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Imagen de perfil de MarkSchultzCAS

MarkSchultzCAS

Se unió el sept 2005
Mark Schultz, CAS is a Screenwriter (Torrid Tales of the Wild, Wild East! and Stuck With Chuck), and is an Editor, Director, Sound Designer and Composer. He is the owner of The Surround Mix Group Studios in Philadelphia.

From 2015-2021 Mark owned Shake Audio Post at MilkBoy in Philadelphia. Prior to that he was a Senior Mixer at Post Perfect and Sound Lounge, both in New York, from 1996-2006. He was Senior Sound Designer at Nickelodeon from 1988-1996. He was a live music mixer at MTV before that.

He has six Emmy Nominations (four wins), and is the winner of multiple CINE awards for his work with Sesame Workshop.

Mark is originally from Lancaster, PA.
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Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Guía de ayuda.

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Calificación de MarkSchultzCAS
Believe in Christmas

Believe in Christmas

6,1
4
  • 11 dic 2024
  • Does anyone mix the audio?

    Or is it AI? Seriously, you bury body mics under wool turtlenecks and you need a human to use EQ, or you get unlistenable mud like this. Look no further than scene 1. Lindura is cute and vivacious, but she is a motormouth who mumbles, and you can't tell me you understood a word she said without CC turned on, or, until her final scene where she wasn't wearing a scarf. Forget the age difference creepiness which was omfg bad. Forget the amount of exposition needed up front to construct the hokum at the heart of this. Forget the barrels of fake snow for the scenes shot on a blazing hot day in July. Forget the truckloads of garland and ribbon in the lady's kitchen, including the garland wrapped around THE OVEN. This movie sums up what Hallmark has now reliably become, a parody of itself, creating packaged characters in packaged settings. And the story, the plot, makes no sense and does not matter.
    Track 7: She's Gone

    T1.E7Track 7: She's Gone

    Todos quieren a Daisy Jones
    7,0
    9
  • 3 mar 2024
  • Best Directed Episode

    I'm here to discover who directed this episode. It was clear to me watching it that it was someone with a superior aesthetic, and being a remote shoot, it only made sense it would be a different person. I am glad to learn the name of Will Graham. I am required to add more characters to this review, so I will ramble on about what I liked. The lenses appeared to be different choices, and the angles bringing us into scenes were smart. The party scene is an excellent example. The DP got it all perfect, too. Different skin tones were all beautifully rendered in the strong sunlight. It was nice to be away from the sometimes-taxing songs the band plays for a spell. I am finding the lyrics of the show's original band songs to be the consistent low-water mark of this series. I mean, "I put the man in the moon... I put the dial in the tone." Ouch, ouch, ouch!
    Fleishman está en apuros

    Fleishman está en apuros

    7,7
    2
  • 20 ago 2023
  • I don't get the love this show is hard to sit through

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