alan_d62-2
Se unió el sept 2000
Te damos la bienvenida a el nuevo perfil
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Guía de ayuda.
Distintivos6
Para obtener información sobre cómo conseguir distintivos, visita página de ayuda sobre distintivos.
Comentarios1
Calificación de alan_d62-2
If you thought 'Lock, Stock' shot itself in the foot and 'Snatch' sucked the big one, then this is the British crime thriller you should really be shelling out your five bucks for.
'The Killing Zone' is the perfect example of how a no-budget indie crime anthology should be made. It's tight, lean and the final 'third' of the trilogy is a cracker. OK, it's a slow burn for the first ten or fifteen minutes, but well worth sticking with it to get clued in on the main characters involved.
All the principal acting performances are spot on - well-rounded characters and some excellent 'film' style dialogue, which makes a pleasant and unexpected change from the usual turgid TV/theatre speak that so often pops up in British films. Melissa Simonetti and Mark Bowden stand out for special praise in this respect.
I gather this cult classic-in-the-making will be hitting the video shelves in the US at the end of Spetember. Do yourselves a favour and head for your nearest video store pronto.
Believe the hype. You won't regret it.
WHY HASN'T THIS FILM BEEN GIVEN A THEATRICAL RELEASE?!
'The Killing Zone' is the perfect example of how a no-budget indie crime anthology should be made. It's tight, lean and the final 'third' of the trilogy is a cracker. OK, it's a slow burn for the first ten or fifteen minutes, but well worth sticking with it to get clued in on the main characters involved.
All the principal acting performances are spot on - well-rounded characters and some excellent 'film' style dialogue, which makes a pleasant and unexpected change from the usual turgid TV/theatre speak that so often pops up in British films. Melissa Simonetti and Mark Bowden stand out for special praise in this respect.
I gather this cult classic-in-the-making will be hitting the video shelves in the US at the end of Spetember. Do yourselves a favour and head for your nearest video store pronto.
Believe the hype. You won't regret it.
WHY HASN'T THIS FILM BEEN GIVEN A THEATRICAL RELEASE?!