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Refleja la respuesta de Sepideh Farsi a la masacre palestina. A través de Fatem, su contacto en Gaza, documentó la guerra hasta que ella murió en un ataque israelí el 16 de abril de 2025.

Tehran, June 2009. Amid protests against rigged elections, two generations find shelter. Using technology, they connect with the outside world as an unlikely love story unfolds.

After an Iraqi missile strike, the oil metropolis of Abadan descends into chaos. Fourteen-year-old Omid, who works as a food delivery boy, is searching for his missing brother - and for an escape route out of the besieged city.

Sepideh Farsi left Tehran in her teens, yet has always remained under the spell of Iran's lively capital. In 'Tehran Without Permission', Farsi creates a collage-style portrait of a city in flux. Via a mixture of characters and cityscapes, Farsi's covert filming reveals a city beset with social and political tensions, yet held aloft by the indomitable spirit and character of its population. Featuring a mixture of footage around the capital with more in-depth essays dealing with diverse aspects of life in contemporary Iran, this is a compelling account of a city in transition

Morteza, in his fifties and just out of jail, is suspected of being involved in the death of a drowned child. Taher, the police officer in charge of his case, first believes Morteza is guilty, like everybody else does, but then finds out that he knows Morteza. The two men's relationship goes back 30 years, with its roots lying under the cold waters of the lake... Soon convinced by Morteza's innocence, Taher decides to prove it despite everything.

It is said that Salsal, the great idol of Bamyan was hidden behind seven veils... The idol is long gone, but the question is, whether the veils still remain, obstructing our vision of Afghanistan.