Ankhon Dekhi

There are lot of Indian movies that make large money, and offer no content , famously called as Masala movies in India, Ankhon Dekhi is totally an opposite of that, Its filled with high quality content that is so true to its nature, that it holds your attention from beginning till the end. Its an Amazing cocktail of Comedy, Drama, Philosophy. Rajat Kapoor has proved his brilliance again, by bringing out such an amazing idea, Sanjay Mishra has always been one of the most underrated actor in Indian Cinema, Ankhon Dekhi proves to be the platform where he shows his might in Acting skills, Rajat Kapoor Smartly plays second fiddle to him,

Ankhon Dekhi is in itself a refreshing experience, a mesmerizing one, Shouldn't be missed by anyone who enjoys true cinema, Every Character is so well placed , A lot set of hidden talents are show caused in this movie,

And every moment is so beautiful, Movies such as this bring glory to Indian Cinema, and display the power of Cinema, An Easy 10/10 for a totally refreshing, out of the box movie, One that no one can afford to miss

Thought provoking films have always been an important feature of our Regional Cinema since the beginning and Hindi film-makers have also delivered many worth watching gems in this particular genre in the past (especially before the 90s). But even then, very rarely we have seen a film which comes up with a fine blend of both entertaining as well as enlightening moments in its beautifully executed narration, reaching out to the audience individually in more than one unique manner.

Writer-Actor-Director Rajat Kapoor's ANKHON DEKHIis a perfect example of such rare, not to be missed precious cinema. And as suggested by its name, the film simply needs to be seen, felt and enjoyed at the earliest instead of just being read about, discussed or pre-judged by its various appreciative reviews written by different critics.

Actually films like ANKHON DEKHI should not be ideally reviewed in the usual manner since they are certainly going to have many distinctive meanings or interpretations for different viewers (as per their own viewpoints), which in fact can easily be stated as the film's real beauty too required to be kept intact. For instance where a few might enjoy it just as a light, feel-good comedy revolving around a lower middle class family, there for others it may turn out to be a highly transforming experience, giving them a new bright insight into their own struggling life, demanding many major changes.

So with many thanks to Rajat Kapoor (writer-actor-director), Manish Mundra (producer), Seema Mishra (Bauji's wife), the entire supporting cast, music, background score & art department along with the emotionally touching & exceptionally terrific Sanjay Mishra as Bauji, I would like to strongly recommend ANKHON DEKHI to one and all as a rare meaningful achievement not to be missed.

With a sincere wish that every reader of this honest write-up watches ANKHON DEKHI and many more movies like these like a true seeker, I would like to end here hoping that may you also find your own precious SATORI in those two meditative hours in the dark spent with Bauji. And may we all live a more contended, loving and thankful life in the future, forgetting this silly mad race for money, luxuries and power (to the extent they certainly deserve to be forgotten).

Rajat Kapoor has always fascinated me: with his acting, directing & even writing. His Raghu Romeo was a good project. His roles in Dil Chahta Hai & Monsoon Wedding upped the ante. Ankhon Dekhi could just be his magnum opus.

Sanjay Mishra's character is the protagonist; troubled with life's ways, troubled with the monotony, he starts introspecting as his daughter's love affair is known about. He realizes that nothing can be believed to be right until you see it with your eyes, ankhon dekhi. What follows is a myriad number of references about a man's life: his birth, his family, his kids, his work & his thought. What the plot tries to suggest is the idiosyncrasy we all possess and that it is all different for different people. It may force people to ape others, but that is not the right way.

With beautiful vocals & music by Kailash Kher, brilliant cinematography & marvelous direction, Ankhon Dekhi is perhaps Bollywood's best film this year, so far. The performances is the best thing about it; each & every cast member is so involved with their characters, that I was taken aback when a supporting actor playing the mother of a boy who is diagnosed with a disorder, enacts the relief when he ails out of it. Her expression & conduct all were absolutely mesmerizing. Plus, the brotherly relationship is talked about, with respect to joint families. It showcases the Indian which we had thought is lost; perfectly captured Delhi streets & chawls; fantastic photography.

The climax is equally haunting and is free for interpretation to viewers; ends with a bang & so sharply expresses a man's views. It mixes wonder with reality & does it right.

BOTTOM LINE: Highly recommended because this is no ordinary cinema. This is a masterwork.

(Probably) Simplicity can never be a passé. A whole generation still connects to the "Ta Na Na Ta Na Na" of Malgudi Days. R.K Narayan Ki duniya talked about the real India, some simple people, their life & its ordeal.

Rajat Kapoor's refreshingly eccentric yet gimmick-less (even hype-less) "Ankho Dekhi" is kind of a dejavu of Malgudi Days. The film revolves around Bauji who lives in his own ideological world & believes in inherent goodness of people. But he isn't gullible person & believes only in "Ankho Dekhi". And in a moment of realization he literary sets on to a journey whereby he decides that he will only believe what he can see for himself. From religion to education to even science - Bauji seeks for his own truth, an experienced one. He will come across as a visionary to someone while others might outright reject him as a nitwit. Kapoor webs an authentic image of a regular middle-class household in the surrounding areas of urban India, the still-prevailing joint family & the ego dynamics. His execution is gentle traversing at its own pace much like the ways of Bauji.

Kapoor's narrative talks about many issues in subtle way & he webs in some brilliant situations to express his points. Like the scene where the priest gives "Prasad" (Godly offering) to Bauji, he takes it, have it & then says that the sweet is good totally unaware of the anger of the priest who kept on insisting that it's not a mere sweet, it is godly offering. Then in another accomplished sequence bauji kept on saying that he won't believe in gods until one of them comes & have tea with him which angers the religious fanatic ones. Going away from religion, he even pokes on the education system whereby he establishes the importance of knowledge beyond books. The debate with the maths teacher on how could one assume that two parallel lines would meet at infinity deserves mention. Then the sequence of visiting a zoo to check whether a tiger roars or meows was superlative.

Kapoor got able support from cinematography, editing & music department bringing out the essence of the narrative deftly. And as the masterstroke climax happened I almost jumped from my seat to applaud & that's when the end credit began with the following note – "Thanking my teachers Mani Kaul & Kumar Shahani" (two of the finest film makers of Indian parallel cinema); what a way to give back to his masters! This is indeed one of the finest films from Rajat Kapoor.

Otherwise typecast & wasted in loud comical characters Sanjay Mishra didn't let slip this opportunity & gave his career best performance as bauji. Hopefully his acting potential will be frequently utilized from now on. The supporting cast were tremendous comprising of Rajat Kapoor himself, Manu Rishi, Pahwa, Miya Sarao (who made a striking debut as the daughter of Bauji), Namit das, even stalwart Saurabh Shukla in a cameo.

Without being preachy the premise makes you (makes us) introspect – all of us, lost in the jungle of consumerism are losing our own thought prowess; the power of self experience. As bauji would have said which goes in English somewhat this - Whatever I am saying is my truth, my experience. Don't go by it only as your's experience & truth can be different.(For some reason IMDb is not allowing me to out the Hindi sentence thus have to give the translated version). In this way the film hits the consumerist (And media dominated) culture whereby people are losing their self identity.

Give this movie a try, you will probably come with a thoughtful grin & might set for your very own 'flight of fancy" (as Masand said).

(Sadly this witty original film got overpowered by ghostly baby dolls & their gang of marketing terrorists..)

This is one of the most interesting movie i have seen in a very long time and trust me, i watch a lot of movies. I have always been a big fan of 'Sanjay Mishra' and he has proved it once again that he is one of the finest artists in Indian film industry.

Based on 'Life' as an experience, brilliantly portrayed, a fitting cast and amazing performances by the whole team. One can argue on the objective of the movie, perhaps there isn't any and this is the objective.

This is not a typical run of the mill Bollywood movie. Please watch it and decide for yourself. This may be a 'either you love or you hate it' type of movie. This has set a new standard in my book. A complete gem.