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TU PUNTUACIÓN
Añade un argumento en tu idiomaA story that exposes the conspiracy of prominent German institutions and government branches to cover up the crimes of Nazis during World War II.A story that exposes the conspiracy of prominent German institutions and government branches to cover up the crimes of Nazis during World War II.A story that exposes the conspiracy of prominent German institutions and government branches to cover up the crimes of Nazis during World War II.
- Dirección
- Guión
- Reparto principal
- Premios
- 7 premios y 18 nominaciones en total
Reseñas destacadas
This is definitely one of the more powerful holocaust films. It doesn't have any visual images of the holocaust. It's about the aftermath. To bring the perpetrators on trial, the effects on a Germany (or West Germany) in total denial, of the children of the Nazi era and their latent guilt of what their parents may have done or did. One feels what it was to grow up German during this period of the late 1950's.
It's very emotional performance by Alexander Fehling. We feel his anguish as he learns the scale of his country's complicity of what happened – and his anger and frustration at the lies to circumvent it all. And this is told at the personal level – it is individuals whose lives were shattered and it is individuals who did the destroying.
Unique and impressive.
It's very emotional performance by Alexander Fehling. We feel his anguish as he learns the scale of his country's complicity of what happened – and his anger and frustration at the lies to circumvent it all. And this is told at the personal level – it is individuals whose lives were shattered and it is individuals who did the destroying.
Unique and impressive.
It's 1958 Frankfurt, West Germany. Johann Radmann is a young by-the-books prosecutor toiling in traffic court and believing his father to be anti-Nazi. Reporter Thomas Gnielka brings the case of Charles Schulz, a teacher suspected of being a Nazi guard in Auschwitz. Nobody cares about what happened there and actively ignores the collective Nazi past. He starts a relationship with Marlene Wondrak. Gnielka introduces him to camp survivor Simon Kirsch. Radmann starts digging into the past and building a case against many. His main obsession is camp doctor Josef Mengele who experimented on the prisoners.
The history is very compelling. However, the story lacks danger or intensity. It needs some additional drama. There is some professional and personal drama but none of it is that intense. The production and acting is first rate. It is a very compelling watch although there are no big surprises.
The history is very compelling. However, the story lacks danger or intensity. It needs some additional drama. There is some professional and personal drama but none of it is that intense. The production and acting is first rate. It is a very compelling watch although there are no big surprises.
Based on the true story of a young Public Prosecutor from Frankfurt named Johann Radmann (Alexander Fehling – 'Inglorious Basterds'). He encounters a survivor of Auschwitz and a journalist who want to bring the perpetrators of the atrocities that took place there to trial. The problem is that Germany seems to not want to rake over the coals of the past and there are former Nazi's everywhere who just don't care.
What follows are the travails he and his friends go through in order to do something, try to build a case and wake the German people from their wilful apathy towards the war. We also have his personal life and that of those around him and who are swept up in the investigation.
This is an extremely well made film, the story is completely gripping and I loved the period detail too. It does not sugar coat what took place but is also not horrific in terms of the graphic abuse that sadly occurred, especially at the hands of Mengele and co. It is very moving in places and features some truly excellent performances especially Fehling and his love interest Friedrike Becht ('Hannah Arendt')who plays Marlene – it is in German with very good subtitles and runs for 123 minutes and is one that is very easy to recommend indeed.
What follows are the travails he and his friends go through in order to do something, try to build a case and wake the German people from their wilful apathy towards the war. We also have his personal life and that of those around him and who are swept up in the investigation.
This is an extremely well made film, the story is completely gripping and I loved the period detail too. It does not sugar coat what took place but is also not horrific in terms of the graphic abuse that sadly occurred, especially at the hands of Mengele and co. It is very moving in places and features some truly excellent performances especially Fehling and his love interest Friedrike Becht ('Hannah Arendt')who plays Marlene – it is in German with very good subtitles and runs for 123 minutes and is one that is very easy to recommend indeed.
The English title "Labyrinth of Lies" should rather be a direct translation from the German title which is more among the lines "Labyrinth of Silence". And that's precisely what the main character is facing in his quest of uncovering the crimes Germany committed during WWII.
This film poses a not very often portrayed link in the chain of events during and following WWII. People in Germany are used to dealing openly with the crimes committed during WWII to the point where the time when it was not like that is barley remembered. It deals with the topic in a very non sensational way. Awful crimes are not portrayed too visually and yet the film manages to transmit the severity of those. It also explores the German people's psyche after the war and the motivation behind covering up what happened.
The cinematography is quite nice and the music fits the time and setting.
A downside to the film is its romantic relationship between the main character and his love interest. It was hard to connect to their relationship and to her. Her relevance for the story was not very clear as well. Also the screenplay felt off at times. Whenever a character had a monologue it was very catching and filled with emotions one could connect to. Unfortunately it failed in delivering meaningful conversations. They were most of the time superficial and felt stiff.
All in all it was a very interesting film with a relevant message but quite a few downsides in delivery. It feels like the big screen is a little too big for this film but it is quite a nice TV film and a good starter to get into post war history.
This film poses a not very often portrayed link in the chain of events during and following WWII. People in Germany are used to dealing openly with the crimes committed during WWII to the point where the time when it was not like that is barley remembered. It deals with the topic in a very non sensational way. Awful crimes are not portrayed too visually and yet the film manages to transmit the severity of those. It also explores the German people's psyche after the war and the motivation behind covering up what happened.
The cinematography is quite nice and the music fits the time and setting.
A downside to the film is its romantic relationship between the main character and his love interest. It was hard to connect to their relationship and to her. Her relevance for the story was not very clear as well. Also the screenplay felt off at times. Whenever a character had a monologue it was very catching and filled with emotions one could connect to. Unfortunately it failed in delivering meaningful conversations. They were most of the time superficial and felt stiff.
All in all it was a very interesting film with a relevant message but quite a few downsides in delivery. It feels like the big screen is a little too big for this film but it is quite a nice TV film and a good starter to get into post war history.
Labyrinth of Lies is a 2014 German film about the Frankfurt Auschwitz trials that took place between 1963 and 1965. What distinguished the Frankfurt trails from all the other trials was that they were based on German law and because they happened 20+ years after the war, they were limited to murder charges. Several Nazis had been tried previously but they were convicted under international law and occurred right after the war.
The film begins in 1958 as a young prosecutor Johann Radmann (marvelously played by Alexander Fehling) is attracted to the case by a reporter (Andre Szymanski), and given support by the federal Attorney General (Gert Voss who is simply riveting). They must work against the denials, cover-ups and vested interests that try to keep the issue quiet.
The film gives you a real feel of the late 50s, and the photography and music support an excellent cast who do wonderful work. In a film about the holocaust, there is a tendency to shock, but director Giulio Ricciarelli skillfully shows that less is more.
There are some places where the film seems more like a docudrama, and some issues (e.g., Radmann's relationship with his mother) are only hinted at. But overall it's an excellent film, and while it may not be an equivalent to "Judgment at Nuremberg", it is well worth viewing.
The film begins in 1958 as a young prosecutor Johann Radmann (marvelously played by Alexander Fehling) is attracted to the case by a reporter (Andre Szymanski), and given support by the federal Attorney General (Gert Voss who is simply riveting). They must work against the denials, cover-ups and vested interests that try to keep the issue quiet.
The film gives you a real feel of the late 50s, and the photography and music support an excellent cast who do wonderful work. In a film about the holocaust, there is a tendency to shock, but director Giulio Ricciarelli skillfully shows that less is more.
There are some places where the film seems more like a docudrama, and some issues (e.g., Radmann's relationship with his mother) are only hinted at. But overall it's an excellent film, and while it may not be an equivalent to "Judgment at Nuremberg", it is well worth viewing.
¿Sabías que...?
- CuriosidadesBased on the life of Frankfurt's attorney general Fritz Bauer and three of his prosecutors. They all were instrumental for the holding of the important 'Auschwitz trials' in 1963.
- Pifias(at around 1h 45 mins) The Mourner's Kaddish, the Jewish prayer for the dead, is recited in the film using the modern Israeli Hebrew pronunciation. The version of the Kaddish that Kirsch would have known (and that his prayerbook would've contained) would have used the older Ashkenazic pronunciation used by German and Eastern European Jews. Instead of saying, "Yitgadal v' yitkadash," as they do in the film, they they should be saying, "Yisgadal v'yiskadash."
- Citas
Major Parker: You were all Nazis. In the Eastern sector, now you are all communists. Jesus, you Germans! If little green men from Mars landed tomorrow, you would all become green.
- ConexionesReferences La strada (1954)
- Banda sonoraTipitipitipso
Performed by Caterina Valente
Music by Heinz Gietz
Lyrics by Kurt Feltz
Courtesy of Edition Rialto Hans Gerig KG, Bergisch Gladbach
(P) 1957 - Courtesy of Electrola, a division of Universal Music GmbH
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- How long is Labyrinth of Lies?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- La conspiració del silenci
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 794.452 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 22.101 US$
- 4 oct 2015
- Recaudación en todo el mundo
- 4.574.756 US$
- Duración2 horas 4 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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