Añade un argumento en tu idiomaOn a trip home to Italy to visit her father, Jenny is thrown into a world of mystery, horror and legend as she is compelled to discover the truth behind all his secrets and lies.On a trip home to Italy to visit her father, Jenny is thrown into a world of mystery, horror and legend as she is compelled to discover the truth behind all his secrets and lies.On a trip home to Italy to visit her father, Jenny is thrown into a world of mystery, horror and legend as she is compelled to discover the truth behind all his secrets and lies.
- Dirección
- Guión
- Reparto principal
- Jenny
- (as Daisy Ann Keeping)
- Olga
- (as Joy Allison Tanner)
Reseñas destacadas
The story itself - overall - wasn't that bad and, in fact, I enjoyed the ending. It was darker than I'd thought it would be, and definitely not entirely predictable. Ironically, that's also part of the problem. There wasn't really enough story development in the first 70 minutes of the film to lead you to predict much of anything, and by that time you're almost a little apathetic. Very little seems to be holding together what is presented during this stretch, and much of it isn't really that necessary.
A lot of the bad reviews I've read include phrases like "I couldn't make it half-way through" and "I turned it off with 20 minutes left." Because the story is so back-loaded into the conclusion of the movie, their reviews (to me) are rendered almost completely irrelevant. But because of the glacial pace I definitely understand where they're coming from.
Before I get the usual condescending "Most people (who aren't as smart as I am) who expect explosions and non-stop action/killing/slashing just won't 'get' this type of artistic storytelling (and are not worthy to cast eyes on the film like I am)," I beg to differ. I don't need nonstop action, especially in a horror/psychological thriller movie. But in lieu of action there needs to be story/character development to keep you engaged. And in this film that all came at the end, with only fairly disjointed bits and pieces for the first 70 minutes.
I give this a better-than-average rating because it IS better than most of the low-budget garbage out there. It is, indeed, watchable. But your life will not change. You'll think, "Hmmm. Didn't quite see THAT ending coming," then get back to your housework.
As the trailers and plot summaries have already told you, Neverlake tells the story of a teenage girl going to visit her father in Italy. There, she is confronted by both his half colleague half lover (showing a bluntly exaggerated interest in her physical health) and a party of children of different ages each suffering from some sort of physical ailment of deformity. In addition, the storyline is saturated with hints alluding to something supernatural haunting the nearby lake. Enough to make one curious and follow the plot closely, but also enough to frustrate a viewer, because okay, we get it, stop wasting screen time with another unnecessary hint, that's not how you set up a plot twist.
And then? Comes the plot twist, which is nefarious and grim, but has extremely little to do with the aforementioned redundant hints. Following the initial shock I couldn't help but wonder why the heck I was shown all these hints only to lead to such a twist. Either the hints or the twist should not have been used, it almost feels like the creators couldn't come up with enough relevant scenes.
After all this criticism anyone reading could think that I didn't enjoy Neverlake, but I actually did. The fine acting and intriguing characters along with a story that could have been better but isn't all bad were seemingly enough to create a rewarding Horror experience. I'm merely saying one should lower their expectations in advance if they wish to enjoy this film, and not wait for anything spectacular or overly impressive. An average story in an average film.
A girl arrives in Tuscany, travelling from her US boarding school to visit her father who has carried out Archaeological work at an Etruscan site in a lake for the past 20 years. She meets some strange children who tell her that the spirits of the Etruscan's are disturbed because their statues have been removed.
This is a ghost story but also contains a real life saga which is far more terrifying .
Worth watching.
This is in some ways a ghost story like "The Devil's Backbone" or "The Orphanage", but it also hearkens back to the classic European "medical horror" films of the early 1960's like "Eyes without a Face" and "The Mill of the Stone Women". Like a lot of classic Euro-horror films this British-Italian co-production doesn't make a lot of logical sense but rather follows a kind of dream logic. The rational plot is often overwhelmed by powerful and striking visual images and kind of surreal mood reminiscent of Euro genre films of yore. This will no doubt annoy many of the terminal Americans out there unaccustomed to this kind of filmmaking (really though, Hollywood films aren't any more "realistic", people are just more used to their brand of unreality).
The movie does have its flaws. The Etruscan mysticism and the medical horror don't really gel together very well, and all the characters remain rather opaque. Its strengths though lie in its atmosphere, its arresting visuals (especially the underwater scenes in the lake) and its use of the beautiful Tuscany countryside and some haunting poetry from British Romantic poet Percy Blysse Shelley. Daisy Keeping who plays the protagonist is a strikingly beautiful young Brit actress who really complements the natural scenery and turns in a very decent performance (her unexplained British accent notwithstanding). This isn't a perfect movie, but I'd still definitely recommend it.
¿Sabías que...?
- CuriosidadesDirector Riccardo Paoletti lost seven kilos during the shooting due too the difficulties of making ends meet with a really low budget.
- Citas
[first lines]
Jenny Brooks: [narrating] The garden once fair, became cold and foul, like the corpse of her had been its soul. Which at first was lovely, as if in sleep, and slowly changed 'til it grew a heap, to make men tremble and never sleep. Shelley, my favorite poet. He was English, but he wrote these lines right here in Tuscany. My father thinks that poetry is for people who haven't yet reached, or just lost the gift of reason.
Selecciones populares
Detalles
- Duración1 hora 26 minutos
- Color
- Mezcla de sonido