Bridget tiene poco más de cincuenta años, afronta los desafíos de la vida moderna mientras hace malabares con las responsabilidades de la maternidad.Bridget tiene poco más de cincuenta años, afronta los desafíos de la vida moderna mientras hace malabares con las responsabilidades de la maternidad.Bridget tiene poco más de cincuenta años, afronta los desafíos de la vida moderna mientras hace malabares con las responsabilidades de la maternidad.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Primetime Emmy
- 1 premio y 15 nominaciones en total
Resumen
Reviewers say 'Bridget Jones: Mad About the Boy' delves into mature themes of grief and loss, with Renée Zellweger delivering an authentic and profound performance. While praised for its emotional depth, the film is criticized for relying on familiar tropes and lacking the charm of earlier installments. The romantic subplots and new characters are deemed less engaging, and some find the film overly sentimental and formulaic. Despite these drawbacks, many appreciate its heartfelt moments and the return of beloved characters.
Reseñas destacadas
Bridget Jones: Mad About the Boy delivers exactly what fans expect-heartfelt emotion, slapstick comedy, and romantic fantasy-while offering just enough fresh twists to keep things engaging. Picking up four years after Mark Darcy's death, the film follows Bridget as she navigates modern dating, leading to plenty of hilarious and endearing mishaps.
Director Michael Morris enhances the storytelling with immersive visuals, particularly in a standout single-shot sequence that captures Bridget's chaotic yet lovable world. The humor shines in classic Bridget fashion, from an awkward school interview to a laugh-out-loud tree rescue scene. Renée Zellweger effortlessly reprises her role, supported by a stellar cast including Chiwetel Ejiofor and Leo Woodall. Though some jokes about technology feel a bit dated, the film's emotional depth-especially in Bridget's journey of self-reinvention-keeps it grounded.
With a nostalgic yet refreshing energy, Mad About the Boy is a charming return to Bridget's world, reminding us that love and laughter only get better with age.
Director Michael Morris enhances the storytelling with immersive visuals, particularly in a standout single-shot sequence that captures Bridget's chaotic yet lovable world. The humor shines in classic Bridget fashion, from an awkward school interview to a laugh-out-loud tree rescue scene. Renée Zellweger effortlessly reprises her role, supported by a stellar cast including Chiwetel Ejiofor and Leo Woodall. Though some jokes about technology feel a bit dated, the film's emotional depth-especially in Bridget's journey of self-reinvention-keeps it grounded.
With a nostalgic yet refreshing energy, Mad About the Boy is a charming return to Bridget's world, reminding us that love and laughter only get better with age.
Renée Zellweger was just past 30 for the first Bridget Jones movie, now she will turn 56 later this year, 2025. Today is Valentines Day and it seemed fitting that my wife and I decided to watch this movie, released just yesterday, streaming on Peacock.
It has a very slow start, we both looked at each other after about one-half hour and said, "Are you enjoying this?" We weren't and both hoped it would soon get good. All the characters were annoying and inappropriate, even the kids. In one scene the little girl is running around the house and banging on a pot for the longest. In social gatherings all the lady friends are intrusive and most of the interactions are silly. Fortunately, by tolerating all that it did pick up during its second half.
As this story starts Bridget's husband died in an unfortunate accident four years earlier, leaving her with a young son and an even younger daughter. She was still trying to cope and had not been back to her job as a TV show producer. All her friends wanted to know when she would find a man. One even started her a dating ap.
Later, as the story winds down, good things start to happen for Bridget and the kids. The son is worried that he might forget his dad and his science teacher helps by reassuring him that his dad is everywhere, his energy is, because energy can neither be created or destroyed, it just changes its form.
I would watch the second half again, but NOT the first half, neither interesting nor entertaining. And I did just that, a few weeks later. I started at the middle and the second half is an excellent one-hour movie.
Later I got the DVD from my public library and re-watched the original Bridget Jones movie. The closing credits of this movie contains a number of still shots from that original.
It has a very slow start, we both looked at each other after about one-half hour and said, "Are you enjoying this?" We weren't and both hoped it would soon get good. All the characters were annoying and inappropriate, even the kids. In one scene the little girl is running around the house and banging on a pot for the longest. In social gatherings all the lady friends are intrusive and most of the interactions are silly. Fortunately, by tolerating all that it did pick up during its second half.
As this story starts Bridget's husband died in an unfortunate accident four years earlier, leaving her with a young son and an even younger daughter. She was still trying to cope and had not been back to her job as a TV show producer. All her friends wanted to know when she would find a man. One even started her a dating ap.
Later, as the story winds down, good things start to happen for Bridget and the kids. The son is worried that he might forget his dad and his science teacher helps by reassuring him that his dad is everywhere, his energy is, because energy can neither be created or destroyed, it just changes its form.
I would watch the second half again, but NOT the first half, neither interesting nor entertaining. And I did just that, a few weeks later. I started at the middle and the second half is an excellent one-hour movie.
Later I got the DVD from my public library and re-watched the original Bridget Jones movie. The closing credits of this movie contains a number of still shots from that original.
The final installment of this wonderful series was a tad disappointing. Hugh grant was his flawless Daniel Cleaver but the other characters just seemed forced. The story seemed a bit compartmentalized, and the film never seemed to catch its rhythm. I just expected more From this incredible team of seasoned actors. However wonderful to see all the familiar faces, It was just a bad reminder of how quickly Life passes by. But for all the Bridget Jones fans in the world, it's a must see to say farewell to our beloved characters Who have brought Love, laughs and hope to all us romantics. Thanks for the memories!
After being so excited for this I was more than pleasantly surprised. Everything worked for me. It was also bittersweet in that Bridget's Mark Darcy is gone now and Bridget is a widow with young children. It's been 4 years and all her besties from the other films are cheering her on to meet a man-any man-for at least a one night stand. Bridget does meet a much younger man and begins an affair with him. She also meets her son's science teacher who uses a whistle to round up all the kids before school starts. It was very Sound of Music captain seeming. But what I loved most was Hugh Grant's character coming back to be a surrogate big brother/uncle to her children. He's still a womanizer even though he's a lot older than Bridget. My one problem was Bridget's hair. Before it was over, I wanted to comb her hair myself. It was a real mess. But I loved the whole thing anyway and I highly recommend it!
There was a time when Bridget Jones's Baby felt like the perfect send-off for our favorite clumsy, charming, and endlessly relatable heroine. So when Mad About the Boy was announced, there was a mix of excitement and hesitation. Did we really need another Bridget Jones movie? Was this going to undo the closure we had? But as soon as the film starts, you realize-there's still more to tell. And more importantly, there's still more to feel.
This final chapter of Bridget's journey is a bittersweet one. It deals with grief, loss, and moving forward in life even when it feels impossible. The film beautifully captures the struggle of giving yourself a second chance, of learning how to heal while still carrying love for the past. If you've followed Bridget since the very first film, you'll feel every bit of her emotions. She's still the Bridget we love, but she's more mature now, wiser, a little less clumsy, a little more self-assured. Life has shaped her, as it does to all of us. And that's what makes her story so heartbreakingly real-she's growing, changing, adapting, but at her core, she's still Bridget.
And honestly, this couldn't have worked without Renée Zellweger. There is no Bridget Jones without her. She slips back into the role like she never left, embodying every awkward entrance, every grand gesture, and even the tiniest mannerisms-the nervous smiles, the way she tilts her head when receiving bad news-it's all still so Bridget. Zellweger's performance is nothing short of stunning. She is Bridget Jones, and no other rom-com character can ever quite match what she brings to this franchise.
The film also introduces new love interests-Roxster (Leo Woodall) and Mr. Wallaker (Chiwetel Ejiofor). They bring fresh dynamics to Bridget's life, but they don't quite match the charm and chemistry that Mark Darcy or Daniel Cleaver once had. Roxster is fun but a little two-dimensional, existing more to push Bridget's journey forward rather than being a compelling character himself. Mr. Wallaker, on the other hand, is serious-maybe a little too serious. Unlike Mark Darcy, who had a dry wit that balanced Bridget's chaos, Wallaker feels a bit plain. It's hard to imagine him truly being the one for Bridget.
But Mad About the Boy isn't just about romance. It's about life. It's about parenting-the struggles of balancing kids, work, and personal happiness. It's about friendships-because Bridget wouldn't be Bridget without her loyal, slightly chaotic circle of friends. The film reminds us how much friends shape our lives, offering love, support, and, of course, comic relief. And speaking of comedy, the humor here is just right-not too over-the-top, not forced, just classic Bridget Jones wit.
That said, while the film gives us a solid and heartfelt ending to Bridget's story, the final scene feels a little... abrupt. It's good, but it's not as satisfying as it could have been. After everything Bridget has been through, she deserved a stronger, more definitive farewell.
Verdict Bridget Jones: Mad About the Boy is like Avengers: Endgame for our aunts and moms. It's a long-lost reunion that feels earned, deserved, and deeply emotional. Best sequel since Bridget Jones's Baby, this is the perfect film to watch with a cup of hot chocolate, wrapped in a blanket, feeling all the feelings. Bridget Jones, thank you for everything.
This final chapter of Bridget's journey is a bittersweet one. It deals with grief, loss, and moving forward in life even when it feels impossible. The film beautifully captures the struggle of giving yourself a second chance, of learning how to heal while still carrying love for the past. If you've followed Bridget since the very first film, you'll feel every bit of her emotions. She's still the Bridget we love, but she's more mature now, wiser, a little less clumsy, a little more self-assured. Life has shaped her, as it does to all of us. And that's what makes her story so heartbreakingly real-she's growing, changing, adapting, but at her core, she's still Bridget.
And honestly, this couldn't have worked without Renée Zellweger. There is no Bridget Jones without her. She slips back into the role like she never left, embodying every awkward entrance, every grand gesture, and even the tiniest mannerisms-the nervous smiles, the way she tilts her head when receiving bad news-it's all still so Bridget. Zellweger's performance is nothing short of stunning. She is Bridget Jones, and no other rom-com character can ever quite match what she brings to this franchise.
The film also introduces new love interests-Roxster (Leo Woodall) and Mr. Wallaker (Chiwetel Ejiofor). They bring fresh dynamics to Bridget's life, but they don't quite match the charm and chemistry that Mark Darcy or Daniel Cleaver once had. Roxster is fun but a little two-dimensional, existing more to push Bridget's journey forward rather than being a compelling character himself. Mr. Wallaker, on the other hand, is serious-maybe a little too serious. Unlike Mark Darcy, who had a dry wit that balanced Bridget's chaos, Wallaker feels a bit plain. It's hard to imagine him truly being the one for Bridget.
But Mad About the Boy isn't just about romance. It's about life. It's about parenting-the struggles of balancing kids, work, and personal happiness. It's about friendships-because Bridget wouldn't be Bridget without her loyal, slightly chaotic circle of friends. The film reminds us how much friends shape our lives, offering love, support, and, of course, comic relief. And speaking of comedy, the humor here is just right-not too over-the-top, not forced, just classic Bridget Jones wit.
That said, while the film gives us a solid and heartfelt ending to Bridget's story, the final scene feels a little... abrupt. It's good, but it's not as satisfying as it could have been. After everything Bridget has been through, she deserved a stronger, more definitive farewell.
Verdict Bridget Jones: Mad About the Boy is like Avengers: Endgame for our aunts and moms. It's a long-lost reunion that feels earned, deserved, and deeply emotional. Best sequel since Bridget Jones's Baby, this is the perfect film to watch with a cup of hot chocolate, wrapped in a blanket, feeling all the feelings. Bridget Jones, thank you for everything.
¿Sabías que...?
- CuriosidadesBlue cocktails and sliced oranges at first meeting of best friends strongly resemble 'blue soup' and marmalade from the disastrous meal in El diario de Bridget Jones (2001).
- PifiasThe children's school appears to only have one member of staff. Mr Walliker is the science teacher, but he also does gate duty alone every morning, runs the Job Day, runs the Outward Bound trip with only the help of parents, and single-handedly runs the music concert while accompanying on piano.
- Citas
Bridget Jones: And even though there might be 600,000 words in the human language, the world still struggles to find the right ones when someone you love is gone.
- Créditos adicionalesImages and scenes from earlier Bridget Jones movies are shown during the end credits.
- ConexionesFeatured in The 7PM Project: Episodio fechado 9 febrero 2025 (2025)
- Banda sonoraWeeds
Written & Performed by Rose Morris
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Bridget Jones: Mad About the Boy
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 50.000.000 US$ (estimación)
- Recaudación en todo el mundo
- 140.271.880 US$
- Duración
- 2h 4min(124 min)
- Color
- Relación de aspecto
- 2.35 : 1
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