abeinc75
Se unió el jul 2011
Te damos la bienvenida a el nuevo perfil
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Guía de ayuda.
Distintivos2
Para obtener información sobre cómo conseguir distintivos, visita página de ayuda sobre distintivos.
Comentarios1
Calificación de abeinc75
If only someone could have stopped him earlier.
Max Schmeling was a hero and an icon in every sense of the word. He straddled the ethical and moral line as best any German citizen could have during a time of almost unimaginable social and political chaos. In the midst of a dark cloud surrounding Nazi Germany, Schmeling was the last, best hope for a moderate, admiring view of the eastern European nation.
Given his status and continuing popularity among Germans and boxing fans worldwide, one has to wonder how it came to pass that "director" (and this term is used quite loosely) Uwe Bolle (as executive producer) managed to foist his latest fiasco on audiences in the guise of a movie about the life and times of one of the world's premiere athletes. "Mak Schmeling, Fist of the Reich" can best be described as "Max Schmeling: F_sting the Reich." Not since Uncle Adolph himself has one man done so much to offend so many.
Low on plot points, completely lacking in style and pace and heavy on pretentiousness, "Max Schmeling" is the logical follow-up to Bolle's "Blubberella" as an homage to out-takes strung together in the guise of a movie. "Star" Henry Maske's debut as the iconic heavyweight champion should mark the fastest decent into disaster since the Hindenberg. He is wooden and talentless in the lead role of Schmelling, and speaks most eloquently when saying absolutely nothing. There is little positive to say about this movie; I won't bore you with the less than stellar specifics.
Max Schmeling was a hero and an icon in every sense of the word. He straddled the ethical and moral line as best any German citizen could have during a time of almost unimaginable social and political chaos. In the midst of a dark cloud surrounding Nazi Germany, Schmeling was the last, best hope for a moderate, admiring view of the eastern European nation.
Given his status and continuing popularity among Germans and boxing fans worldwide, one has to wonder how it came to pass that "director" (and this term is used quite loosely) Uwe Bolle (as executive producer) managed to foist his latest fiasco on audiences in the guise of a movie about the life and times of one of the world's premiere athletes. "Mak Schmeling, Fist of the Reich" can best be described as "Max Schmeling: F_sting the Reich." Not since Uncle Adolph himself has one man done so much to offend so many.
Low on plot points, completely lacking in style and pace and heavy on pretentiousness, "Max Schmeling" is the logical follow-up to Bolle's "Blubberella" as an homage to out-takes strung together in the guise of a movie. "Star" Henry Maske's debut as the iconic heavyweight champion should mark the fastest decent into disaster since the Hindenberg. He is wooden and talentless in the lead role of Schmelling, and speaks most eloquently when saying absolutely nothing. There is little positive to say about this movie; I won't bore you with the less than stellar specifics.