Public Morals

When I saw the previews I expected just another cop show set in the past.. This is a great series.. How great it truly is will be lost on some folks.. but if you grew up in N.Y.C. in the 60s you will know exactly what I mean.. They even had a Skelly's board in the street.. The emerald and black cars.. There were little things that were off that only someone who lived through it would pick up.. and one scene where they had a 68 Impala, which of course did not exist in 1965.. but some of that is to be expected.. The park benches and the street signs were off but they did an absolutely amazing job of transporting you to 60s N.Y. The writing is good.. the acting is very good.. and the story has a lot of potential. I like what they did with the music also.. there was one scene where someone was singing a Sinatra song.. It was not Sinatra but the singer sounded like him... and they did that with some other songs from the times.. to great effect. I look forward to seeing where this series will go... it has a lot of potential.. Michael Rappaport finally has a role that goes beyond a character role and every time I see him in this (I watched all 3 episodes On Demand and saw the first two twice..) I cannot help but think of Popeye Doyle. Must be the hat. I would not be surprised if I see some kids playing Ringolivio or playing in the Johnny Pump when things move into summer.. Ed Burns has done a great job with this .. and the strong supporting cast makes this series in my opinion one to watch. If you like crime shows.. and period pieces.. this series is for you. It actually does a better job of taking you back than a certain recently finished series about advertising moguls.. This series is the next best thing to Mr. Peadody's way back machine of you want to get a glimpse of life in New York City in the 60s..

so far so good. it starts off slowly, finding its legs, a bit too self conscious of getting it right, the era, the cars, the clothes - did a NY cop ever drive around in a VW beetle?! - but by ep 2 it is motoring along nicely. maybe a bit too close of a homage to the tom hanks paul newman gangster flick of a few years back but hey, its imitation is also sincere flattery. & any series that uses the great ronnie drew version of the parting glass has to be pretty sound. but oh edwards burns, the mis spelled whiskEy on the paddy's bottle.....ouch. enough to make my father, a loyal devotee, turn over 10 times................. looking forward to the next 6 episodes

We get it. We really really get it. Working class Irish Catholic New Yorkers with big loud complicated families and all their Irish Catholic stuff. I feel like Burns needs to stop doing the same thing over and over. In his world you're a cop a crook or a sheet rock guy. Your dad's a drunk your mom is probably dead and 4 of your 9 brothers are gangsters or ex cons. All the women are blond and understanding but some odd reason haven't popped out 4 Irish Catholic of their own. Except for that one sister who's Irish boyfriend beats her. The hookers are all pretty sassy black girls. The men all drink whiskey. There's probably bagpipe music at some point. The only place social gatherings is the bar and no one's moved out of the neighborhood they grew up in. Everyone was an altar boy at St. Shamrock's. The original priest is retiring next month and the new priest has a new way of doing things.

Although only 1 episode has aired on TNT so far 3 more are "on demand"on my cable system so I've seen 4, and while I love the 60's setting of the series I'm not sure where the plot is going.I've seen enough series to know a first season can often be that way so as long as the surroundings hold and the acting is good,stay with it for awhile.I'm hoping eventually for a Serpico meets Goodfellas or something along those lines down the road.The show seems to stand on Edward Burns as a actor and creator of the show with a push from Steven Spielbergs production company.So there's not much to say other than I feel good about its chances and recommend as a gritty NYC cops and criminals set peace

I really wanted to like this show a lot more than I did. Found the characters to be rather one-dimensional and stereotypical. Acting is spotty and production leaves something to be desired. Writing is uninspired, dialogue is cliché and story seems predictable - not expecting too many surprises going forward... Hope they can turn this one around 'cause it actually could have the potential to be an interesting a new twist on the ubiquitous "TV Cop Drama" genre if it were done right... Not to mention, (and now I'm just nitpicking) how do you start a show about the police "set in the early 1960's in New York City" with a song by The Doors?