[on directing 'John Cusack' in War, Inc.] When he would do a scene, he'd nail it in one or two takes, and he'd
give me two or three more takes that were slightly different. There
was such precision to it, how they were different: Here's one that's
slightly funnier; here's one that's slightly more serious; here's one
that's slightly more concerned. He had such control over his
instrument, his body.
