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A young nurse begins a new assignment at a wintry, remote village when a man goes missing.

After their father is conscripted during the 1999 NATO bombing of Yugoslavia, three sisters begin a Hi8 video diary in their countryside home. They film each other putting on make-up, picking cherries, playing party games, getting into fights and helping their mother cook. This fragile, intimate world is perhaps their only shelter from the reality of bombings, sirens and war.

Through an intimate reconstruction of an important phone call, this film investigates dislocation and the nature of remembering. In the protagonist's eleven year old mind the phone call erases her entire country, history and identity and hides its existence in books, films and memories of those born before 1995.

Two nuns meet during a Catholic gathering and fall in love. Disillusioned by the Church and abuse within they decide to leave the convent.

Documentary western drama about the last days of the hypnotic community of plastic bottle collectors aka bottlemen at one of the biggest unsanitary landfills in the world.

Sitting in the back of a moving car, different passengers go on the road on the edge of a vast forest. They carry tales about hornet's nests, petitions against nuclear waste, loneliness, carnival treats, folklore traditions, cemetery visits and roads leading home. The forest, serene in the sun, mysterious in the fog and wild on the river, frames the seven stories as they pass by. Containing elements of documentary, ethnography and fiction, Roots is a strangely wondrous and often exhilarating film.

Conjuring reality and wonder, "Speak so I Can See You" takes us to a seemingly different era, by exploring the world of Radio Belgrade. One of Europe's oldest radio stations and a true institution of the city, the station still broadcasts original programming and helps keep history, culture and critical thought, as well as everrelevant questions about ourselves and the world, from slipping out of memory and mind. Set at the intersection of an observational documentary and a unique sensory experience, the film conjures everyday scenes at the station and immersing interludes exploring the relationship between sound and the space it inhabits. Through a synesthetic blend of sounds, words, notes, echoes and light, we are taken into a unique cinematic soundscape that doubles as a love letter to radiophonic art and its disarming insight into what makes us remember, understand, think, discover, and feel.

The rise and fall of Croatian-Montenegrin filmmaker Dusan Vukotic - the only Yugoslav Oscar-winner - uncannily mirrors the tragic fate of his multi-ethnic country.