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IMDbPro

Nat King Cole: Afraid of the Dark

  • 2014
  • TV-14
  • 1h 34min
PUNTUACIÓN EN IMDb
7,0/10
522
TU PUNTUACIÓN
Nat King Cole: Afraid of the Dark (2014)
BiografíaDocumentalMúsica

Añade un argumento en tu idiomaDirector Jon Brewer profiles the life of the musician using private journals.Director Jon Brewer profiles the life of the musician using private journals.Director Jon Brewer profiles the life of the musician using private journals.

  • Dirección
    • Jon Brewer
  • Reparto principal
    • Nat 'King' Cole
    • Tony Bennett
    • Ralph Carmichael
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,0/10
    522
    TU PUNTUACIÓN
    • Dirección
      • Jon Brewer
    • Reparto principal
      • Nat 'King' Cole
      • Tony Bennett
      • Ralph Carmichael
    • 7Reseñas de usuarios
    • 3Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes

    Reparto principal38

    Editar
    Nat 'King' Cole
    Nat 'King' Cole
    • Self
    • (metraje de archivo)
    Tony Bennett
    Tony Bennett
    • Self
    Ralph Carmichael
    • Self
    Johnny Mathis
    Johnny Mathis
    • Self
    George Benson
    George Benson
    • Self
    Harry Belafonte
    Harry Belafonte
    • Self
    Maria Cole
    • Self - Nat King Cole's wife
    Edward Coles
    • Self - Baptist minister, Nat King Cole's father
    • (metraje de archivo)
    Charles Evers
    Charles Evers
    • Self - civil rights activist and former Republican politician
    Ivan Mogull
    • Self
    Buddy Greco
    Buddy Greco
    • Self
    Bruce Forsyth
    Bruce Forsyth
    • Self
    Eddie Wakes
    • Self
    Oscar Peterson
    Oscar Peterson
    • Self
    • (metraje de archivo)
    Eddie Cole
    • Self
    • (metraje de archivo)
    Nadine Robinson
    • Self
    • (metraje de archivo)
    Aaron Neville
    Aaron Neville
    • Self
    George Schlatter
    George Schlatter
    • Self
    • Dirección
      • Jon Brewer
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios7

    7,0522
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    Reseñas destacadas

    7jellopuke

    Average look at a man who was anything but.

    Well made look at a musical legend with talent to spare. The racism he had to endure was brutal but he seemed to be a saint (or the movie ignored any faults) so it's basically a clip show of great music rather than a deeper look at a life.
    5Lejink

    Gently digging for Cole

    It doesn't seem the right word but Nat King Cole was arguably the first black superstar and is certainly worth a screen biography, but this powder-puff tribute overdoes the schmaltz and straightens up and flies right, to coin a phrase, whenever anything slightly contentious appears in the narrative.

    There's plenty of entertaining film footage of King in his classic, laid back style and there's no denying his artistry both as singer and initially jazz pianist. In the time-honoured tradition of screen biographies, noted contemporaries like Harry Belafonte, Tony Bennett and Nancy Wilson all line up to speak warmly of the man and his undoubted musical legacy, although they're all prone to hyperbole at times. All through the film we're told that Cole was a veritable saint amongst men, until we later learn that his first marriage failed, that his original group objected to the imposed name change from the Nat Cole trio to Nat Cole and His trio and later that Mr Family Man extraordinaire had an affair not long before he died - no details of which are forthcoming, in fact blink and you'll miss the reference completely. Fleeting reference is also made to his adopted son who we're told in a screen pop-up, died in his 30's with no explanation of any kind (I have since learned he died of AIDS).

    I could also have done without the Natalie Cole Show insert lauding her "Unforgettable" album of duets with dad, while the most shocking item in the whole documentary was the image of Cole "whited-up" for US WASP TV consumption, but again no background to this disgusting condescension is provided, such as the sponsor who insisted on it or even Cole's reaction to it. For all his supporters praise of his Gandhi-like passive non-resistance to the racism he undoubtedly experienced especially in the American South, this submission to the demands of white TV hardly casts Cole in a good light. Maybe it's just the reactionary in me but I'd have thought a little more of the man if he had spoken out against the discrimination he suffered rather than forever turn the other cheek. Even when attacked on stage in Alabama he can't bring himself to be anything other than blandly condescending about the incident to the reporters of the day.

    Nat King Cole was a wonderful song-stylist and musician and by all accounts a decent man living in difficult times but he wasn't perfect and this over-adulatory biography whitewashes Cole's interesting life just as surely as the offending TV show mentioned earlier.
    8david_r_cox

    It must have been tough

    Things would not have been easy for a black man in a white mans world, and the thousands of cigarettes that killed him at 45.
    7bbewnylorac

    Lovely, reverential tribute

    Yes, this documentary is made through rose-coloured glasses, but it's entertaining and sincere. It's been a long time since Nat 'King' Cole's death, but the producers give a respectable lineup of interviewees who knew Cole, including Tony Bennett and Harry Belafonte. But it's Cole's wife, the late Maria Cole, who is the most impressive witness to Cole's life, although she does admit he cheated on her. She has a lot of charisma and is a fine, elegant speaker. Thr doco points out that Cole's talents as a pianist were under-rated and forgotten, that he suffered racism, and that he was a good father. There's lots of great performance footage, and it makes you realise how many smash hits Cole had.
    7planktonrules

    A nice documentary about the great singer.

    "Nat King Cole: Afraid of the Dark" is a documentary about the great singer that was apparently the work of his second wife, Maria. Because of this, I think some of the focus of the film seemed more like a family documentary than a documentary. For example, there is a portion that talks about Natalie Cole and her album she created singing over her deceased father's old tunes. Considering it came out two decades after Nat's death, it didn't seem appropriate for the film. Also, oddly, near the end Maria mentions Nat's having had an affair on her...something I don't think the viewers needed to hear...more like it gave her a chance to unburden herself. Plus, if she was going to talk about this, it was a bit odd considering she was dating Nat when he was still married to another woman. These are not so much complaints but give you an idea that some of the film seems like a family project as opposed to just a film about the man.

    Apart from this, the documentary is wonderful and brings attention to one of the greatest voices of all time. Well worth seeing and lovely to listen to.

    Argumento

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    • Banda sonora
      Blue Prelude
      Written by Gordon Jenkins

      Performed by Maria Cole

      Courtesy of Capitol Records

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 9 de octubre de 2016 (Finlandia)
    • Países de origen
      • Reino Unido
      • Estados Unidos
    • Sitio oficial
      • Official site
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Nat King Cole - sammetsrösten
    • Empresas productoras
      • Cardinal Releasing
      • Emperor Media
      • King Cole Partners
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Presupuesto
      • 250.000 US$ (estimación)
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 34min(94 min)
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.78 : 1

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