Devuélvemela

The Philippou's brothers have again created a spellbinding horror film chock full of heavy themes, real characters and terrifying moments.

The brothers are arguably the best in the current horror game. Bring her Back reads more as a psychological thriller mixed with moments of true terror. The strength of the characters, the family bond and heavy themes all blend perfectly to create one hell of a ride.

The brother's style is so profound, the imagery, recurring motifs and downright brutal moments is something to relish. I love how we actually care about those on screen. Smart characters played by great actors that don't make any dumb decisions.

When the film really turns up a gear in the final act it never stops. Unafraid of breaking boundaries and playing it easy. It goes full force right until the end.

This is a must watch.

This is a horror movie that doesn't have to rely on jumpscares; it doesn't have to rely on possession or creepy rituals, even though it's got both. And gore; I had to look away in one scene in particular. The actual horror is the all-too believable manipulations of a foster mother with a hidden agenda, and our feeling of powerlessness to stop her. This was the kind of film that it would be excruciating to have to leave before seeing the end, because it makes you care about its characters so much. You'll probably even finding yourself root for the villain. This is the best horror movie I've seen in a while and it stuck with me for days.

BRING HER BACK was everything I hoped it would be. It will absolutely nauseate thousands of people. While many will recognize it's greatness, an equal amount will call it "a terrible movie" because it will so effectively fill them with intensely negative feelings throughout it's entire runtime, as it intends to do, and as most of the greatest horror movies of all time do. It is utterly brutal, and wholly unnerving, with the power to sicken and traumatize. There are plenty of movies that feature relentless amounts of brutal violence, but BRING HER BACK manages to disturb on a deeper level, likely by way of the great majority of it's brutality occurring amongst children (and, kids who are being manipulated by an adult, on top of everything else). It is painful to watch things unfold, and that's what makes it a truly effective horror film.

I took a chance on the directors' first film TALK TO ME when it hit theaters a couple of years ago, and was blown away. Not only was it fiercely original with it's concepts and it's vibe, but it was more fun than the majority of horror films, and got WAY more cruel and intense than I was expecting in its second half. When I saw the trailer for this, I knew it was highly likely they would be taking the cruelty even further, and that is precisely what they have done.

Casting lead Sally Hawkins in this role is the most brilliant casting utilization I have seen this year thus far. She is most commonly known as playing heartwarming characters (like Paddington's adoptive mother), but here, as the villain she is utterly terrifying - I think that knack for playing warm characters adds to the horror of her character immensely, and with these elements combined it leads to by far the best performance I've ever seen by her - fully gut-wrenching. All of the kids that fill out of the rest of the cast were phenomenal as well. I can't even imagine being Jonah Wren Phillips and playing the poster boy character Oliver - the role is so colossally intense, it makes me wonder if it's going to effect him in reality for the rest of his life - I feel like it will have to in some form.

Beyond all else, it's clear that the Philippou brothers are intelligent people. They know how to dig into the audiences psyche with such precision, and one of the key ways they do that is by keeping their films rich with a level of psychological depth that a great majority of horror films are missing nowadays. The movie is brimming with dramatic themes that are the type of things that deeply traumatize children in reality - taking this and rounding it out with some truly hellish supernatural ideas and visual horror, and you have the recipe for an absolutely devastating horror film. I was also impressed with the level of emotive resonance that this brutal film managed to conjure during its finale - I was on the verge of tearing up, and that is very rare for horror. The only reason I don't give it a 10 out of 10 is because I know it will simply be too dark and brutal for a huge chunk of the population, it doesn't exactly cater to repeat viewings.

Bring Her Back dives into darkness, but not for cheap scares. It's a layered, slow-burning descent into grief, guilt, and obsession, where horror is a byproduct of emotional unraveling.

The possession element is handled with restraint. The young boy's performance is deeply unsettling, not because of jump scares, but because it feels believable. The mother's arc is the true backbone. Her desperation, unraveling, and gradual revelation give the film its emotional weight.

The horror sequences are disturbing, yes, but they're never the point. What drives the film is a mother's raw need to retrieve what was lost, no matter the cost.

It's not just a horror film. It's a psychological excavation, with more to unpack than it first lets on. A strong, thoughtful entry in the genre.

I loved the acting , specially of Sally. Between moments you'd feel like you'd wanna punch her ,that's how good her acting is. Jonah tries his best for some sprinkle of horror, everytime he's on screen, he'd make sure you feel uncomfortable. Loved this movie for particularly the characters. The brother sister love is all over the movie.

It's not particularly horror, it's dark and depressing along with some gore elements sprinkled on top. Wait for the first half an hour for the character development and it takes off and never feels like a drag. No jump scare, wonderfully shot and the background score beautifully compliments the gore nature.

I'd recommend this movie wholeheartedly to everyone and would rate it a solid 8/10.