CucFan

I enjoyed this film very much, although I was surprised that it premiered on Lifetime instead of Hallmark as it's very much a classic Hallmark movie. From the moment they show up at the camp, these dancers are in competition for a few spots in a newly-reorganized dance company that has been tasked with modernizing itself. I have to agree with some of the other reviewers that I was less impressed with the lead actress's dancing than that of Maude Green, Chloe Lukasiak, and the male dancers. The setting was gorgeous, filmed mostly in an architecturally-intriguing building deep in the forest (Cheakamus Centre in British Columbia, Canada). Competitive rivalries heat up among the ballet dancers as they try to assimilate the contemporary dance style the others are so naturally good at; meanwhile, the contemporary dancers are brushing up their ballet skills. Not having watched the first two movies in this series, I admit I looked forward to it for months solely because Chloe Lukasiak had been cast.

Lukasiak, as most know, was a featured lead dancer on "Dance Moms." On the show, she was often referred to as naturally gifted in ballet, with beautiful lines, legs and feet, as well as excellent technique that she had developed by training since the age of two years old. Her real-life training and experience were quite different from her character, Gwen, who is referred to as a "dance prodigy" yet is almost exclusively a contemporary dancer with not much training in other genres. At the same time she was asked to play Gwen as relatively new to ballet, she was also learning partner work in contemporary and ballet for the first time - in real life as well as in the script. I was pleased that Lukasiak did not disappoint in her dance ability and has been complimented often in reviews of this movie - even by people panning the movie itself - as a dancer who was talented and enjoyable to watch.

From its logical plot sequence to its beautiful setting, this was such an enjoyable movie. Everything was believable: the couples, the improvement as the dancers learned, and even the surprising conclusion of Gwen's company audition - written perfectly in case they want her as the lead in a fourth movie. Although I had prepared myself for her to have few scenes and lines, I was happily surprised when that wasn't the case and she was in so many scenes & danced so much. I was disappointed that she was not in the finale dance, though. Seeing her in ballet class en pointe made up for all that, though, as we fans have been waiting and longing to see that for years. What a treat this movie was for her fans! One thing that Lukasiak seems to bring everywhere she goes is a quiet glow, a sparkling light - and this was no exception. Visually and in contrast to the older, more serious dancers, Gwen added joy and enthusiasm to her scenes, and I found myself interested in the character herself, eager to see what she would do with her dance career, quite separate from the real-life Chloe I have come to respect and admire so much.

A thoughtful script, well-detailed atmosphere, and the drive to honor our active duty military provide the backdrop for this believable, worthy film.

Bailee Madison's Dusty Rhodes, full of action and optimism, is a peacemaker, wanting to make friends in her new high school. Somewhat inexplicably, she doesn't find other students like herself but seemingly becomes determined to win over a group of girls who drink and don't even like her at first. Dusty is resilient, determined, earnest, hard-working, and protective of others, with a strong faith in God, but she is growing up and finding that life isn't always fair or good. How could a loving God allow these things to happen? Why are good people allowed to suffer? How do we maintain our hope and keep our faith strong in today's world? These are tough questions, and Dusty finds her faith shaken.

Luckily, Dusty has a grandfather, played with warmth and gentleness by Pat Boone, and his wise counsel holds Dusty together. His scenes were my favorites, as his character had the strength to put things right and step up for the people who needed him. His gallant charm is the heart of the movie. As a bonus, older audience members will remember his teen idol years with fondness and enjoy his character in this.

The third lead character, Savannah, adds a touch of grit and realism to Dusty's life. Savannah, unlike Dusty, doesn't have a stable, loving family: her father was killed in the war three years earlier, and she can no longer make ends meet. As a result, they are losing their home. Bitter, yet drawn to Dusty's welcoming friendliness in spite of herself, Savannah throws herself into the equestrian drill team that Dusty wants to form, and the two become good friends, along with Savannah's clique and a boy who works at the ranch. Chloe Lukasiak (of TV's "Dance Moms") plays Savannah with just the right nuances, providing a necessary sharpness to a movie that is almost too sweet at times. As Dusty becomes intrigued with Savannah and wants to know her better, we see a complicated girl who has her guard up, tough one moment with a fragile smile the next as she tries to cope with her problems. Her bitterness, we learn, is justified, and there are a few unexpected twists as her story-line pays out. I was impressed with the fearless way Lukasiak, a relative newcomer to acting, was capable of showing multiple layers and subtext, sometime with just her eyes or small movements.

The ranch scenes lend a beautiful setting and atmosphere as we see the teens bonding into a tight pack while working together on their common goal. Dusty's relationship with her horse provides an outlet for her anxiety and grief about her parents' deployment. Filmed on a real working ranch in Southern California, the scenes provide a backdrop as a sweet romantic relationship begins for one of the girls, while the other one finds a mutual attraction almost derailed by thoughtless banter. The neighs of the horses and open skies make the viewer feel like we've actually been to this place, and we can easily see how its charm and beauty worked magic on this group of teens.

Another favorite scene of mine was the school dance, as we see the group together in a social setting...and realizing that it's cool to be nice, too.

The script, as well as the movie itself, should have premiered and found a home on the Hallmark Channel, OWN, Disney, or any inspirational/ family-friendly network. Church youth groups would get a lot from it. Best of all, it is appropriate for all ages from children to senior citizens - without being overly sappy or predictable. It is rare these days to find a film in which God and faith are so openly discussed, and I found it refreshing.

Loved the movie, loved Jennifer Garner in it (she reminded me of Mary Tyler Moore), loved Andy Serkis, loved the resemblance between the child actors and their adult counterparts.

However, before I even saw it, I knew they'd screw up the cultural references, and they certainly did. Beginning with the "Head Over Heels" theme song and going right on through the entire movie, everything from the music to the wardrobe is set in 1982/83. Kissing Rick Springfield on the TV. Thriller. Pat Benatar's "Love Is A Battlefield." Wonderful for someone my age whose high school years have routinely been skipped over in movieland, falling somewhere between "Fast Times At Ridgemont High" and the John Hughes movies.

But not wonderful if anachronisms bother you. 1982/83 was my sophomore year of high school. People who were 13 in those years are 35 now, not 30. So, to get around this problem, cast a younger woman and have a catchy title, they did some fancy math to make Jenna 13 in 1987.

Someone majorly slipped up. If you can overlook this, it's a great movie.