tony_ginorio

About to be foreclosed upon by Sheriff Pete, Mickey and Donald need to move out fast, leading to the usual mayhem. Goofy, as an ice delivery man (ask your grandparents), comes to help them out; but, as usual, he's no help at all.

This is one of the earliest cartoons to team Mickey, Donald and Goofy, and one of the best. The formula is established early on: The trio have a common task to complete, then split up for individual gag routines. The gags are very clever and well timed, and the action is fast-paced, with everything building up to an exciting climax. Of particular interest to animation buffs is Art Babbitt's handling of Goofy. He bends and twists his joints far past the breaking point, yet makes it seem absolutely natural, giving the Goof an astonishing flexibility without seeming rubbery. A must for cartoon fans.

Usually, when Mickey Mouse is paired up with Donald Duck (or, more often than not, with Donald and Goofy), they separate and do their own routines, with Mickey getting the comedy short stick. Here, however, the two are constantly in contention, and the cartoon is all the better for it. Mickey is a magician whose act is constantly being interrupted by a certain web-footed heckler in the balcony. He soon makes Donald an unwilling assistant, using his skills of prestidigitation to humiliate him. He makes him spit out cards, turns him into a paper doll chain, and even makes a monkey out of him, literally. It's a pity they weren't used more as adversaries, since it brings out the best in them, pitting Mickey's resourcefulness and pluck against Donald's irascibility and mischievousness. Incidentally, Goofy is in this one also, mostly out of sight as a stage hand. Highly recommended.

In this marvelously surreal and funny short, Donald Duck is a subject of Nazi Germany, forced to make munitions for the Reich. He has to endure abysmal food rations (wooden bread, Aroma of Bacon and Eggs, and coffee brewed from a single bean), superhuman workloads, 30 seconds of forced calisthenics for his "vacation", and an unrelenting barrage of Hitler portraits which he must hail unfailingly - or else! It's all too much for Donald, who has a nervous breakdown, and the film disintegrates into a bizarre phantasmagoria of dancing missiles and stomping boots. Thankfully, it was all just a bad dream, and Donald is relieved to see that the hailing shadow on the wall is cast by his Statue of Liberty on the window sill. As he kisses it he proclaims, wearing his star-spangled jammies, "Am I glad to be a citizen of the United States of America." This cartoon, perhaps the most savagely satirical Disney ever made, was a sensation in its day, winning the Oscar and spawning a hit song. After the war, however, it was shelved and kept out of public circulation - and not without reason. Now it has been released on DVD as part of the excellent Walt Disney Treasures collection, "Walt Disney on the Front Lines", for discerning film buffs to enjoy. Many will find it disquieting to see a beloved American icon wearing a brownshirt uniform with swastika armband, hailing pictures of Hitler, and goose stepping to work; but then, Donald doesn't seem too thrilled about it, either. In no way does this cartoon promote Nazism. Instead, it punctures its pretensions of superiority by reducing its brutality to absurd slapstick, turning its Ubermensch into buffoonish caricatures. (Bear in mind that at the time of this cartoon the true extent of Hitler's inhumanity was unknown to the Allied countries.) As Mel Brooks has noted, the best way to deal with monsters like Hitler is to laugh at them. So go ahead and laugh, laugh, right at Der Fuehrer's Face.