Devuélvemela

BRING HER BACK was everything I hoped it would be. It will absolutely nauseate thousands of people. While many will recognize it's greatness, an equal amount will call it "a terrible movie" because it will so effectively fill them with intensely negative feelings throughout it's entire runtime, as it intends to do, and as most of the greatest horror movies of all time do. It is utterly brutal, and wholly unnerving, with the power to sicken and traumatize. There are plenty of movies that feature relentless amounts of brutal violence, but BRING HER BACK manages to disturb on a deeper level, likely by way of the great majority of it's brutality occurring amongst children (and, kids who are being manipulated by an adult, on top of everything else). It is painful to watch things unfold, and that's what makes it a truly effective horror film.

I took a chance on the directors' first film TALK TO ME when it hit theaters a couple of years ago, and was blown away. Not only was it fiercely original with it's concepts and it's vibe, but it was more fun than the majority of horror films, and got WAY more cruel and intense than I was expecting in its second half. When I saw the trailer for this, I knew it was highly likely they would be taking the cruelty even further, and that is precisely what they have done.

Casting lead Sally Hawkins in this role is the most brilliant casting utilization I have seen this year thus far. She is most commonly known as playing heartwarming characters (like Paddington's adoptive mother), but here, as the villain she is utterly terrifying - I think that knack for playing warm characters adds to the horror of her character immensely, and with these elements combined it leads to by far the best performance I've ever seen by her - fully gut-wrenching. All of the kids that fill out of the rest of the cast were phenomenal as well. I can't even imagine being Jonah Wren Phillips and playing the poster boy character Oliver - the role is so colossally intense, it makes me wonder if it's going to effect him in reality for the rest of his life - I feel like it will have to in some form.

Beyond all else, it's clear that the Philippou brothers are intelligent people. They know how to dig into the audiences psyche with such precision, and one of the key ways they do that is by keeping their films rich with a level of psychological depth that a great majority of horror films are missing nowadays. The movie is brimming with dramatic themes that are the type of things that deeply traumatize children in reality - taking this and rounding it out with some truly hellish supernatural ideas and visual horror, and you have the recipe for an absolutely devastating horror film. I was also impressed with the level of emotive resonance that this brutal film managed to conjure during its finale - I was on the verge of tearing up, and that is very rare for horror. The only reason I don't give it a 10 out of 10 is because I know it will simply be too dark and brutal for a huge chunk of the population, it doesn't exactly cater to repeat viewings.

This is a horror movie that doesn't have to rely on jumpscares; it doesn't have to rely on possession or creepy rituals, even though it's got both. And gore; I had to look away in one scene in particular. The actual horror is the all-too believable manipulations of a foster mother with a hidden agenda, and our feeling of powerlessness to stop her. This was the kind of film that it would be excruciating to have to leave before seeing the end, because it makes you care about its characters so much. You'll probably even finding yourself root for the villain. This is the best horror movie I've seen in a while and it stuck with me for days.

I've just stepped out of 'Bring Her Back' preview, and I'm still trying to steady my heart rate. For me, it felt like watching early Ari Aster or the original 'Speak No Evil' - that same creeping dread, that slow-burn descent into absolute horror. So tense, so relentless, I genuinely forgot to breathe at points.

The Philippou brothers have done it again. 'Talk to Me' was no fluke - 'Bring Her Back' proves they're not just playing in the horror sandbox, they're shaping it. This film gets under your skin early and doesn't let go.

The performances are excellent across the board (Sally Hawkins is devastating), but what really struck me was the direction. The shots are fantastic - meticulously framed, textured, and always hinting at something sinister lurking just out of frame.

And the gore. OMG, the gore. Not gratuitous, but felt - visceral, unnerving, and timed so well that even I, who usually handles horror like a champ, found myself getting properly squeamish.

The payoff? 100% worth it. Tonally, it sticks the landing. Emotionally bleak, sure, but never cheap. If you love your horror smart, stylish, and genuinely disturbing - this one's for you.

Definitely not disappointed.

Bring Her Back is one of those rare horror films that hit both emotionally and technically. The story is intimate and unsettling, but it's the execution that makes it stand out.

First, Sally Hawkins delivers a phenomenal performance - raw, layered, and painfully real. She holds the entire film on her shoulders with such precision and emotion that it's honestly Oscar-worthy. I couldn't help but think of Hereditary (2018), where Toni Collette also gave a mind-blowing performance but was completely snubbed by the Academy. Let's hope history doesn't repeat itself.

Atmosphere is tense from the very first scene. The film masterfully builds dread without relying on cheap jump scares. The cinematography is elegant and intimate, often using close shots and cold tones to create a feeling of claustrophobia and grief. Sound design and music are subtle but deeply effective - at times you don't even notice them, but they're working in the background, crawling under your skin.

This is not just another horror flick. It's thoughtful, beautifully acted, and full of emotional weight. Highly recommended if you appreciate horror that respects your intelligence.

I'm a fan of the Philippou brothers' work on "Talk to Me". While that film had plenty of creepy imagery, it still felt more like a fun, popcorn-style horror experience. That's why I was genuinely excited to hear about "Bring Her Back"-these are the kinds of follow-ups where you really see what directors are made of.

"Bring Her Back" takes a more serious and artistic approach to horror than Talk to Me. The first 30 minutes are dedicated to character development, which felt a bit slow and could have been tighter in editing. However, once the story gains momentum, it really takes off.

Rather than relying on cheap jump scares, this film builds tension through atmosphere and unsettling imagery. It's beautifully shot, often disturbing, and the acting performances are excellent. Definitely worth seeing in theaters.