A Machu Picchu Proposal

Every love story has been told repeatedly, and it's nice to watch a movie that adds a little extra to make it different. I enjoyed the humor and appreciated the attempt to be more realistic with how the story flows. I really liked the fact that the movie wasn't just about one couple, and they tried to bring in more of the supporting roles. I also found it neat that they were trying to be relevant with the younger crowd by bringing in new technological props (360 camera).

I won't lie, there were some moments that seemed a bit awkward and forced between some of the characters. I am not sure if it was the writing for those scenes or the actors, or both. But honestly, I haven't watched a Hallmark movie yet that didn't have at least a little awkwardness between some of its characters!

If this movie could have been longer or made into a mini-series, I feel it would have been so much better. There was so much going on it just felt like everything was crammed together and rushed to me, I wanted to slow the whole story down and see more. More of the characters, more of the story line, more of the location, just more!

Overall, I enjoyed this movie. I look forward to watching what the writers come up with next.

Where do I even begin with this cinematic dumpster fire? This movie was the equivalent of stepping on a LEGO barefoot in the middle of the night, unexpected, painful, and full of regret. I genuinely don't understand how this mess got greenlit, let alone made it all the way to air. Somewhere out there, a script supervisor is laughing or crying.

Now, let me be clear: when I write a critical review, I make a point to watch the entire movie. That's right, I suffered through every cringeworthy minute of this poorly-scripted, chemistry-free catastrophe. And yes, it was absolute torture. I typically enjoy Rhiannon Fish-she's done some solid work-but lately, she's been handed scripts that feel like AI wrote them after a power outage. Costa Rican Wedding and Polar Opposites were already on shaky ground, but this? This one slid right into the abyss.

There was zero chemistry between Carlos and Katie.

None.

Nada.

Watching them attempt romance was like watching two coworkers forced to slow dance at a company holiday party under fluorescent lights. And then there's Katie's brother, Dan-flaky, erratic, and somehow both over-acted and underwritten at the same time. I found him more exhausting than endearing, and that last-minute sibling spat? Laughable. Not in the "ha-ha" way, but more in the "how did this get past the editing room?" way.

The storyline was painfully bad. I kept waiting for a twist, a spark, anything to save it from the pit of cliché mediocrity, but nope. Just more forced dialogue and plot holes big enough to drive a snowplow through. Yes, the scenery was lovely, but you know what else has great scenery? A postcard. And that doesn't waste 90 minutes of my life.

Honestly, Hallmark, you can do better. You have done better. Just last week, you gave us Villa Amore-a total gem. I've watched it three times already, and it keeps getting better. So, how did we go from gourmet to gas station sushi in seven days?

Final verdict: One star, and that's being generous. Please, for the love of all things cozy and romantic, stop recycling the same tired storylines and phoned-in dialogue. The audience deserves more than a pretty backdrop and a script that feels like it was written during a lunch break.

I gave Rhiannon Fish one more try since her last 2 movies Polar Opposites and A Costa Rican Wedding totally turned me off. She was a manipulative liar in both those movies and I couldn't like or root for her characters. I figured to be fair, I would try to watch one more Fish movie.

I got as far as the moment when Katie's brother drops his engagement ring and Katie doesn't tell him. She just pockets the ring, so she can "help" her brother Dan later. That's as far as I got. Being manipulative again. Couldn't grab the remote fast enough.

Up to this point, I was already cringing at the lame plot, script and the overacting.

Felt good to end the torture.

Katie (Rhiannon Fish) reluctantly agrees to join her fraternal twin brother Dan and his girlfriend Luciana on a trip to Peru. He promises that she won't be the third wheel. They have brought Luci's friend Chef Carlos (Alec Santos). Dan is actually planning to propose and Katie promises to help. He keeps getting sidetracked.

This Hallmark movie has great locations. My only problem with the locations is that they don't really show them traveling. The characters seem to be walking to all these places. There is a good long hike to get to Machu Picchu. That's a missed opportunity for the first act. Dan could be really struggling on the hike and when he tries to propose, he could pass out. Well, that's my big joke pitch. Katie should probably spend more time alone with Carlos for the romance. It has great background anyways.

I didn't think a movie could be bad enough to spur me to write my first review but here we are.

To echo the sentiments of other reviewers, I used to enjoy Rhiannon Fish in almost anything but lately she seems to be just 'mailing it in', and the utter lack of chemistry between her and Santos in this one is astounding.

Part of Rhiannon's charm has always been her youthful nature and bubbly effervescence but here it falls flat because Santos seems intent on outdoing her exuberance in what is supposed to pass for spontaneity, or so the writers would have you believe.

Not even the breathtaking scenery or vibrant beauty of Peru on display in the market scenes can save this from being a real stinker.

Do better Hallmark.