Ziam

What if we crossed soylent green, train to Busan, and Ong Bak...but made it trash?

That's Ziam. A forgettable zombie punch up with no bite. When a martial arts enforcer goes to save his girlfriend (ex?..it's really not well established) from a zombie infested hospital, you will fall asleep from the lame action.

Zero character development, terrible writing. Same pace through the whole movie and plot armor so bad that watching a guy casually kick zombies gets dull fast. There is gore. But it's just wet. Nothing impressive. CGI blood and fire make it look even worse. Not to mention the awful 3rd act mutations.

Bloody diarrhea from bad take out would be more entertaining and have a better story.

Ziam delivers what fans of action-horror crave: intense atmosphere, relentless pacing, and a gritty, claustrophobic setup that makes you feel trapped alongside the characters. The initial outbreak, the hospital setting, and the Muay Thai-infused zombie fights are genuinely exciting - you can tell the filmmakers put a lot of care into the production design and stunt choreography.

Where the movie stumbles a bit is in the storytelling. While the emotional thread of a man trying to protect the ones he loves adds weight, the plot feels very familiar - like a mashup of Train to Busan, The Raid, and 28 Days Later, but without adding much new to the genre. Many scenes feel like replays of moments we've seen before, just dressed in new (and bloodier) clothes.

That said, if you're in the mood for a fast-paced zombie flick with a Southeast Asian twist and brutal hand-to-hand action, Ziam is absolutely worth a watch. Just don't expect groundbreaking narrative choices - this one's more about style, mood, and mayhem than deep storytelling.

Netflix's latest offering from Thailand, "Ziam," plunges viewers into a bleak, post-apocalyptic future where climate change has ravaged the world, leading to widespread famine and a societal divide between the privileged few and the struggling masses. Against this desolate backdrop, a new horror emerges: a fast-spreading zombie outbreak. Directed by Kulp Kaljareuk and starring Prin Suparat as Singh and Nuttanicha Dungwattanawanich as Rin, "Ziam" attempts to blend the visceral action of Muay Thai with the relentless terror of the undead. While it delivers on its promise of kinetic, blood-soaked sequences, it often struggles to transcend the conventions of its genre, ultimately feeling like a fun ride that doesn't quite push the envelope.

The film's premise is immediately intriguing. Singh, a former Muay Thai boxer now making a living transporting goods, finds his world upended when his girlfriend, Rin, a doctor, becomes trapped in a hospital that quickly becomes ground zero for the zombie pandemic. His singular mission: fight his way through hordes of the infected to rescue her. This setup provides a clear objective and sets the stage for a series of escalating action sequences.

"Ziam" truly shines in its combat. Prin Suparat's background as a Muay Thai fighter is effectively utilized, delivering brutal and satisfying hand-to-hand combat against the fast, jerky zombies. The action is frenetic, often utilizing tight camera movements to amplify the intensity. The zombie makeup and practical effects are commendable, creating genuinely terrifying creatures that are a constant threat. There's ample gore for fans of the genre, painting the hospital corridors in shades of crimson. When the film leans into these strengths, particularly Singh's relentless battle against overwhelming odds, it's an enjoyable, adrenaline-fueled watch.

However, "Ziam" often falters in its narrative depth and character development. Singh, while a formidable fighter, largely remains a stoic, one-dimensional protagonist whose sole motivation is rescuing Rin. While noble, his lack of personality makes it difficult to fully invest in his journey beyond the immediate thrill of the fight. Rin, despite being a doctor caught in the chaos, is also somewhat underserved, becoming more of a damsel in distress than a fully realized character. The film introduces a child who accompanies Singh for a portion of his journey, and while their dynamic offers brief moments of genuine connection and humanity, it's not enough to carry the emotional weight of the entire film.

The broader themes, such as the social commentary on class disparity and governmental control in a post-apocalyptic world, are unfortunately relegated to the background. The film hints at these elements - with a totalitarian government and wealthy moguls seemingly responsible for the outbreak - but never fully explores them. This missed opportunity prevents "Ziam" from becoming a more thought-provoking piece, instead opting for a more straightforward action-horror approach.

Despite these shortcomings, "Ziam" is an entertaining watch, particularly for those who appreciate martial arts action blended with zombie horror. It doesn't reinvent the wheel, and at times feels derivative of other popular zombie flicks like "Train to Busan," but its well-executed action sequences and effective zombie design make it a worthwhile addition to the genre, especially for Netflix subscribers looking for a quick dose of adrenaline. While it may not leave a lasting impression, "Ziam" offers enough punches, kicks, and undead mayhem to satisfy its core audience.

Right, well I just watched the 2025 Thai zombie movie "Ziam" on Netflix. Sure, I had never heard about the movie prior to watching it, but given the fact that I am a huge fan of all things zombie, of course I had to check out what director Kulp Kaljareuk had to offer.

Now, the movie was off to a great start. Sure, it was nothing in comparison to the 2016 South Korean "Busanhaeng" (aka "Train to Busan"), but "Ziam" seemed promising, and it definitely had me entertained. And I will say that it definitely is a strong foray into the zombie genre for Thai cinema. Right up to the last 20 minutes of the movie, where the entire thing just tumbled down like a house of cards in a tornado. Talk about a turn for the worse. I cannot fathom what writers Vathanyu Ingkawiwat, Kulp Kaljareuk, Nut Nualpang, Chonnatee Pimnam and Weerasu Worrapot were thinking with the last 20 minutes of the movie. It was like a slap to the face with a cold, undead fish - pardon the pun.

The dialogue in the movie was pretty wooden, a testament to the fact that the writers were stumbling around in darkness trying to piece together the dialogue. There were so many cringeworthy moments in the movie from the dialogue, and at times I was wondering if it was written by pre-teenagers.

I was not familiar with the cast ensemble in the movie, which definitely was a nice thing, as I do enjoy watching new and unfamiliar talents on the screen. The acting performances were, for the most parts, fair. There were some rigid performances and some where you just didn't buy into the performance delivered on the screen.

For as much as I do enjoy blood and gore in zombie movies, I have to say that less is sometimes more. Director Kulp Kaljareuk went overboard here, and there were literally gallons of blood sprayed, splattered and smeared on all walls of the hospital, on all ten floors. It was just ridiculous, and I couldn't distract from that, as I started to look for blood on the walls in each scene.

The special effects in the movie were good, and they definitely helped carried the movie a great length. Right up until the zombies apparently mutated and had fish-like mouths. That virtually had me laughing so hard, and it was just such a stupid thing to add to the movie, as it really dumbed it down a couple of notched. While we are on effects, then I don't understand why the opted to go for the sounds that the zombies made, it made zero sense. Some of the sounds were just copied from "The Last of Us", while others were very laughable guttural sounds that you wouldn't assume could be made from human vocal cords, undead or not.

If you are going to watch the movie, you should literally stop with 20 minutes left, because the entire movie just fell apart in those abysmal minutes. And the ending of the movie, should you opt to endure the ordeal to the bitter end, well the ending was just laughable. I virtually got up in frustration and left the room at that ending.

What started out as a promising zombie movie from the Thai cinema quickly fell to shambles and just went downhill fast.

Sure, I managed to endure the entire 95 minutes that the movie ran for. But believe you me, this is not a zombie movie that I will ever return to watch a second time.

My rating of director Kulp Kaljareuk's 2025 movie "Ziam" lands on a very generous four out of ten stars.

Ziam tries to present itself as a horror experience but falls short in delivering true scares. The cinematography feels bland, lacking creativity in framing and lighting, making even the few tense moments look flat. The horror elements are minimal, with most scenes failing to build genuine suspense or fear, leaning instead on loud sounds and predictable jumps.

The VFX are poor, pulling you out of the film rather than immersing you in its world, and the storyline feels cliché, with the same haunted house tropes and a predictable "twist" you see coming from miles away. While there are a few moments that attempt to add atmosphere, they aren't enough to elevate Ziam beyond average.

Overall, Ziam is a watchable but forgettable horror film that lacks the craft needed to stand out, best suited for a casual watch if you have nothing else to do.