Noticias

Brief Encounter.The Sight & Sound critics' poll of the greatest films of all time has for decades stood as one of the more controversial and arguably the most influential measures of cinematic excellence. Originally published in 1952, the list and its formation has been updated every ten years, with new titles added, others vanishing, and additional modifications along the way. According to an excerpt from the autumn 1952 issue, the ranking was a “sequel” to the Brussels Referendum, which had been featured in a previous edition of the publication. In that poll, 100 directors were asked to vote for their ten best films ever made. As a follow-up, Sight & Sound turned to the critics, 85 of them from ten different countries; 63 responded. Since then, the sample size has obviously increased as more films were released; new contributors took part (846 critics in 2012); and historical, social, and aesthetic perspectives shifted the ultimate evaluation of what merits final inclusion.

Jules Dassin’s powerful picture was a hit in Europe but remained mostly obscure here, despite featuring the great Melina Mercouri and a score of Continental stars. Adapted by two blacklistees in exile it doesn’t try to hide its revolutionary aims — Nikos Kazantzakis’s uncompromised storyline places The Church as a main obstruction to social progress, justice, and life & liberty. It’s no wonder it wasn’t ‘movie of the week’ in 1957. It’s been beautifully remastered at its original CinemaScope width, uncut.

He Who Must Die

Blu-ray

Kl Studio Classics

1957 / B&w / 2:35 widescreen / 128 122 min. / Street Date September 6, 2022 / Celui qui doit mourir / Available through Kino Lorber / 29.95

Starring: Jean Servais, Carl Möhner, Grégoire Aslan, Gert Fröbe, René Lefèvre, Lucien Raimbourg, Melina Mercouri, Roger Hanin, Pierre Vaneck, Nicole Berger, Maurice Ronet, Fernand Ledoux.

Cinematography: Gilbert Chain, Jacques Natteau

Production Designer: Max Douy

Film Editors: Roger Dwyre, Pierre Gillette

Original Music: Georges Auric

Written by Ben Barzman,...

Auteurist film books from the early ’70s touted the crime pictures of Jean-Pierre Melville, a Yankeephile Frenchman who chose a new name for himself and embraced crime pix because he loved John Huston’s The Asphalt Jungle. This tale of utter ruthlessness among thieves is one of Melville’s best. The great Jean-Paul Belmondo and Serge Reggiani leading a superior cast of underworld losers: Fabienne Dali, Michel Piccoli, Jean Desailly and Monique Hennessy.

Le Doulos

Blu-ray

Kl Studio Classics

1962 / B&w / 1:66 widescreen / 109 min. / Street Date July 2, 2019 / available through Kino Lorber / 29.95

Starring: Jean-Paul Belmondo, Serge Reggiani, Fabienne Dali, Michel Piccoli, Jean Desailly, René Lefèvre, Aimé De March, Monique Hennessy, Carl Studer.

Cinematography: Nicolas Hayer

Film Editor: Monique Bonnot

Original Music: Paul Misraki

Written by Jean-Pierre Melville from a book by Pierre Lesou

Produced by Carlo Ponti, Georges De Beauregard

Directed by Jean-Pierre Melville

Having plumbed the libraries of some of...

To mark the release of Le Crime de Monsieur Lange on 27th August, we’ve been given 1 copy to give away on Blu-ray.

Monsieur Lange (René Lefèvre) is a publishing house clerk who writes cheap Western novels in his spare time. When his untrustworthy, salacious boss, Batala avoids his debt collectors by pretending to be dead, Lange and his co-workers take over the business themselves and thrive on the popularity of Lange’s pulp stories. That is until Batala returns to demand his share of the profits. Meanwhile Lange falls deeply in love with his neighbour Valentine, portrayed gloriously by the mesmerising Florelle.

Directed and co-written by Renoir, Le Crime De Monsieur Lange’s story is adapted by another great of French cinema, Jacques Prévert (Quai des Brumes, Le Jour se Léve), and boasts a nuanced leading performance by Lefèvre.

Please note: This competition is open to UK residents only...

It’s a given that their Main Slate — the fresh, the recently buzzed-about, the mysterious, the anticipated — will be the New York Film Festival’s primary point of attraction for both media coverage and ticket sales. But while a rather fine lineup is, to these eyes, deserving of such treatment, the festival’s latest Revivals section — i.e. “important works from renowned filmmakers that have been digitally remastered, restored, and preserved with the assistance of generous partners,” per their press release — is in a whole other class, one titanic name after another granted a representation that these particular works have so long lacked.

The list speaks for itself, even (or especially) if you’re more likely to recognize a director than title. Included therein are films by Andrei Tarkovsky (The Sacrifice), Hou Hsiao-hsien (Daughter of the Nile, a personal favorite), Pedro Costa (Casa de Lava; trailer here), Jean-Luc Godard (the rarely seen,...

Simone Simon: Remembering the 'Cat People' and 'La Bête Humaine' star (photo: Simone Simon 'Cat People' publicity) Pert, pretty, pouty, and fiery-tempered Simone Simon – who died at age 94 ten years ago, on Feb. 22, 2005 – is best known for her starring role in Jacques Tourneur's cult horror movie classic Cat People (1942). Those aware of the existence of film industries outside Hollywood will also remember Simon for her button-nosed femme fatale in Jean Renoir's French film noir La Bête Humaine (1938).[1] In fact, long before Brigitte Bardot, Annette Stroyberg, Mamie Van Doren, Tuesday Weld, Ann-Margret, and Barbarella's Jane Fonda became known as cinema's Sex Kittens, Simone Simon exuded feline charm – with a tad of puppy dog wistfulness – in a film career that spanned two continents and a quarter of a century. From the early '30s to the mid-'50s, she seduced men young and old on both...