Historias de miedo para contar en la oscuridad
Título original: Scary Stories to Tell in the Dark
PUNTUACIÓN EN IMDb
6,2/10
90 mil
TU PUNTUACIÓN
En Halloween de 1968, Stella y sus dos amigos conocen a un misterioso vagabundo, Ramón, y descubren un siniestro cuaderno de historias.En Halloween de 1968, Stella y sus dos amigos conocen a un misterioso vagabundo, Ramón, y descubren un siniestro cuaderno de historias.En Halloween de 1968, Stella y sus dos amigos conocen a un misterioso vagabundo, Ramón, y descubren un siniestro cuaderno de historias.
- Dirección
- Guión
- Reparto principal
- Premios
- 5 premios y 6 nominaciones en total
Reseñas destacadas
In 1968, in Mill Valley, Pennsylvania, the outcast teenager Stella Nicholls (Zoe Colletti) is an aspirant writer that has only two friends, Auggie Hilderbrandt (Gabriel Rush) and Chuck Steinberg (Austin Zajur). On the Halloween night, the trio of friends decide to play a prank on the bully Tommy Milner (Austin Abrams) and flee to a drive-in theater where the stranger Ramón Morales (Michael Garza) hides and protects the teenagers. They decide to spend the night visiting the haunted house of the Bellows family, where Stella finds the book of stories of the notorious Sarah Bellows (Kathleen Pollard). She brings the book home and soon she realizes that Sarah is writing one horror story per day with each one of them and she tries to find a means to stop Sarah.
"Scary Stories to Tell in the Dark" is an entertaining horror film with short stories linked by a lead story with Stella and Ramón. The plot is not gore or scary and disappoints fans of the genre. But if the viewer likes mystery and fantasy films, he or she will certainly enjoy this film. My vote is seven.
Title (Brazil): "Histórias Assustadoras para Contar no Escuro" ("Scary Stories to Tell in the Dark")
Note: On 09 March 2025, I saw this film again.
"Scary Stories to Tell in the Dark" is an entertaining horror film with short stories linked by a lead story with Stella and Ramón. The plot is not gore or scary and disappoints fans of the genre. But if the viewer likes mystery and fantasy films, he or she will certainly enjoy this film. My vote is seven.
Title (Brazil): "Histórias Assustadoras para Contar no Escuro" ("Scary Stories to Tell in the Dark")
Note: On 09 March 2025, I saw this film again.
As a kind of anthology sort of feature, Scary Stories wasn't actually a bad movie but it didn't fulfill my expectations, specially in terms of scare factors. As a huge fan of André Øvredal (director of Trollhunter & Autopsy of Jane Doe), expected it bit more twisted & eerily creepy particularly around the different monster/entity encounters at different segments. Among the ghostly entities, The Jangly Man & The Pale Lady were the most interesting; and while they could have done more with The Pale Lady (looked like a creepy character from a Japanese manga), the intro to this character was kind of disappointing & somewhat same like Harold the Scarecrow. The Jangly Man was the most satisfactory one...wondering what James Wan would have do with it?! Speaking of Wan, at times it just came to my mind that considering the format & the stories...I think Wan or Mike Flanagan would have been a better choice for this film than Øvredal.
It got potential to be more darker, scarier & entertaining but PG-13 approach turned out to be a let down for me. Overall, found it kinda mediocre, though the effort was fairly decent.
It got potential to be more darker, scarier & entertaining but PG-13 approach turned out to be a let down for me. Overall, found it kinda mediocre, though the effort was fairly decent.
To my surprise, this movie was not what I was expecting at all. From the title, I was sure I'd see a portmanteau movie of unconnected short stories, similar to 1983's "Twilight Zone: The Movie". But with a kid-centric plot and set in a small American town, the formula is similar to "It" or "Super 8". However, the episodic nature of serial "incidents" aligns it more with the style of the "Final Destination" films.
Stella Nicholls (Zoe Margaret Colletti) is a horror geek and aspiring writer living in Mill Valley, a small Pennsylvanian town during the Nixon election of 1968. Stella has a couple of friends: the requisite Scoobie Doo Shaggy character Chuck (Austin Zajur) and the 'sensible' "it's all science" character Auggie (Gabriel Rush). But pursued by local hoodlum Tommy (Austin Abrams), Stella, Chuck and Auggie are thrown together with draft-dodging outsider Ramón (Michael Garza).
They escape into the local spooky house - a house where legend has it that terrible things were done to a strange albini girl, Sarah. That legend has it that Sarah used to tell local kids scary stories through the walls. And Stella finds a book... a book that appears to be unfinished....
This is a time when horror films are either "old school" or more psychological in nature (like "Hereditary"). This one has Guillermo del Toro's hand behind that of lead-writers Dan and Kevin Hagerman. And it's firmly old-school. There are some effective (but at times comically created) spooky moments that are scary without being hugely gory. This earns it a UK15, rather than a UK18, certificate. It's disappointing that doesn't stretch to 12A to attract a younger teenage audience, since the source material is actually from a "Goosebumps"-like set of short stories by Alvin Schwartz.
The story's 'episodes' are nicely varied. At the gross-out end of the scale is an episode with Chuck's sister Ruth (Natalie Ganzhorn) that might get arachnophobes running for the exits. My personal favourite? A 'red room' episode with the oncoming fate comically arriving in slow-motion like the steam-roller in "Austin Powers"!
This is another film that relies on the quality of its young cast, with the only moderately well-know cast name being Gil Bellows as the local sheriff. In this regard, the stand-out performance is that of Zoe Margaret Colletti who does a fabulous job as Stella. She's been in a few films in the past ("Annie", "Wildlife" and "Skin") but this is her breakout performance in a starring role. She's done her CV a great favour here.
Directed by "Troll Hunter" director André Øvredal, I really enjoyed this one. I'm not a massive fan of 'slasher' style horror films. I have no burning desire to be constantly reminded of what the inside of my body looks like. So this turned out to be much-more to my liking than the normal horror flick. It had enough spookiness to make me turn on the lights when I got back home, but not enough to pervade my dreams.
The young cast perform well. They are given enough back-story and personality by the script to make you care about their fate.
So overall, this one comes with a "Recommended for wimps" (like me)!
(For the full graphical review, please check out One Mann's Movies on t'interweb or Facebook. Thanks.)
Stella Nicholls (Zoe Margaret Colletti) is a horror geek and aspiring writer living in Mill Valley, a small Pennsylvanian town during the Nixon election of 1968. Stella has a couple of friends: the requisite Scoobie Doo Shaggy character Chuck (Austin Zajur) and the 'sensible' "it's all science" character Auggie (Gabriel Rush). But pursued by local hoodlum Tommy (Austin Abrams), Stella, Chuck and Auggie are thrown together with draft-dodging outsider Ramón (Michael Garza).
They escape into the local spooky house - a house where legend has it that terrible things were done to a strange albini girl, Sarah. That legend has it that Sarah used to tell local kids scary stories through the walls. And Stella finds a book... a book that appears to be unfinished....
This is a time when horror films are either "old school" or more psychological in nature (like "Hereditary"). This one has Guillermo del Toro's hand behind that of lead-writers Dan and Kevin Hagerman. And it's firmly old-school. There are some effective (but at times comically created) spooky moments that are scary without being hugely gory. This earns it a UK15, rather than a UK18, certificate. It's disappointing that doesn't stretch to 12A to attract a younger teenage audience, since the source material is actually from a "Goosebumps"-like set of short stories by Alvin Schwartz.
The story's 'episodes' are nicely varied. At the gross-out end of the scale is an episode with Chuck's sister Ruth (Natalie Ganzhorn) that might get arachnophobes running for the exits. My personal favourite? A 'red room' episode with the oncoming fate comically arriving in slow-motion like the steam-roller in "Austin Powers"!
This is another film that relies on the quality of its young cast, with the only moderately well-know cast name being Gil Bellows as the local sheriff. In this regard, the stand-out performance is that of Zoe Margaret Colletti who does a fabulous job as Stella. She's been in a few films in the past ("Annie", "Wildlife" and "Skin") but this is her breakout performance in a starring role. She's done her CV a great favour here.
Directed by "Troll Hunter" director André Øvredal, I really enjoyed this one. I'm not a massive fan of 'slasher' style horror films. I have no burning desire to be constantly reminded of what the inside of my body looks like. So this turned out to be much-more to my liking than the normal horror flick. It had enough spookiness to make me turn on the lights when I got back home, but not enough to pervade my dreams.
The young cast perform well. They are given enough back-story and personality by the script to make you care about their fate.
So overall, this one comes with a "Recommended for wimps" (like me)!
(For the full graphical review, please check out One Mann's Movies on t'interweb or Facebook. Thanks.)
It's Halloween, 1968 in the town of Mill Valley, Pennsylvania. Stella Nicholls is out with her friends Auggie Hilderbrandt and Chuck Steinberg. They are pursued by bully Tommy Milner after the friends pull a prank on him. They find sanctuary in Ramón Morales' car in the drive-in. Stella leads the group to a haunted house. They escape from scary things including Tommy's revenge. Stella takes an old book from the abandoned house. You don't read the book as much as the book reads you. It belongs to Sarah Bellows who lived a tragic life and died horribly.
It's a good in-between horror between the kiddie spooky stories and outright adult gore-fest horrors. I like all the characters. I like the teen actors. I like the spooky and slightly scary stories. I like the idea of the book and the body horrors. The zombie looks good and I expected nothing less from a Guillermo del Toro production. It is not quite an adult horror but it's a good step up from a kiddie campfire story.
It's a good in-between horror between the kiddie spooky stories and outright adult gore-fest horrors. I like all the characters. I like the teen actors. I like the spooky and slightly scary stories. I like the idea of the book and the body horrors. The zombie looks good and I expected nothing less from a Guillermo del Toro production. It is not quite an adult horror but it's a good step up from a kiddie campfire story.
Film directed by André Øvredal and co-written with Guillermo del Toro, Historias de miedo para contar en la oscuridad (2019) benefits from an efficient Halloween atmosphere, an excellent photography, the nostalgic 60's dress code, impressive old cars and rather talented young actors. On certain aspects, in particular the ineluctably-fatalistic side, the film makes me think of Pesadilla en Elm Street (1984) directed by Wes Craven in which a psychopath sadistically haunts teens during their sleep.
After the showing of a cult film (La noche de los muertos vivientes (1968)) in a drive-in theater, a group of teens arrives, we do not really know how, in a time-worn mansion on the edge of town, abandoned for ages after an unexplained murder. By chance, they find a book. A cursed book! The small town will then suffer a wave of atrocious deaths. Stella and Ramón will have to face their own worst demons in order to stop the carnage and save the inhabitants.
As a synthesis: an efficient teen movie for getting started with cinematographic thrills. 6/7 of 10
After the showing of a cult film (La noche de los muertos vivientes (1968)) in a drive-in theater, a group of teens arrives, we do not really know how, in a time-worn mansion on the edge of town, abandoned for ages after an unexplained murder. By chance, they find a book. A cursed book! The small town will then suffer a wave of atrocious deaths. Stella and Ramón will have to face their own worst demons in order to stop the carnage and save the inhabitants.
As a synthesis: an efficient teen movie for getting started with cinematographic thrills. 6/7 of 10
¿Sabías que...?
- CuriosidadesThe home used for the Bellows' House is the Fairbanks mansion located in the small town of Petrolia in southern Ontario, Canada.
- PifiasThe audio/footage of "Night of the Living Dead" playing at the drive-in don't match up with each other, and the film's scenes are shown out of order.
- Citas
Stella Nicholls: Stories hurt, stories heal.
- ConexionesFeatured in Diminishing Returns Diminisodes: Super Bowl Trailers 2019 (2019)
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- How long is Scary Stories to Tell in the Dark?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Contes de por per explicar-los a les fosques
- Localizaciones del rodaje
- Hamilton, Ontario, Canadá(Gage Park)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 25.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 68.947.075 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 20.915.346 US$
- 11 ago 2019
- Recaudación en todo el mundo
- 104.545.505 US$
- Duración1 hora 48 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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