Añade un argumento en tu idiomaDirector Jon Brewer profiles the life of the musician using private journals.Director Jon Brewer profiles the life of the musician using private journals.Director Jon Brewer profiles the life of the musician using private journals.
Imágenes
Nat 'King' Cole
- Self
- (metraje de archivo)
Edward Coles
- Self - Baptist minister, Nat King Cole's father
- (metraje de archivo)
Oscar Peterson
- Self
- (metraje de archivo)
Eddie Cole
- Self
- (metraje de archivo)
Nadine Robinson
- Self
- (metraje de archivo)
Reseñas destacadas
Well made look at a musical legend with talent to spare. The racism he had to endure was brutal but he seemed to be a saint (or the movie ignored any faults) so it's basically a clip show of great music rather than a deeper look at a life.
It doesn't seem the right word but Nat King Cole was arguably the first black superstar and is certainly worth a screen biography, but this powder-puff tribute overdoes the schmaltz and straightens up and flies right, to coin a phrase, whenever anything slightly contentious appears in the narrative.
There's plenty of entertaining film footage of King in his classic, laid back style and there's no denying his artistry both as singer and initially jazz pianist. In the time-honoured tradition of screen biographies, noted contemporaries like Harry Belafonte, Tony Bennett and Nancy Wilson all line up to speak warmly of the man and his undoubted musical legacy, although they're all prone to hyperbole at times. All through the film we're told that Cole was a veritable saint amongst men, until we later learn that his first marriage failed, that his original group objected to the imposed name change from the Nat Cole trio to Nat Cole and His trio and later that Mr Family Man extraordinaire had an affair not long before he died - no details of which are forthcoming, in fact blink and you'll miss the reference completely. Fleeting reference is also made to his adopted son who we're told in a screen pop-up, died in his 30's with no explanation of any kind (I have since learned he died of AIDS).
I could also have done without the Natalie Cole Show insert lauding her "Unforgettable" album of duets with dad, while the most shocking item in the whole documentary was the image of Cole "whited-up" for US WASP TV consumption, but again no background to this disgusting condescension is provided, such as the sponsor who insisted on it or even Cole's reaction to it. For all his supporters praise of his Gandhi-like passive non-resistance to the racism he undoubtedly experienced especially in the American South, this submission to the demands of white TV hardly casts Cole in a good light. Maybe it's just the reactionary in me but I'd have thought a little more of the man if he had spoken out against the discrimination he suffered rather than forever turn the other cheek. Even when attacked on stage in Alabama he can't bring himself to be anything other than blandly condescending about the incident to the reporters of the day.
Nat King Cole was a wonderful song-stylist and musician and by all accounts a decent man living in difficult times but he wasn't perfect and this over-adulatory biography whitewashes Cole's interesting life just as surely as the offending TV show mentioned earlier.
There's plenty of entertaining film footage of King in his classic, laid back style and there's no denying his artistry both as singer and initially jazz pianist. In the time-honoured tradition of screen biographies, noted contemporaries like Harry Belafonte, Tony Bennett and Nancy Wilson all line up to speak warmly of the man and his undoubted musical legacy, although they're all prone to hyperbole at times. All through the film we're told that Cole was a veritable saint amongst men, until we later learn that his first marriage failed, that his original group objected to the imposed name change from the Nat Cole trio to Nat Cole and His trio and later that Mr Family Man extraordinaire had an affair not long before he died - no details of which are forthcoming, in fact blink and you'll miss the reference completely. Fleeting reference is also made to his adopted son who we're told in a screen pop-up, died in his 30's with no explanation of any kind (I have since learned he died of AIDS).
I could also have done without the Natalie Cole Show insert lauding her "Unforgettable" album of duets with dad, while the most shocking item in the whole documentary was the image of Cole "whited-up" for US WASP TV consumption, but again no background to this disgusting condescension is provided, such as the sponsor who insisted on it or even Cole's reaction to it. For all his supporters praise of his Gandhi-like passive non-resistance to the racism he undoubtedly experienced especially in the American South, this submission to the demands of white TV hardly casts Cole in a good light. Maybe it's just the reactionary in me but I'd have thought a little more of the man if he had spoken out against the discrimination he suffered rather than forever turn the other cheek. Even when attacked on stage in Alabama he can't bring himself to be anything other than blandly condescending about the incident to the reporters of the day.
Nat King Cole was a wonderful song-stylist and musician and by all accounts a decent man living in difficult times but he wasn't perfect and this over-adulatory biography whitewashes Cole's interesting life just as surely as the offending TV show mentioned earlier.
Things would not have been easy for a black man in a white mans world, and the thousands of cigarettes that killed him at 45.
Yes, this documentary is made through rose-coloured glasses, but it's entertaining and sincere. It's been a long time since Nat 'King' Cole's death, but the producers give a respectable lineup of interviewees who knew Cole, including Tony Bennett and Harry Belafonte. But it's Cole's wife, the late Maria Cole, who is the most impressive witness to Cole's life, although she does admit he cheated on her. She has a lot of charisma and is a fine, elegant speaker.
Thr doco points out that Cole's talents as a pianist were under-rated and forgotten, that he suffered racism, and that he was a good father. There's lots of great performance footage, and it makes you realise how many smash hits Cole had.
"Nat King Cole: Afraid of the Dark" is a documentary about the great singer that was apparently the work of his second wife, Maria. Because of this, I think some of the focus of the film seemed more like a family documentary than a documentary. For example, there is a portion that talks about Natalie Cole and her album she created singing over her deceased father's old tunes. Considering it came out two decades after Nat's death, it didn't seem appropriate for the film. Also, oddly, near the end Maria mentions Nat's having had an affair on her...something I don't think the viewers needed to hear...more like it gave her a chance to unburden herself. Plus, if she was going to talk about this, it was a bit odd considering she was dating Nat when he was still married to another woman. These are not so much complaints but give you an idea that some of the film seems like a family project as opposed to just a film about the man.
Apart from this, the documentary is wonderful and brings attention to one of the greatest voices of all time. Well worth seeing and lovely to listen to.
Apart from this, the documentary is wonderful and brings attention to one of the greatest voices of all time. Well worth seeing and lovely to listen to.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Nat King Cole - sammetsrösten
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
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- Presupuesto
- 250.000 US$ (estimación)
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