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lor_

Se unió el jul 2001
Retired; former editor of Motion Picture department of Variety Newspaper (NY hdqts.). Variety signature for reviews: lor.

Served as Chairman, New York Film Critics Circle: 1993/94.

Favorite interviews were with: Michael Douglas, Sophia Loren, DeForest Kelley, Joan Chen, Joe Henderson, Ismail Merchant, Klaus Kinski, Joseph L. Mankiewicz, Spike Lee, Malcolm McDowell, Zoe Lund, Melvin Van Peebles, Ultra Violet, Wolfgang Petersen, Claudia Cardinale, Serge Silberman, Margarethe von Trotta, Alec Guinness, Leonard Nimoy, Susan George, Joseph Losey, Gale Anne Hurd, Dennis Hopper, Peter Greenaway, Katt Shea, Ken Russell, Maggie Greenwald, Jim Jarmusch, Peter Brook, Jurgen Prochnow, Andy Warhol, Judy Davis, Chuck Vincent, Fred Zinnemann, Wim Wenders, Max Von Sydow, Michael Moore, Terry Gilliam, Rita Jenrette, Karen Lynn Gorney, Bruce Beresford, Jack Thompson, Russ Meyer, Sam Raimi, Abel Ferrara, John Sayles, William Greaves, Nino Manfredi, Lee Van Cleef, Michael Cuscuna, Bille August, Jewel Shepard, Andy Sidaris, Michel Deville, Claude Sautet, Claude Lelouch, Alfonso Arau, Alan Parker, Reinhard Hauff, Traci Lords, Jim Jarmusch, Martha Coolidge, Candida Royalle, Giuseppe Tornatore, Edward James Olmos, Paul Hogan, John Mackenzie, Peter Hyams, Jennifer Beals,, Adrian Lyne, Samuel Fuller, Dario Argento, James Toback, Lasse Hallstrom, Fred Williamson, Gabriel Axel, Joe Bastianich, Aaron Sanchez, Danny Meyer, Steve Hanson, Matthew Kenney, Douglas Rodriguez, Simon Oren, Stanley Donen, Lindsay Anderson, Helena Bonham Carter, Edward Pressman, Harold Becker, Larry Cohen, James Ivory, Jack O'Connell, Michael Phillips, Kevin McClory, Jackie Mason, Joan O'Brien, Stanley Donen, Joseph B. Vasquez, Don Bluth, William Lustig, Al Goldstein, Simon Wincer, Valeria Cavalli, Dave Fishelson, Lizzie Borden, Roberta Findlay, Rob Cohen, Doris Wishman, Robert Tapert, Bruce Campbell, Bill Cosby, Pasquale Squitieri, Menahem Golan, Yoram Globus, Tim Kincaid, Joel M. Reed, Gregory Dark, T.L. Lankford, Fred Olen Ray, Victoria Paige Meyerink, Lawrence D. Foldes, Rick Marx & Ted V. Mikels
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  • Michael Douglas
    Favorite Interviewees
    • 137 personas
    • Público
    • Modificado el 21 ene 2025
  • My Other Interviews
    • 365 personas
    • Público
    • Modificado el 18 dic 2024

Comentarios22 mil

Calificación de lor_
Shuttle to Kenfori

T3.E3Shuttle to Kenfori

Star Trek: Strange New Worlds
7,2
  • 4 ago 2025
  • Corny & gimmicky adventure

    A lousy script assures a lousy episode, and here we have a mash-up of various story gimmicks adding up to nothing.

    To save his lover Captain Marie, Pike and the good doctor take a shuttle to the planet Kenfori in a forbidden zone, off-limits to all after a war with the Klingons, their mission to find a rare medicinal plant for her cure. There, improbably, the doctor encounters a female Klingon warrior who has a long-simmering blood feud grievance with him due to the captain assassinating her dad in war. Making the situation more complicated (and stupid), her dad was a traitor and it was her duty to kill him, so she's angry that the doctor did so instead.

    These story lines don't mesh, and to top it all off, the absurd gimmick of a bunch of zombies, both human and Klingon, on the planet threaten to eat our heroes and the Klingon woman. As soon as the zombies showed up and brought gore into the occasion, my interest in watching waned.

    To justify this nonsense, we also get conflicts on the ship, mainly Ortegas' insubordination getting her into big trouble with Una, who is commanding the Enterprise in Pike's absence.
    In the Shadow of Two Gunmen: Part II

    T2.E2In the Shadow of Two Gunmen: Part II

    El ala oeste de la Casa Blanca
    9,3
  • 4 ago 2025
  • Told with heart

    Sorkin amazingly pulls at the heartstrings, with quiet, emotional moments involving Josh, CJ, Sam and Donna in flashbacks that are powerful expressions of love among the principal players of the West Wing. Though he's likely best-known for his dramatic writing in confrontational scenes like those of "A Few Good Man", it's true sentiment that marks Sorkin's best work.

    A pre-credits concise resolution of the "third man" conspirator manhunt leads to CJ and Donna's back stories, replete with terrific cameos by Allen Garfield and Grace Zabriskie as Sorkin gets in some solid jabs against the phoniness of Hollywood. A brilliant plot twist concerning Charlie is quite prophetic, as is the subplot involving the Secret Service.

    What is most amazing is how Sorkin, without hamming it up or getting on a soapbox, shows how world crises and tales of "great men" (or in the current era, constant focus on an egocentric nut trying to lord it over the world as president) are actually less important dramatically than the interpersonal relations of those folks behind the scenes.
    In the Shadow of Two Gunmen: Part I

    T2.E1In the Shadow of Two Gunmen: Part I

    El ala oeste de la Casa Blanca
    9,4
  • 4 ago 2025
  • How the fellowship began

    Sorkin deftly uses the prexy's assassination attempt as a springboard to examining how three years earlier (via flashbacks), the team that put Bartlet into the West Wing was assembled, beginning in New Hampshire. This gives the viewer vital insight into the principal cast's basic back stories and is fascinating to watch.

    First off, director Thomas Schlamme creates and sustains tremendous suspense as the focus shifts from Bartlet recovering from his injury to Josh in critical condition at the hospital. Janel Moloney is terrific showing the true pain and shock that everyone feels at seeing Josh near death's door, and CJ's vulnerability is exquisitely presented.

    What's most impressive is how despite their often glib and sarcastic exteriors, we're permitted to see the true idealism and commitment of Leo, Toby and Sam. Also outstanding is that great character actress Anna Deavere Smith, sparring with Leo as a crisis in the Middle East must be faced without Bartlet available to make command decisions, and wannabe president Hoynes as veep clearly unsuitable.

    In a uniformly solid cast, it was fun to see Jane Lynch, still years from being recognized for her talent, pop up for a strong moment on screen as one of the reporters bugging CJ for some straight answers at a press briefing.
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