Neverlake

"Neverlake" isn't necessarily a great horror movie, but one thing's undeniable: the plot contains more than enough potentially strong ideas to fill at least three movies! I almost overlooked this film because it looks so mundane and derivative, but then I discovered that it's Italian (my favorite country for horror movies) and that it stars David Brandon (semi-successful lead actor of "Stagefright", "Delirium: Photos of Gioia" and "Caligola: The Untold Story"). The film is reasonably well-made, but the script is too ambitious and director Riccardo Paoletti makes the rookie mistake that he desperately attempts to uphold the various mysteries for far too long. It's complex, with a lot of references towards Tuscan culture and particularly the Etruscan civilization, but also supernatural themes and mad surgeon twists. Gorgeous young teenager Jenny Brooks visits her father in his birth region of Tuscany, Italy, for the very first time since her mother died. Her father used to be an acclaimed doctor but now he's into archaeology and researching the nearby Etruscan Lake of Idols. Jenny was hoping to visit the beautiful region, but her father is always locked up in his study room or away on business, so she sets out exploring herself and meets a group of disabled children in a ramshackle hospital. Riccardo Paoletti builds up a lot of tension and mystery, but why, in fact? From the very first moment that Jenny's father walks into the screen, it's abundantly clear that he's malicious and unreliable. The atmosphere in "Neverlake" is admirably ominous and spooky and the filming locations and set pieces are often astounding, but the film could have used a better pacing and more frequent bloodshed. The finale, however, is terrific and reminiscent of the good old- fashioned Gothic Italian horrors of the fifties and sixties. The acting performances are quite good as well. Daisy Keeping looks like a slightly young version of Danielle Harris, which is always an example if you want to make it in the horror industry, and is even credible as the clever young girl who's a fan of Gothic poetry (Percy Shelley, Edgar Allen Poe, etc…)

There are pretty straightforward pros and cons to this movie, and to me it seems to really be stretching things to call it "horrible" or "great storytelling.

The story itself - overall - wasn't that bad and, in fact, I enjoyed the ending. It was darker than I'd thought it would be, and definitely not entirely predictable. Ironically, that's also part of the problem. There wasn't really enough story development in the first 70 minutes of the film to lead you to predict much of anything, and by that time you're almost a little apathetic. Very little seems to be holding together what is presented during this stretch, and much of it isn't really that necessary.

A lot of the bad reviews I've read include phrases like "I couldn't make it half-way through" and "I turned it off with 20 minutes left." Because the story is so back-loaded into the conclusion of the movie, their reviews (to me) are rendered almost completely irrelevant. But because of the glacial pace I definitely understand where they're coming from.

Before I get the usual condescending "Most people (who aren't as smart as I am) who expect explosions and non-stop action/killing/slashing just won't 'get' this type of artistic storytelling (and are not worthy to cast eyes on the film like I am)," I beg to differ. I don't need nonstop action, especially in a horror/psychological thriller movie. But in lieu of action there needs to be story/character development to keep you engaged. And in this film that all came at the end, with only fairly disjointed bits and pieces for the first 70 minutes.

I give this a better-than-average rating because it IS better than most of the low-budget garbage out there. It is, indeed, watchable. But your life will not change. You'll think, "Hmmm. Didn't quite see THAT ending coming," then get back to your housework.

Sometimes, someone has a pretty nice idea that depending on right, smart and carefully planned execution has the potential to become a great film. Neverlake is, in my opinion, an example of how a wanting execution spoils this kind of a nice idea. After watching it I couldn't help but feeling bad for whomever was responsible for the general plot, as it felt to me like showing such a story the right way could have been great, while showing it in this way simply didn't do it justice.

As the trailers and plot summaries have already told you, Neverlake tells the story of a teenage girl going to visit her father in Italy. There, she is confronted by both his half colleague half lover (showing a bluntly exaggerated interest in her physical health) and a party of children of different ages each suffering from some sort of physical ailment of deformity. In addition, the storyline is saturated with hints alluding to something supernatural haunting the nearby lake. Enough to make one curious and follow the plot closely, but also enough to frustrate a viewer, because okay, we get it, stop wasting screen time with another unnecessary hint, that's not how you set up a plot twist.

And then? Comes the plot twist, which is nefarious and grim, but has extremely little to do with the aforementioned redundant hints. Following the initial shock I couldn't help but wonder why the heck I was shown all these hints only to lead to such a twist. Either the hints or the twist should not have been used, it almost feels like the creators couldn't come up with enough relevant scenes.

After all this criticism anyone reading could think that I didn't enjoy Neverlake, but I actually did. The fine acting and intriguing characters along with a story that could have been better but isn't all bad were seemingly enough to create a rewarding Horror experience. I'm merely saying one should lower their expectations in advance if they wish to enjoy this film, and not wait for anything spectacular or overly impressive. An average story in an average film.

Neverlake: This could have been a very good horror film but s left down by pacing, especially in the middle act.

A girl arrives in Tuscany, travelling from her US boarding school to visit her father who has carried out Archaeological work at an Etruscan site in a lake for the past 20 years. She meets some strange children who tell her that the spirits of the Etruscan's are disturbed because their statues have been removed.

This is a ghost story but also contains a real life saga which is far more terrifying .

Worth watching.

A teenage girl who was born in Italy, but raised in America (none of which explains her crisp British accent) returns to Tuscany where her father, once a medical doctor, is now engaged in an archaeological project at an enchanted lake once worshiped by the ancient Etruscans. There she befriends a group of weird disabled children kept in a country asylum. Eventually a terrible family secret is revealed.

This is in some ways a ghost story like "The Devil's Backbone" or "The Orphanage", but it also hearkens back to the classic European "medical horror" films of the early 1960's like "Eyes without a Face" and "The Mill of the Stone Women". Like a lot of classic Euro-horror films this British-Italian co-production doesn't make a lot of logical sense but rather follows a kind of dream logic. The rational plot is often overwhelmed by powerful and striking visual images and kind of surreal mood reminiscent of Euro genre films of yore. This will no doubt annoy many of the terminal Americans out there unaccustomed to this kind of filmmaking (really though, Hollywood films aren't any more "realistic", people are just more used to their brand of unreality).

The movie does have its flaws. The Etruscan mysticism and the medical horror don't really gel together very well, and all the characters remain rather opaque. Its strengths though lie in its atmosphere, its arresting visuals (especially the underwater scenes in the lake) and its use of the beautiful Tuscany countryside and some haunting poetry from British Romantic poet Percy Blysse Shelley. Daisy Keeping who plays the protagonist is a strikingly beautiful young Brit actress who really complements the natural scenery and turns in a very decent performance (her unexplained British accent notwithstanding). This isn't a perfect movie, but I'd still definitely recommend it.