Member of the Netherlands Society of Cinematographers (NSC), the Swedish Society of Cinematographers (Föreningen Sveriges Filmfotografer - FSF), and the American Society of Cinematographers (ASC) since 2016.
[on Dunkerque (2017)] We played around with the IMAX cameras a lot with Interestelar (2014) as well, and it's undeniably the best and most visceral format. It's the biggest negative, so it will harvest light and spread it out over the biggest amount of celluloid, which ultimately gives it the highest resolution - but also, with the experience of depth and color rendition, there's nothing like it right now.
