Lamb

I'd like to start off by saying I found this movie by accident - I spent the first half thinking I was watching A24's 2021 movie by the same title. I'll admit, a lot of it was uncomfortable to watch. I was constantly waiting for the relationship between the two main characters to take a dark turn, but the friendship developed between the them was endearing & heartwarming to watch. Definitely a questionable plot, a little unrealistic, but nonetheless an enjoyable little film.

David(Ross Partridge) is a forty seven year old man who has just lost his father and divorced his wife and seems on the verge of a nervous break down. After burying his father, he meets an eleven year old girl, Tommie(Oona Laurence) at a parking lot, where, somehow, they connect. Thus begins a strange journey, where the two relate on an emotional level. David takes Tommie on a road trip to a desolate cabin in the mountains while searching for some meaning to his life. Tommie is an outcast with indifferent parents. The writer of the novel, Lamb, Bonnie Nadzam, claims to never have read Lolita, which was also adapted for the screen in 1962 by Stanley Kubrick. The themes are similar, but Lolita's protagonist, played by the precocious and self assured fifteen year old Sue Lyon, is a million miles apart from the innocent eleven year old Oona Laurence. Though at times unsettling, Lamb never veers into Lolita's explicitly sexual territory. Partridge and Laurence are riveting together and I look forward to see what the young actress does next. Lamb is a solid 8/10.

Another film lost in the pile. Yes the plot is morally questionable given the kidnapping of an 11 year old girl...but it's a great film. I wish people were smarter and can see into the reasoning behind everything the main characters do. It's not about sex or pedophilia, it's about people that are lost.

This is a very very sensitive subject, and to make a film about a child kidnapping and have the narrative go the way it goes does makes u think. It's disturbing and fascinating at the same time. Watch it. If u like films that make u think :)

LAMB is set in the Midwest and its conventions. A middle aged man, beset by adult challenges including the death of a parent, work and crumbling relationships, encounters a young girl whose home has provided no identity or value. The two go on a road trip deeper into the heart of the country and into unexpected inner places. LAMB is risky and challenging exploration of love, our need for it, the unusual places where we find it and the sacrifices it calls for. Oona Laurence as the young girl is superb and deserves consideration for a Best Actress award. The cinematography is evocative. Ross Partridge is to be commended for his integrity, courage and skill in bringing this story to the screen.

From thequickflickcritic.blogspot.com/

First things first. "Lamb" explores a liaison between a male and a female which is unequivocally inappropriate, unhealthy and unsettling. Not to mention illegal. One half of this couple is a 47-year-old man. The other, an 11-year-old girl. And while the bond forged between them never becomes a sexual one, it is a relationship that categorically made me feel consistently uncomfortable and squeamish.

With personal position firmly established and hardly exclusive, what "Lamb" is ultimately ABOUT is two helplessly lost people consumed in a desperate search for someone who cares. And someone to care for. I definitely can never condone the manner in which this compulsion is consummated here. However, I completely understand this fundamental need burning in us all. This is a film that tests in boldly serious and stark terms our limits of what defines such integral human connection.

Ross Partridge writes, directs and stars as David Lamb, a man so emotionally damaged that he sees a child as the savior of his severely scarred soul. Partridge's role is a massively difficult one to deliver upon effectively, constantly balancing precariously as he must upon the most sensitive of fine lines. His personification of David maintains the essential equilibrium demanded throughout, ultimately delivering as he does so an astonishing performance that is at once loathsome as it is emotionally cataclysmic.

Oona Laurence (Southpaw) is positively transcendent. Appearing to be even younger than she is supposed to be here, Laurence infuses her understandably deeply conflicted character of Tommie with an impressively mature perspective intertwined with a naive innocence. She owns the final moments of this movie. They are powerfully effecting. Expect that they will stay with you, as they surely have done with me.

Partridge vividly conveys the evolution of this peculiar pair's partnership through his wholesale contrast in setting. Beginning with a series of scenes from a dispiriting urban underbelly, the director deftly shifts the environment markedly, transporting us to and among the spectacular wide open spaces of the American western prairie. It is a sense of Shangri-La realized-a blissful place of near perfection for the curious couple. And it is a state of being we all know can not realistically be sustained.

"Lamb" will no doubt meet with controversial reception by audiences and critics alike. Be this as it may, Partridge has succeeded mightily in crafting a motion picture that I believe ascends well above the territory of simple shock value and exploitation. And should you choose to experience his story, and can somehow permit yourself, while certainly to not ignore, but rather interpret beyond the inherently troubling subject matter it examines so unflinchingly, you may find, as did I, that you have been uniquely and richly rewarded.

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