La ruta del dinero

This is a one-of-a-kind masterpiece of a storyline, with never ending surprises. Each season changes plot, but as the story develops, the mystery unfolds and the characters intertwine in a brilliant fashion. This is class A nordic television that stands in stark contrast to anything provided by Hollywood. It is dark, subtle, humorous, thrilling, creative and yet realistic portrait of how big money operates in the most deceptive manner, including institutional fraud as well and drug trafficking. This is one of those few series that is near-impossible to stop watching, and O cannot applaud the directors and actors enough for this absolute masterpiece. Wow!

Another very watchable series, though not quite on par with Borgen. The characters are a bit lop-sided in terms of believability, but the acting is generally very good with a few excellent main characters.

The storyline sometimes gets sidetracked and a bit absurd, but this is fiction and enjoyable entertainment. It may not be the usual fast-paced show that is geared towards a juvenile mind, but it is well done and the dialogue is mature and believable on the whole.

Scandinavian drama is a great alternative and companion to the many excellent British police/investigative and serious dramas we love to watch.

After the murder mystery suspense of the Killing and the Bridge followed by the political intrigue of Borgen. Follow the money takes us into the corrupt world of high finance and insider dealing. Of course no Danish drama would be complete without the odd murder thrown in and each character has personal and less than satisfactory family lives to deal with. It is a little slower than than some of its predecessors but nevertheless Follow The Money is a more than adequate addition the Nordic Noir genre.

At first, this Danish landscape appeared pretty flat, but the diversity of characters and their own struggles gives much relief to this serious dark dive.

This take on the matter, carefully presents each of them, without stigma (mostly) and lost of pace, make the whole realistic and we'll balanced.

Characters and actors quickly turn around an apparent déjà-vu feeling I first had, you get attached as the storyline unfolds.

This decade has brought along so many strong Scandinavian dramas that it is often difficult to keep track and make distinctions - partially also due to the limited number of performers filling out major/important roles... The same applies to Bedrag, where modern "coryphaeuses" like Nikolaj Lie Kaas as Alexander Sødergren and Thomas Bo Larsen as Mads take part, but many smaller roles are also performed by many otherwise having bigger roles in famous series. Still, the two mentioned are not dominating too much, every character has its significance, and all in all, a solid cast is formed, to be widely followed and noticed.

True, a good series emanates from the plot, and it is pleasantly versatile; focusing on e.g. financial crimes only would have made the plot more arid and specific, not for wider audience, but inclusion of a punisher and petty thieves has provided thrilling and even some amusing moments, enabling to "freshen up" from sophisticated economic relations and terms. The ending is also many-featured, probably not satisfactory per se, but evidently more realistic as not all wrongdoers are caught and/or sentenced in real world.

Although the Season 1 had its somewhat clear - but not full-scale - end, I have read that Season 2 will follow. Good news, I will definitely watch it as well.