Geoffrey Hughes(1944-2012)

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Keeping Up Appearances (1990–1995)

Geoffrey Hughes nació el 2 de febrero de 1944 en Cheshire, Inglaterra. Fue un actor, conocido por El submarino amarillo (1968), Keeping Up Appearances (1990) y The Royle Family (1998). Estuvo casado con Susan Mundell. Murió el 27 de julio de 2012 en Hampshire, Inglaterra.

7.4

7.9

Serie de TV

8.2

Serie de TV

Serie de TV

The History of Stand-Up Comedy
Cortometraje
- Clown (voz, as Geoff Hughes)
- 2010
Skins
8.2
Serie de TV
- Uncle Keith
- Bandy
- Fat Bastard
- 2007–2009
Waiting in Rhyme
6.1
Video
- Harry
- 2009
The Royle Family
8.2
Serie de TV
- Twiggy
- 1998–2008
Keeping Up Appearances: Life Lessons from Onslow
8.1
Video
- Onslow (as Geoff Hughes)
- 2008
Flick
4.8
- Tony Ray
- 2008
Liverpool Nativity
7.1
Película de TV
- Gabriel
- 2007
Expresso
6.0
Cortometraje
- The Builder (Normal Coffee)
- 2007
Casualty
6.1
Serie de TV
- Si Blake
- 2007
Heartbeat
6.9
Serie de TV
- Vernon Scripps
- 2001–2007
Sweet Thing
Cortometraje
- Bernie
- 2000
Polterguests
7.4
Serie de TV
- Hopalong Hughes
- 1999
The Memoirs of Hyacinth Bucket
7.9
Película de TV
- Onslow
- 1997
Keeping Up Appearances
7.9
Serie de TV
- Onslow
- 1990–1995
The Smiths
8.0
Película de TV
- Dooley
- 1995

Nombres alternativos
- Geoff Hughes
Altura
- 1.78 m
Nacimiento
- 2 de febrero de 1944
- Wallasey, Cheshire, Inglaterra, Reino Unido
Defunción
- 27 de julio de 2012
- The Isle of Wight, Hampshire, Inglaterra, Reino Unido(un cáncer de próstata)
Cónyuge
- Susan Mundell1975 - 27 de julio de 2012 (su muerte)
Otros trabajos
He acted in the play, "The Secret Life of Cartoons," at the Aldwych Theatre in London, England with Una Stubbs, Paul Robinson, Derek Griffiths, Graham Jones, and James Warwick in the cast.

Trivia
His character on Keeping Up Appearances (1990) wears a hat that has the letters FH on it; they stand for Fulton Hogan, a New Zealand airport development, management, and technology company. His tattoos on KUA are fake.

Citas
The joy of doing a play as an actor is that you've got that interaction with the audience and you're also your own editor. If I want to make a pause three quarters of an hour long, I can, whereas on television and film you've got an editor and if you feel there's a rhythm to a line and you want to say it that way, there's no guarantee it'll stay that way.