Amor, dinero, ambición y música se entremezclan en esta comedia dramática, en la que el maestro Rodrigo revoluciona la Sinfónica de Nueva York.Amor, dinero, ambición y música se entremezclan en esta comedia dramática, en la que el maestro Rodrigo revoluciona la Sinfónica de Nueva York.Amor, dinero, ambición y música se entremezclan en esta comedia dramática, en la que el maestro Rodrigo revoluciona la Sinfónica de Nueva York.
- Ganó 2 premios Primetime Emmy
- 10 premios y 12 nominaciones en total
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Resumen
Reviewers say 'Mozart in the Jungle' is acclaimed for its innovative fusion of classical music, drama, and comedy, providing a unique glimpse into orchestral life. Gael García Bernal's performance as Rodrigo is highly praised, along with the show's witty humor. However, some critics argue the humor and character arcs are underdeveloped and clichéd. Concerns also arise regarding the authenticity of musical portrayals. Despite these issues, the series is celebrated for invigorating interest in classical music.
Reseñas destacadas
I started watching Mozart in the Jungle with a little trepidation. I love Mozart's music, and was a bit worried that his name has been used in the title in vain. My expectations were very low, the kind a true classical musician has when listening to someone non-musician analyzing their performance. My thoughts were: oh , here we go, someone again is going to humiliate the classical music and it's followers, and mix it up with shallow observations and cheap talk. I expected pop, rap, rock, house, bebop, and even disco, glorifications and total dismissal of all classical. How luckily wrong I was!! These series are probably one of the best and closest presentations of classical musicians' struggles to make it, to get known, to survive, to bare their soul for food, to do anything and everything and to forgo any pain and any doubt for the privilege to play music, to agree to any music job so they can live, and to serve and worship at the alter of music without any commercialism. It is a true presentation of the big egos of those who have made it, and the incredible beauty of the great big musicians' art. It is a true presentation of the little minds and the little talents whose only care is the union rules. It is a true presentation of how anything and everything in life can become music, how one can hear music even in the noise of a tire crossing bridge rims. And it is a very enjoyable, very funny, very well observed and cry well acted piece of TV! Congratulations to all the thinkers behind the scenes, all the makers of the series, all who acted brilliantly, all who performed the music brilliantly, and produced and brought this marvellous, surprising, unique series's to the general public! Can't wait for series 2!!
This review is based on the first six episodes of the first season. I like this series so much that it's hard to see it objectively. I like it so much that I'm not bingeing but rather rationing myself to a meagre 25 or so minutes each day. So, what makes it quite so enjoyable? Firstly, it's genuinely good - a perfect cast delivering tonally perfect performances with a script that delivers reality plus a few extra percentage points. Occasionally, it's laugh out loud funny but mostly it's genuinely affecting. This is no guilty pleasure in which you know you're being manipulated but you're going along for the (very fun) ride. This always feels real, grounded. There are a few stereotypes amongst the smaller roles but the big ones, the roles that anchor this series, are well written and perfectly cast. Lola Kirke is a wonderful lightning rod, if gaining weight by the episode; Saffron Burrows is fine, if somewhat less interesting than in her pre plastic surgery roles; Bernadette Peters is terrific; Malcolm McDowell is the perfect exiting Maestro. And then there's Gael Garcia Bernal. As an outsider, I have no idea how much of his character was on the page and how much was his own invention but the results are spectacular. He makes this series. His portrayal of Rodrigo, the infant terrible of the conducting world, is nothing short of brilliant and creates, most appropriately, the bright star around which everything revolves. Mozart in the Jungle is not highbrow entertainment. It doesn't challenge or confront. It works its magic more subtly, and sometimes more effectively. It's a feel good show in the best possible way. Real, not fake. It likes its characters, for all their flaws. You could do worse.
ADDENDUM I've now watched the final four episodes, during which I mentally knocked off a point (episode 8) and put it back on for episode 10. Episode 8 is by far the weakest. It's not that it's bad, it's just that its sensibilities suddenly resembled humdrum American TV and thus became deeply unnerving. It's as though the writers had forgotten, or worse had never understood what made this series so wonderful. Episode 8 was an attempt to broaden the humor at the expense of the humanity. As though someone had pointed out that this was meant to be a comedy. For the record, episode 7 had been a delight and 9, if not special in its own right, at least an improvement on 8. And then there were, or rather was, 10. The finale. The performance towards which everything had led. It's a masterpiece. The perfect summation of and climax to everything that's come before. It's heartstoppingly brave, rolling the emotional dice again and again. It left me breathless, quite literally. Compromises? Not really but we must prepare for a second series and so are denied absolute closure. That final episode was so close to perfection that I hesitate to anticipate a second series. But of course I will. I do. With trepidation.
ADDENDUM I've now watched the final four episodes, during which I mentally knocked off a point (episode 8) and put it back on for episode 10. Episode 8 is by far the weakest. It's not that it's bad, it's just that its sensibilities suddenly resembled humdrum American TV and thus became deeply unnerving. It's as though the writers had forgotten, or worse had never understood what made this series so wonderful. Episode 8 was an attempt to broaden the humor at the expense of the humanity. As though someone had pointed out that this was meant to be a comedy. For the record, episode 7 had been a delight and 9, if not special in its own right, at least an improvement on 8. And then there were, or rather was, 10. The finale. The performance towards which everything had led. It's a masterpiece. The perfect summation of and climax to everything that's come before. It's heartstoppingly brave, rolling the emotional dice again and again. It left me breathless, quite literally. Compromises? Not really but we must prepare for a second series and so are denied absolute closure. That final episode was so close to perfection that I hesitate to anticipate a second series. But of course I will. I do. With trepidation.
10jlmpeace
This show has sparked my love of classical music again. I hated to see it end and I really want to see more of these characters journeys. Please Amazon, give us another season!
10apaz005
Like many of us, I had recently finished a series on Netflix/Prime a couple of days before and couldn't find another series to start. After losing hope, and about to re-watch an older series just to have something to watch, i stumbled across "Mozart in the Jungle" on Prime. Not the typical type of series i look for, but bored and out of options, I gave it a shot. After the first few minutes I was sold. A show i had never heard of, and had zero expectations of, surprised me. The episodes are only twenty some minutes so I ended up binge watching the entire season that night. I now want to grab the book the show is based off. And I am highly anticipating the next season.
I was looking for something new to watch since my favorite shows are all on a break and I had heard this show won awards. I was skeptical because classical music sounded like a snooze. I was so wrong about that!!! This is such a wonderful fun show. I love the characters especially Rodrigo. The music is wonderful and the story keeps you hooked. I highly recommend this new show. Give it a try, you won't be sorry. I am a huge fan of the show Nashville. I love shows that incorporate music into the story.It really adds so much to the all around experience, but you don't have to be a fan of the music to like the show.I dislike shows that take too long to get going and drag along. This show gets going fast and gets you interested right away. The acting is superb! Love it!!!
¿Sabías que...?
- CuriosidadesNew York City tenant laws allow musicians to practice their chosen instrument from the morning until 10 pm in the evening. Sometimes the musician's union is called to help their members enforce their right to practice at home.
- ConexionesFeatured in 73rd Golden Globe Awards (2016)
- Banda sonoraOdd Soul
(uncredited)
Written by Paul Meany, Roy Mitchell-Cárdenas, Darren King, and Adam LaClave
Performed by Mutemath
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- How many seasons does Mozart in the Jungle have?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Моцарт у джунглях
- Localizaciones del rodaje
- Purchase, Nueva York, Estados Unidos(interior concert scenes)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración30 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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What was the official certification given to Mozart in the Jungle (2014) in Japan?
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