Un hermano y una hermana descubren un ritual aterrador en la apartada casa de su nueva madre adoptiva.Un hermano y una hermana descubren un ritual aterrador en la apartada casa de su nueva madre adoptiva.Un hermano y una hermana descubren un ritual aterrador en la apartada casa de su nueva madre adoptiva.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 7 nominaciones en total
Reseñas destacadas
I'm a fan of the Philippou brothers' work on "Talk to Me". While that film had plenty of creepy imagery, it still felt more like a fun, popcorn-style horror experience. That's why I was genuinely excited to hear about "Bring Her Back"-these are the kinds of follow-ups where you really see what directors are made of.
"Bring Her Back" takes a more serious and artistic approach to horror than Talk to Me. The first 30 minutes are dedicated to character development, which felt a bit slow and could have been tighter in editing. However, once the story gains momentum, it really takes off.
Rather than relying on cheap jump scares, this film builds tension through atmosphere and unsettling imagery. It's beautifully shot, often disturbing, and the acting performances are excellent. Definitely worth seeing in theaters.
"Bring Her Back" takes a more serious and artistic approach to horror than Talk to Me. The first 30 minutes are dedicated to character development, which felt a bit slow and could have been tighter in editing. However, once the story gains momentum, it really takes off.
Rather than relying on cheap jump scares, this film builds tension through atmosphere and unsettling imagery. It's beautifully shot, often disturbing, and the acting performances are excellent. Definitely worth seeing in theaters.
I loved the acting , specially of Sally. Between moments you'd feel like you'd wanna punch her ,that's how good her acting is. Jonah tries his best for some sprinkle of horror, everytime he's on screen, he'd make sure you feel uncomfortable. Loved this movie for particularly the characters. The brother sister love is all over the movie.
It's not particularly horror, it's dark and depressing along with some gore elements sprinkled on top. Wait for the first half an hour for the character development and it takes off and never feels like a drag. No jump scare, wonderfully shot and the background score beautifully compliments the gore nature.
I'd recommend this movie wholeheartedly to everyone and would rate it a solid 8/10.
It's not particularly horror, it's dark and depressing along with some gore elements sprinkled on top. Wait for the first half an hour for the character development and it takes off and never feels like a drag. No jump scare, wonderfully shot and the background score beautifully compliments the gore nature.
I'd recommend this movie wholeheartedly to everyone and would rate it a solid 8/10.
BRING HER BACK was everything I hoped it would be. It will absolutely nauseate thousands of people. While many will recognize it's greatness, an equal amount will call it "a terrible movie" because it will so effectively fill them with intensely negative feelings throughout it's entire runtime, as it intends to do, and as most of the greatest horror movies of all time do. It is utterly brutal, and wholly unnerving, with the power to sicken and traumatize. There are plenty of movies that feature relentless amounts of brutal violence, but BRING HER BACK manages to disturb on a deeper level, likely by way of the great majority of it's brutality occurring amongst children (and, kids who are being manipulated by an adult, on top of everything else). It is painful to watch things unfold, and that's what makes it a truly effective horror film.
I took a chance on the directors' first film TALK TO ME when it hit theaters a couple of years ago, and was blown away. Not only was it fiercely original with it's concepts and it's vibe, but it was more fun than the majority of horror films, and got WAY more cruel and intense than I was expecting in its second half. When I saw the trailer for this, I knew it was highly likely they would be taking the cruelty even further, and that is precisely what they have done.
Casting lead Sally Hawkins in this role is the most brilliant casting utilization I have seen this year thus far. She is most commonly known as playing heartwarming characters (like Paddington's adoptive mother), but here, as the villain she is utterly terrifying - I think that knack for playing warm characters adds to the horror of her character immensely, and with these elements combined it leads to by far the best performance I've ever seen by her - fully gut-wrenching. All of the kids that fill out of the rest of the cast were phenomenal as well. I can't even imagine being Jonah Wren Phillips and playing the poster boy character Oliver - the role is so colossally intense, it makes me wonder if it's going to effect him in reality for the rest of his life - I feel like it will have to in some form.
Beyond all else, it's clear that the Philippou brothers are intelligent people. They know how to dig into the audiences psyche with such precision, and one of the key ways they do that is by keeping their films rich with a level of psychological depth that a great majority of horror films are missing nowadays. The movie is brimming with dramatic themes that are the type of things that deeply traumatize children in reality - taking this and rounding it out with some truly hellish supernatural ideas and visual horror, and you have the recipe for an absolutely devastating horror film. I was also impressed with the level of emotive resonance that this brutal film managed to conjure during its finale - I was on the verge of tearing up, and that is very rare for horror. The only reason I don't give it a 10 out of 10 is because I know it will simply be too dark and brutal for a huge chunk of the population, it doesn't exactly cater to repeat viewings.
I took a chance on the directors' first film TALK TO ME when it hit theaters a couple of years ago, and was blown away. Not only was it fiercely original with it's concepts and it's vibe, but it was more fun than the majority of horror films, and got WAY more cruel and intense than I was expecting in its second half. When I saw the trailer for this, I knew it was highly likely they would be taking the cruelty even further, and that is precisely what they have done.
Casting lead Sally Hawkins in this role is the most brilliant casting utilization I have seen this year thus far. She is most commonly known as playing heartwarming characters (like Paddington's adoptive mother), but here, as the villain she is utterly terrifying - I think that knack for playing warm characters adds to the horror of her character immensely, and with these elements combined it leads to by far the best performance I've ever seen by her - fully gut-wrenching. All of the kids that fill out of the rest of the cast were phenomenal as well. I can't even imagine being Jonah Wren Phillips and playing the poster boy character Oliver - the role is so colossally intense, it makes me wonder if it's going to effect him in reality for the rest of his life - I feel like it will have to in some form.
Beyond all else, it's clear that the Philippou brothers are intelligent people. They know how to dig into the audiences psyche with such precision, and one of the key ways they do that is by keeping their films rich with a level of psychological depth that a great majority of horror films are missing nowadays. The movie is brimming with dramatic themes that are the type of things that deeply traumatize children in reality - taking this and rounding it out with some truly hellish supernatural ideas and visual horror, and you have the recipe for an absolutely devastating horror film. I was also impressed with the level of emotive resonance that this brutal film managed to conjure during its finale - I was on the verge of tearing up, and that is very rare for horror. The only reason I don't give it a 10 out of 10 is because I know it will simply be too dark and brutal for a huge chunk of the population, it doesn't exactly cater to repeat viewings.
Bring Her Back is probably one of the most disturbing movies I've ever seen, I certainly didn't expect this movie to be a comfortable watch but in comparison to how I felt walking out of Talk To Me it makes that film look like child's play. It's the sort of film that gets under your skin early and stays there and I honestly wouldn't have had it any other way. The Phillipou brothers are clearly masters of their craft and it's a shame that I don't know if I'll be able to stomach a second watch because I would love to see what new details would reveal themselves on rewatch.
This very much felt like a Jordan Peele film to me in that every new scene contain some small new piece of the larger puzzle, it had my full attention from the very beginning and that's a testament to not only the script but the filmmaking. The directors always felt like they were one step ahead of me and I loved discovering more and more about the larger story they were telling as the film went on. It has such a perfect grasp on its tone and it made me feel horrified and uncomfortable and honestly disgusting at points and it's got some of the most effective uses of violence I've seen in any horror movie. It never felt gratuitous in its content and I think that's because it felt like the film was actually trying to say something meaningful about grief and trauma. The two child performers are astounding but I have to say that the film belongs to Sally Hawkins who gives a performance that I can only describe as a tour de force. She hit every beat of this massively complex character perfectly and it really does feel like that character is what makes the movie because the effective moments that I'll remember mostly come from her. She gives a performance that left me in awe from scene to scene and it's destined to be yet another amazing horror performance that the academy will ignore.
Bring Her Back has a script that's worthy of being studied and examined and it has such a good execution of it's story that I honestly wish it was something I'd come up with myself. Every emotion this movie made me feel felt like exactly what the directors wanted me to and I truly cannot believe how disturb it left me. There are moments and images I don't think will ever fully leave my mind and this a new directing duo that's really worth getting excited about. Sally Hawkins is outstanding, as is all the acting, with a script that feels effortlessly intelligent in how it ties everything together. It's rare that a film with such little chance of a rewatch is a positive for me but in Bring Her Back's case I could not think of higher praise for how truly effective it is.
This very much felt like a Jordan Peele film to me in that every new scene contain some small new piece of the larger puzzle, it had my full attention from the very beginning and that's a testament to not only the script but the filmmaking. The directors always felt like they were one step ahead of me and I loved discovering more and more about the larger story they were telling as the film went on. It has such a perfect grasp on its tone and it made me feel horrified and uncomfortable and honestly disgusting at points and it's got some of the most effective uses of violence I've seen in any horror movie. It never felt gratuitous in its content and I think that's because it felt like the film was actually trying to say something meaningful about grief and trauma. The two child performers are astounding but I have to say that the film belongs to Sally Hawkins who gives a performance that I can only describe as a tour de force. She hit every beat of this massively complex character perfectly and it really does feel like that character is what makes the movie because the effective moments that I'll remember mostly come from her. She gives a performance that left me in awe from scene to scene and it's destined to be yet another amazing horror performance that the academy will ignore.
Bring Her Back has a script that's worthy of being studied and examined and it has such a good execution of it's story that I honestly wish it was something I'd come up with myself. Every emotion this movie made me feel felt like exactly what the directors wanted me to and I truly cannot believe how disturb it left me. There are moments and images I don't think will ever fully leave my mind and this a new directing duo that's really worth getting excited about. Sally Hawkins is outstanding, as is all the acting, with a script that feels effortlessly intelligent in how it ties everything together. It's rare that a film with such little chance of a rewatch is a positive for me but in Bring Her Back's case I could not think of higher praise for how truly effective it is.
I've just stepped out of 'Bring Her Back' preview, and I'm still trying to steady my heart rate. For me, it felt like watching early Ari Aster or the original 'Speak No Evil' - that same creeping dread, that slow-burn descent into absolute horror. So tense, so relentless, I genuinely forgot to breathe at points.
The Philippou brothers have done it again. 'Talk to Me' was no fluke - 'Bring Her Back' proves they're not just playing in the horror sandbox, they're shaping it. This film gets under your skin early and doesn't let go.
The performances are excellent across the board (Sally Hawkins is devastating), but what really struck me was the direction. The shots are fantastic - meticulously framed, textured, and always hinting at something sinister lurking just out of frame.
And the gore. OMG, the gore. Not gratuitous, but felt - visceral, unnerving, and timed so well that even I, who usually handles horror like a champ, found myself getting properly squeamish.
The payoff? 100% worth it. Tonally, it sticks the landing. Emotionally bleak, sure, but never cheap. If you love your horror smart, stylish, and genuinely disturbing - this one's for you.
Definitely not disappointed.
The Philippou brothers have done it again. 'Talk to Me' was no fluke - 'Bring Her Back' proves they're not just playing in the horror sandbox, they're shaping it. This film gets under your skin early and doesn't let go.
The performances are excellent across the board (Sally Hawkins is devastating), but what really struck me was the direction. The shots are fantastic - meticulously framed, textured, and always hinting at something sinister lurking just out of frame.
And the gore. OMG, the gore. Not gratuitous, but felt - visceral, unnerving, and timed so well that even I, who usually handles horror like a champ, found myself getting properly squeamish.
The payoff? 100% worth it. Tonally, it sticks the landing. Emotionally bleak, sure, but never cheap. If you love your horror smart, stylish, and genuinely disturbing - this one's for you.
Definitely not disappointed.
Danny and Michael Philippou's 'Bring Her Back' Watchlist
Danny and Michael Philippou's 'Bring Her Back' Watchlist
Directors Danny and Michael Philippou share their Watchlist picks inspired by their new horror film Bring Her Back.
¿Sabías que...?
- CuriosidadesSora Wong had "zero experience" acting professionally before she was cast in the film. Her mom came across a casting call on Facebook looking for a visually impaired girl. Wong was born with coloboma and microphthalmia, which left her with limited sight.
- PifiasWhen Wendy reads the news article about the missing Connor/Ollie, the URL in the browser's address bar reveals it is a local HTML file (file:///), not a real news website.
- ConexionesReferenced in The Nite-Cap: Potter Kids Cast! Superman | Fantastic 4 & More! (2025)
- Banda sonoraSummer with You
Written by Billy Barratt, Cody Molko, Myla Tailor, Bruno Bentovim and Carolyn Stenwall
Performed by The Hunger
Published by Control (PRS)
Licensed courtesy of Empire Artist Management/+44 MGMT
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Haz Que Regrese
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 15.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 19.323.752 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 7.194.666 US$
- 1 jun 2025
- Recaudación en todo el mundo
- 27.523.752 US$
- Duración1 hora 44 minutos
- Color
- Mezcla de sonido
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