berestov

If Ford focuses on staging the races, which is simply great, then this film tries to balance between drama and those very races. The first half of the film is almost all about revealing the characters and their rivalry, but the second half, on the contrary, goes into the racing component, which is why that half flies by completely unnoticed.

It's not so much the shooting itself as the editing and the music that create tension, especially when racing on rain tires. Well, you should not forget this color. Yes, the dark green filter looks unusual, but it's definitely memorable. Going into realism with this pure natural picture in the Formula is not worth it.

The record holder among movies and TV series for the use of (funny) the word mephedrone.

Starting from the idea and plot development right up to the end of season 1, everything is fine, but now the moment comes for the sequel to be released and you are once again convinced that in addition to the comedy genre, our series can be filmed well only limited to season 1.

A successful success. The customer demands a sequel, and you, as a would-be creator, have thought of everything not one step ahead, but only for 8-10 episodes.

Therefore, if you watch, then only the first half. The ending is open, but season 2 will not give proper development and answers to questions. There will be another season 3, apparently, and I definitely won't be able to master it.

And 1 is still not bad. Teenagers, bandits and any forbidden tangled plot looks interesting, even if excessive coverage of such things among the masses may not work as anti-advertising, but exactly the opposite.

It's been a long time since I've seen films that are so good from the first minute that I wanted to stretch the viewing as much as possible. It worked out for a whole week.

The third film about racing, which is so good. This time we have modernity, not the distant or not-so-distant past, so the cars are the fastest, the shooting is the most inventive, and even real racers are flashing in the frame.

The movie is an attraction, which means it's not the most dramatic component, and the love line doesn't catch on either, but does it really matter when Brad Pitt drives a racing car to the music of Hans Zimmer?

The director's last film became the highest-grossing of the year, and this time we will have to limit ourselves to record collections by Apple standards. The first successful success after so many attempts.