Bwim
Se unió el oct 2003
Te damos la bienvenida a el nuevo perfil
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Guía de ayuda.
Distintivos2
Para obtener información sobre cómo conseguir distintivos, visita página de ayuda sobre distintivos.
Comentarios10
Calificación de Bwim
Keen Eddie is the story of a NY detective working for the English police in London. Mercifully it doesn't hammer away at that weary old trope of 'You say taps, we say faucets'; cultural misunderstanding are kept to a minimum. It's interesting to see London caricatures represented for an American audience and again the production showed some restraint. I don't think that the English have ever got over Dick Van Dyke's performance as Bert the Cokernee chimney sweep in Mary Poppins.
The principle cast were fine but story lines were highly truncated with little connective tissue between scenes. Nevermind, it's TV isn't it. Visually it owes something to Lock,Stock & 2SB's and Snatch and I found it more entertaining than either.
It's a shame that a second series was dropped. The show had charm; quirky camera work, recurring characters, loads of good gags and a non American location. Perhaps an American audience didn't take to all the English accents. Unsurprising as shows shot in US cities have to undergo audience testing to see how it will go down east coast - mid-west or east coast.
This show had loads of potential. I'm sad that I only have the one series on DVD.
The principle cast were fine but story lines were highly truncated with little connective tissue between scenes. Nevermind, it's TV isn't it. Visually it owes something to Lock,Stock & 2SB's and Snatch and I found it more entertaining than either.
It's a shame that a second series was dropped. The show had charm; quirky camera work, recurring characters, loads of good gags and a non American location. Perhaps an American audience didn't take to all the English accents. Unsurprising as shows shot in US cities have to undergo audience testing to see how it will go down east coast - mid-west or east coast.
This show had loads of potential. I'm sad that I only have the one series on DVD.
George & Mildred - The Movie lacks the talents of its TV writer John Mortimer who brings the close quarter cut and thrust of George's class war with the Fourmiles alive.
The plot is cut from standard spin-off cloth - hit-man/mistaken identity - and has as little tension as there are laughs. The producers should have taken a leaf from Rising Damp, (also 1980)which was also bought to the big screen after the TV series demise, and kept much of the story in familiar setting.
Yootha Joyce died in 1980 but she should not be remembered for this creaking piece of work encumbered as she was by her illness. Mildred lacks the sharpness of her TV incarnation; cutting asides and withering looks largely directed at Georges lack of libido. George's sputtering incredulity also gets lost in the more expansive sets. This is not to say that they were much to shout about. The budget for this movies looks pathetically small; a restaurant they go to is clearly a new semi-starched house with some Christmas lights adorning the front door.
For fans of 70's British comedy or those who just want to revisit an old TV companion from their youth this film can add nothing to the experience and they should just stick to the first four TV series out now on DVD.
The plot is cut from standard spin-off cloth - hit-man/mistaken identity - and has as little tension as there are laughs. The producers should have taken a leaf from Rising Damp, (also 1980)which was also bought to the big screen after the TV series demise, and kept much of the story in familiar setting.
Yootha Joyce died in 1980 but she should not be remembered for this creaking piece of work encumbered as she was by her illness. Mildred lacks the sharpness of her TV incarnation; cutting asides and withering looks largely directed at Georges lack of libido. George's sputtering incredulity also gets lost in the more expansive sets. This is not to say that they were much to shout about. The budget for this movies looks pathetically small; a restaurant they go to is clearly a new semi-starched house with some Christmas lights adorning the front door.
For fans of 70's British comedy or those who just want to revisit an old TV companion from their youth this film can add nothing to the experience and they should just stick to the first four TV series out now on DVD.
