ar_jake0316

This is a well-crafted cult horror thriller and one of the best of its kind by local film standards. The story is well-structured and effectively executed. The lead performances by Heaven, Eula, and Ryza were spot-on, with each delivering strong portrayals of their respective characters. The film incorporates the Filipino myth of "Lilim" (worshippers of the demon Lilith), which adds a unique and well-thought-out element to the narrative.

While the pacing starts slow, the way the story unfolds keeps you intrigued, raising questions that compel you to watch closely. There are a fair number of jump scares, especially when viewed in a good theater. Though the concept, twists, and overall story aren't entirely unique, the performances and execution elevate it above the average horror film.

I believe this surpasses the quality of Eerie and Deleter, and it's disappointing that it didn't receive the recognition it deserves. What I admire about Mikhail Red's films is his reliance on atmosphere and practical effects rather than excessive CGI. In my opinion, this is his best 'horror' work to date.

This film is yet another example of a collection of 'different stories of life' packed into one movie. It follows the multi-narrative format that brings together characters from diverse backgrounds, each with their unique challenges and experiences, giving viewers glimpses into multiple facets of life. While I find the film entertaining, those who have seen the classic movie Jologs-a pioneer of this format-might feel it doesn't quite reach the same level. Jologs set a high bar for this kind of storytelling, combining humor, drama, and a sense of relatability that defined a generation.

I appreciate the filmmakers' efforts to create a fresh take and establish its own identity, but there are moments that feel overly familiar. Even the music score, particularly the use of 'Fruitcake,' seems to echo the soundtrack choices in Jologs, especially with similarities to the song 'Next in Line,' which was featured in Jologs. While these familiar elements can be nostalgic, they also risk making the film feel derivative rather than innovative.

Despite these criticisms, I still consider the film to be above average. It's a bold attempt at something different, especially in an era where unique storytelling formats are rare. The film takes risks that many others don't, even if it doesn't fully succeed in all aspects.

The storyline itself is somewhat chaotic, with a structure that could use refinement. Certain plotlines feel underdeveloped, and the film's flow can feel disjointed at times. However, the characters bring warmth to the screen, and most of them are genuinely likable, which keeps the audience engaged. Some characters, like Ospret, stand out with distinct personalities and memorable arcs, while others fade into the background, coming across as either forgettable or mediocre.

In the end, it's still an enjoyable movie. It has its flaws, but its heart and ambition shine through, making it a good watch for anyone looking for a mix of humor, drama, and a snapshot of everyday life.

It's more than just a 'gaming' or coming-of-age movie. It's a friendship/family movie, too. I hope viewers will give this a chance, not because I liked it, but because it veers away from traditional concepts and storytelling. It's progress for local Pinoy film creativity, I believe. It's very seldom that we get to see a Filipino movie without a love story angle, and I would say I pretty much enjoyed watching this with my wife and kids. The character development was good. Donny did a good job with his role. Though the gaming CGI is far from Hollywood quality, I appreciated the Filipino cultural aspects embedded in the 'Requiem' game. It was a risky but great concept, though there could have been more depth with some of the characters. Kudos to the production and staff for pulling this off."