Añade un argumento en tu idiomaPeople battling their inner demons in a gripping melting pot of memories in mind, where justice, morality and humanity clash in an electrifying showdown full of unpredictable twists.People battling their inner demons in a gripping melting pot of memories in mind, where justice, morality and humanity clash in an electrifying showdown full of unpredictable twists.People battling their inner demons in a gripping melting pot of memories in mind, where justice, morality and humanity clash in an electrifying showdown full of unpredictable twists.
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Shotyi Bole Shotyi Kichhu Nei starts with an intriguing premise-blending dark humor and social commentary-but stumbles under the weight of uneven storytelling and underdeveloped characters. The film's satirical take on societal hypocrisy and existential crises holds potential, yet the script struggles to balance tone, oscillating awkwardly between slapstick comedy and introspective drama without committing fully to either.
Performances are a mixed bag: while the lead actor brings sporadic charm, much of the supporting cast feels wooden, failing to elevate thinly written roles. The pacing drags in the second act, with repetitive dialogues and predictable twists that sap momentum. Directorially, the vision feels muddled-ambitious visual metaphors (like recurring motifs of emptiness) are overshadowed by cluttered framing and jarring edits.
The soundtrack, though catchy, often feels misplaced, undercutting emotional beats. While the film's critique of materialism and identity in modern Kolkata is timely, its message gets lost in a sea of half-baked subplots.
A missed opportunity. Watch only for fleeting moments of wit, but don't expect depth or coherence. Forgettable, despite its bold ambitions.
Performances are a mixed bag: while the lead actor brings sporadic charm, much of the supporting cast feels wooden, failing to elevate thinly written roles. The pacing drags in the second act, with repetitive dialogues and predictable twists that sap momentum. Directorially, the vision feels muddled-ambitious visual metaphors (like recurring motifs of emptiness) are overshadowed by cluttered framing and jarring edits.
The soundtrack, though catchy, often feels misplaced, undercutting emotional beats. While the film's critique of materialism and identity in modern Kolkata is timely, its message gets lost in a sea of half-baked subplots.
A missed opportunity. Watch only for fleeting moments of wit, but don't expect depth or coherence. Forgettable, despite its bold ambitions.
A neat adaptation of the Classic '12 Angry Men' by Sidney Lumet. Brajeswar Dutta, a Lawyer gets a case where a 19 year old allegedly killed his own brother and is to be in hearing tomorrow, with plenty of 'evidence' on him- An old man who heard him running after the murder and a lady who witnessed this murder through her window. The story is similar to the original, but the jury takes place on the lead actor's head and happens at fascinating places- An Art Gallery, Middle of a flyover, On a movie theater, beach and a forest. Dialogues were sharp and performances were extraordinary. Recommended! But could have bought in some new plot as for those who watched 12 angry men, it could be repetitive.
It's hard to imagine any remake or adaptation rivaling the seminal courtroom classic "12 Angry Men," yet here I am, witnessing something that manages to build on Sidney Lumet's vision and take it to new heights.
Admittedly, my bias may show since the film is in my native language, but there are certain nuances and a unique expression of emotions that only the language of Tagore can capture, and which Shakespeare's language simply cannot.
The stellar cast of actors were equally enthralling though felt underutilized at times, delivering powerful performances to bring Srijit's vision to life. In the poignant words of Parambrata, "Amar jonyo oke keno shasti dicho" beautifully illustrated the cognitive and confirmation biases inherent within the characters in this movie, highlighting how our past experiences biases us towards our present judgments.
In conclusion, it was a pleasure to witness Bangla film-lore leapfrogging back to its Heydays through the lens of this future 'El-Classico'. A masterpiece on jurisprudence.
Admittedly, my bias may show since the film is in my native language, but there are certain nuances and a unique expression of emotions that only the language of Tagore can capture, and which Shakespeare's language simply cannot.
The stellar cast of actors were equally enthralling though felt underutilized at times, delivering powerful performances to bring Srijit's vision to life. In the poignant words of Parambrata, "Amar jonyo oke keno shasti dicho" beautifully illustrated the cognitive and confirmation biases inherent within the characters in this movie, highlighting how our past experiences biases us towards our present judgments.
In conclusion, it was a pleasure to witness Bangla film-lore leapfrogging back to its Heydays through the lens of this future 'El-Classico'. A masterpiece on jurisprudence.
Lets break it out.
Pros- 1. Cinematography was quiet good it's has a very beautiful style of shooting that never happened before in tollywood.
2. The whole zodiac was quite accurate as in 12 signs with their personality.
3. Acting was good from every actor as you can expect from srijit's movie 4. This version of 12 angry men gave the charector more saturation.
So 4 starts. Now why not 6 stars.
Now cons- 1. The just use orenge and tile combo for color tuning. Feels very forced and kind of cheap shortcut for visual.
2. When you give a straight man to act as a gay they will do very over saturated hermaphrodite acting and that definitely the case. Every actor did a good job but still feels like their were more potential with the script and actor that left unused.
3. The overall commercial approach on the dialogues. No depth in the dialogue just slang. Yes though I found those slangs unfunny unnecessary comic releaves many was laughing at it.
4. No charactor growth for any charactor thought all the charectors' debate were in mind but it would be nice to see.
Don't go to cinema hall to watch this. Wait for hoichoi.
Pros- 1. Cinematography was quiet good it's has a very beautiful style of shooting that never happened before in tollywood.
2. The whole zodiac was quite accurate as in 12 signs with their personality.
3. Acting was good from every actor as you can expect from srijit's movie 4. This version of 12 angry men gave the charector more saturation.
So 4 starts. Now why not 6 stars.
Now cons- 1. The just use orenge and tile combo for color tuning. Feels very forced and kind of cheap shortcut for visual.
2. When you give a straight man to act as a gay they will do very over saturated hermaphrodite acting and that definitely the case. Every actor did a good job but still feels like their were more potential with the script and actor that left unused.
3. The overall commercial approach on the dialogues. No depth in the dialogue just slang. Yes though I found those slangs unfunny unnecessary comic releaves many was laughing at it.
4. No charactor growth for any charactor thought all the charectors' debate were in mind but it would be nice to see.
Don't go to cinema hall to watch this. Wait for hoichoi.
The Movie released on OTT Hoichoi on 18th April, 2025 explores really a fresh idea and perfectly makes its Celluloid portrayal. The theme of the Movie is too unique. It is an effort to unmask all representing different sections of the society and bringing into fore realities. But this has been done following a unique pattern. Everything gets focused during informal conversations where contradictory opinions, prejudices, arguments, biasness and others keep the momentum going. 12 people express opinions on a single matter almost all through the Movie. So dialogues serve the most important part here.
The Movie starts with birthday celebration of a judge who is scheduled to announce verdict on a murder case the very next day. As the guests take adieu, the judge rests on an arm chair and goes to sleep. He dreams 12 persons including him discussing the murder case and expressing views before deciding the destiny of the murder accused. The marathon discussion goes on and at the end opinion changes from guilty to not guilty appealing the conscious part of the judge to announce verdict that the murder accused boy is innocent. As the judge rises next morning, he finds himself a completely different person. Thus, the theme is simple but hooking one. The metaphors used in this Movie are also great.
The casting of the Movie is huge but there is no unnecessary character. The roles played by all are matchless. I strongly recommend to watch the Movie.
The Movie starts with birthday celebration of a judge who is scheduled to announce verdict on a murder case the very next day. As the guests take adieu, the judge rests on an arm chair and goes to sleep. He dreams 12 persons including him discussing the murder case and expressing views before deciding the destiny of the murder accused. The marathon discussion goes on and at the end opinion changes from guilty to not guilty appealing the conscious part of the judge to announce verdict that the murder accused boy is innocent. As the judge rises next morning, he finds himself a completely different person. Thus, the theme is simple but hooking one. The metaphors used in this Movie are also great.
The casting of the Movie is huge but there is no unnecessary character. The roles played by all are matchless. I strongly recommend to watch the Movie.
¿Sabías que...?
- CuriosidadesThe casting of this is enough to make one spellbound. Almost, the entire Tollywood is present here which includes the potential actors of today's Bengali cinema. There is also powerful female presence. The Movie is of course a unique experiment to project such diverse characters. However, at the end of the day it is all about presentation.- Shibdas Bhattacharjee
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By what name was Shotyi Bole Shotyi Kichhu Nei (2025) officially released in Canada in English?
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