and the fee appropriated. Brando dropped out of the project and, though an attempt was made to bring James Coburn in to replace him, Ray was disillusioned, had enough of Hollywood machinations and returned to Calcutta. Columbia was interested in reviving the project in the 1970s and 1980s but nothing came of it. When E.T. el extraterrestre (1982) was released in 1982, many saw striking similarities in the film to Ray's earlier script. Ray himself believed that Steven Spielberg's movie "would not have been possible without my script of 'The Alien' being available throughout America in mimeographed copies." Spielberg denied this by saying, "I was a kid in high school when this script was circulating in Hollywood".
- He won a special life-time achievement award at the 1992 Acadamy Awards. He's the second Indian to have won an Oscar. The first was Bhanu Athaiya in 1983.
- He was an enormous man (about 6' 5" and well over two hundred pounds), having stood nearly a foot taller than the average Indian of his generation.
- For the cinema it's much better to be more concentrated in time. It's an instinctive feeling: I can't put it into words why I feel like that. The film's better if the period is a day or a week or fortnight or a month, so that nobody grows up: everybody's as they were in the beginning.
- [on whether or not he is a humanist] Not really. I can't think of being anything else but what is represented by my films. I am not conscious of being a humanist. It's simply that I am interested in human beings. I would imagine that everyone who makes a film is to some extent interested in human beings... I'm slightly irritated (laughs) by this constant reference to humanism in my work - I feel that there are other elements also. It's not just about human beings. It's also a structure, a form, a rhythm, a face, a temple, a feeling for light and shade, composition, and a way of telling a story.
- [on Indian art] Indian art is not one thing. Indian art is so many different schools and styles. (Nevertheless) I think lyricism, the love of nature, the symbolic aspect of art (like showing rain in a few lines of dots in a Rajput miniature) the looking for the essence in natural forms and human forms, and then going for the essence rather than the surface - that I think is primarily what distinguishes Indian art from Western art. Not just Indian art but Eastern art in general. Chinese and Japanese art also, if you come to think about it, have the same qualities as Indian art.
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