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jtk57

Se unió el sept 1999
Te damos la bienvenida a el nuevo perfil
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Guía de ayuda.

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Zombi: El regreso de los muertos vivientes

Zombi: El regreso de los muertos vivientes

7,8
10
  • 30 mar 2007
  • Zombie Horror at it's Best

    "Dawn Of The Dead" is an acknowledged high watermark of late 70's horror movies in general and of zombie cinema in particular. All but the most contrarian fan-boys agree that this may very well be George Romero's masterpiece, and I am inclined to agree. The atmosphere of Dread (with a capital "D") descends immediately as we are introduced to the main characters in two initial segments. An ultimately over-matched SWAT team invades an inner city building and comes face to face with the living dead, most memorably in the basement, where a veritable pig pen of corpses are coming to life. A TV station struggles to stay on the air as more and more news piles in reporting that the dead are rising up and devouring the living. Without reservation, I can say that the film makes me feel like I am right there, threatened with harm which is right outside the door. When the main characters escape in the helicopter, searching for somewhere to start over again and escape the zombie plague, I feel relief and hope right along with them. The synthesized music also is very atmospheric and lends its own air of menace. Apparently Romero is acknowledged as a top notch editor who was notorious for using his own hands, a knife, and a roll of movie tape to cut his films. Well, it works great because the editing is energetic and the pacing very well suited to each scene. The action and gore scenes are visually "wonderful" (read; putrid, gross, perfect) and intermittently humorous, while bearing the unmistakable stamp of the great Tom Savini. I would highly recommend reading about the background of the making of this movie, or watching the well regarded extras documentaries in the expanded DVD editions. The story of the dedicated personalities and circumstances behind the making of this awesome movie makes it all the more enjoyable to experience. This is one horror movie that delivers in every respect, fires on all cylinders, grabs and holds your attention, and is worthy of all the praise that has been heaped on it over the years. Belongs in every horror fan's library without a doubt.
    Manhattan Baby

    Manhattan Baby

    4,8
    7
  • 30 mar 2007
  • Strangely, one of my favorites...

    We selected "Manhattan Baby" from the movie library last night, and I realized that it was to be probably the 7th time I have watched this rather uncelebrated Fulci offering in the past 5 years. Yes, this movie is a bit formulaic, and yes, it does move a bit slow in parts. But there is something undeniably menacing in this movie, an atmosphere of claustrophobia, the tightness of the endless close-ups of people's faces, that I enjoy and (obviously) come back to again and again. No, this is not a gory movie, which no doubt comes as a surprise (disappointment?) to fans of Fulci's other (mostly excellent) films. Even the death scenes, of which there are only 3 or 4, have minimal blood compared to something like "The Beyond", not that I would recommend this as hearty family fare by any means. But if you enjoy the uniquely "European" dreamlike atmosphere created by a combination of cheesy effects, plot holes, wooden acting, bad dubbing, and inexplicable motivations of characters, this may be one you revisit again, and again and again... you get the idea.
    Cuerpo maldito

    Cuerpo maldito

    5,7
  • 29 jun 2002
  • Part-ially Hilarious!

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