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Desnudo entre lobos

Título original: Nackt unter Wölfen
  • Película de TV
  • 2015
  • Not Rated
  • 1h 45min
PUNTUACIÓN EN IMDb
7,2/10
4,3 mil
TU PUNTUACIÓN
Desnudo entre lobos (2015)
DramaHistoryWar

Añade un argumento en tu idiomaAs WWII comes to an end, a group of Buchenwald's emaciated prisoners risk their lives for the safety of the camp's youngest inmate: a four-year-old Auschwitz-born Jewish prisoner. Is there a... Leer todoAs WWII comes to an end, a group of Buchenwald's emaciated prisoners risk their lives for the safety of the camp's youngest inmate: a four-year-old Auschwitz-born Jewish prisoner. Is there a future for the Buchenwald boy?As WWII comes to an end, a group of Buchenwald's emaciated prisoners risk their lives for the safety of the camp's youngest inmate: a four-year-old Auschwitz-born Jewish prisoner. Is there a future for the Buchenwald boy?

  • Dirección
    • Philipp Kadelbach
  • Guión
    • Bruno Apitz
    • Eugen Kogon
    • Stefan Kolditz
  • Reparto principal
    • Florian Stetter
    • Peter Schneider
    • Sylvester Groth
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,2/10
    4,3 mil
    TU PUNTUACIÓN
    • Dirección
      • Philipp Kadelbach
    • Guión
      • Bruno Apitz
      • Eugen Kogon
      • Stefan Kolditz
    • Reparto principal
      • Florian Stetter
      • Peter Schneider
      • Sylvester Groth
    • 20Reseñas de usuarios
    • 4Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 8 premios y 12 nominaciones en total

    Imágenes44

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    Reparto principal26

    Editar
    Florian Stetter
    Florian Stetter
    • Hans Pippig
    Peter Schneider
    Peter Schneider
    • André Höfel
    Sylvester Groth
    Sylvester Groth
    • Helmut Krämer
    Sabin Tambrea
    Sabin Tambrea
    • Hermann Reineboth
    Robert Gallinowski
    • Robert Kluttig
    Rainer Bock
    Rainer Bock
    • Alois Schwahl
    Rafael Stachowiak
    Rafael Stachowiak
    • Marian Kropinski
    Thorsten Merten
    Thorsten Merten
    • Hans Bochow
    Torsten Michaelis
    • August Rose
    Robert Mika
    • Zacharias Jankowski
    Matthias Bundschuh
    • Gotthold Zweiling
    Ulrich Brandhoff
    Ulrich Brandhoff
    • Heinrich Schüpp
    Torsten Ranft
    Torsten Ranft
    • Mandrill
    Andreas Lust
    Andreas Lust
    • Förste
    Marko Mandic
    Marko Mandic
    • Leonid Bogorski
    Jan Bavala
    Jan Bavala
    Leonard Carow
    Leonard Carow
    • Johann
    Janusz Cichocki
    • Zidkowski
    • Dirección
      • Philipp Kadelbach
    • Guión
      • Bruno Apitz
      • Eugen Kogon
      • Stefan Kolditz
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios20

    7,24.3K
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    Reseñas destacadas

    7Mun7eanu

    Another nazi movie

    Is not bad, but not a masterpiece. It's good that was made by germans. Hollywood would made it worst. Tells a truth in the end. Not all the germans were nazis and not all the nazis were bad. There are always good people ready to sacrifice themselves surrounded by wolves.
    8Mivas_Greece

    One of the great drama/war films and the concentration camps in WWII. Very well filmed overall. Totally recommended.

    War drama. We are in World War II and one of the many Nazi concentration camps. Everything indicates that Axis forces are losing against the Allies and the captured Jews hope to be freed soon. But they know SS can execute everyone in the camp before the allied forces arrive. So they've saved some weapons to fight back. But one of the new prisoners has the orphaned 3-year-old boy of a lost friend. Everyone there knows that if they tell the SS, the child will die. But as long as they hide it, they're in danger of both themselves and the counterattack they're preparing. Although it is a hypothetical story it realistically shows the events of that time. Also this film has real documentary of video and broadcast of that time. Serious film and with very good and convincing actors, while demonstrating the messages of that period. The lives of those who did not belong to the Nazis had absolutely no value. Everyday life in the concentration camp in the film is only a minimal sample of the events of the time. Overall excellent work, one of the very good films of the genre. It is proposed to everyone and especially to those who question the true history...
    8q-63260-25903

    Great movie!

    It is a great movie. The movie gives a good picture of what really happend. The movie is also exciting.

    I recommend you this movie for sure!
    6rps-2

    Powerful film

    This is a superbly done film but don't watch it if you're already in a downer. Or you don't have access to a stiff drink. It is grim and graphic. The violence and horror are simply stated but not exploited. It also gets beyond the Holocaust, portraying the seldom documented horrors the Nazis inflicted on non Jewish political prisoners. Nobody knows what life in the camps was like unless they had lived through it. But this may come closer than most such pictures. Dark and unrelentingly morbid, it is still a worthwhile watch but not an easy one. You will finish watching by pondering how an educated, civilized nation like Germany let this happen and by asking yourself how you might have reacted to the many moral dilemmas posed in the story. Not a film to enjoy but certainly one to watch!
    8dlorahhunt-12765

    The film was fine but it didn't scratch the surface of Buchenwald

    I first heard about Buchenwald before I started kindergarten. My parents were talking in the living room late at night and they didn't realize I was in the hallway listening. My uncle was the Army photographer (in the Signal Corps) who accompanied the troops as they liberated Buchenwald. This film, for all of it's merits, seems like a whitewash. It didn't even scratch the surface of the horrors of Buchenwald. When the troops arrived there were human beings, still alive though just skin and bones, stacked like cordwood (i.e. layer upon layer of human beings, stacked in alternating directions). Not just one stack, there were many, many stacks lined up and prepared to be moved into the ovens. When he visited the home of the camp commander he photographed lamps with shades made from human skin, skin with tattoos. My father spoke of drums using human skin. There were other things. These images have polluted my mind from my youngest years. I barely knew what tattoos were...only because of Popeye the Sailor man, and when the drums were mentioned, I had the image of bongo drums because I heard these things in '61 or'62 and bongo drums were all the rage. I remember these things though I just heard them once. My uncle's photographs are in the Library of Congress. He never took another photograph in his life, never smiled, never visited the mountains, never visited the snow, and never spoke of what he had witnessed except once in 1961 or '62 in a special meeting with his father, his brothers, and his brother in law. The film is a good story, but the scenes of the camp and the prisoners seem like a Sunday picnic versus the reality. It felt more like history was being covered up than illuminated by this film.

    Más del estilo

    Desnudo entre lobos
    7,2
    Desnudo entre lobos
    Sin destino
    7,0
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    La zona gris
    7,0
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    Rebelión en Polonia
    7,2
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    Lauf Junge lauf
    7,2
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    Música para sobrevivir
    7,3
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    Lore
    7,1
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    La redada
    7,1
    La redada
    El informe Auschwitz
    6,6
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    El correo de Varsovia
    5,9
    El correo de Varsovia
    La isla de Bird Street
    7,1
    La isla de Bird Street
    La escapada de Sobibor
    7,4
    La escapada de Sobibor

    Argumento

    Editar

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    • Curiosidades
      In 1964, the East Berlinbased Berliner Zeitung am Abend located the child upon whose story the story was based: Stefan Jerzy Zweig, who survived Buchenwald at the age of four with his father Zacharias, with the help of two prisoner functionaries: Robert Siewert and Willi Bleicher. Bleicher, a former member of the Communist Party of Germany (Opposition) and the kapo of the storage building, was the one who convinced the SS to turn a blind eye to the child. When Zweig was to be sent to Auschwitz, prisoners who were tasked with compiling the deportees' list erased his name and replaced him with Willy Blum, a sixteenyearold Sinto boy. Zweig moved to Israel after liberation, and later studied in France. After he was discovered to be the 'Buchenwald child', he settled in East Germany, where he remained until 1972. Zweig received much media and the public attention in the country. Blum's fate was only disclosed after the German reunification.
    • Pifias
      Kapos and inmates would not have referred to SS NCO's and Officers as 'Herr' as this was only used for Heer, Luftwaffe and Kriegsmarine ranks. The use of 'Herr' was seen as a nod to the Prussian aristocracy which the SS eschewed.
    • Conexiones
      Referenced in La noche de...: La noche de... Desnudo entre lobos (2020)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 1 de abril de 2015 (Alemania)
    • País de origen
      • Alemania
    • Idiomas
      • Alemán
      • Polaco
      • Francés
      • Español
      • Inglés
    • Títulos en diferentes países
      • Naked Among Wolves
    • Localizaciones del rodaje
      • Camp Vojna, Príbram, República Checa(concentration camp)
    • Empresa productora
      • UFA Fiction
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 45 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Stereo
    • Relación de aspecto
      • 1.78 : 1

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