Jazz for Two

I cannot express enough how much effort I know they put into this series. They portrait mental illness so well and mourning off a loss one. Not to mention the side couple. How one of them couldn't figure out who he was and clearly wasn't mentally well. Everything about this series just made me feel like I could trust someone. They did this series perfectly. But also the relationship was so toxic. I feel like the top guy lowkey was really rude to the other guy. Especially the scene where some..assault took place. It was honestly hard to ignore. Sadly no smut, but it's okay. Still such a great series.

This series kind of moving slow in terms of plot progress. Which is something that I thought would be impossible, since it only running for 30 minutes per episode. But even so, if you can manage going through the first 2 episodes, you'll start seeing some progress. From there, the story only getting more interesting. It has a mixture of family drama and relationship drama. Although it didn't really give the audience any closure about the family drama. It could've been resolved with another episode, if you ask me. But somehow they decided not to add that part. Too bad. Otherwise, it would've been better.

As a straight person I watch tv for entertainment purposes. If you accept a role as an actor give justice to the role and make it believable. I found the characters lacked intimacy with each other. Was there affection in the series where a love's kiss was required? If I wanted to see a bromance series I would have watched one. I thought this was a bl series. Actors shouldn't take roles if they can't give 100% to the characters. I like visuals but I like realistic characters more. It's one of the reasons I dislike most Chinese characters because they don't commit to the characters? Really based off fake reality. If they don't like bl why halfway do it. Waste of time. As I stream on my tv when I pick a genre. I want to see that genre no straight washed genre. BL is Bl. GL is GL. Straight is Straight. Stop deceiving me with this type of thing. I should be the one to decide what I watch. Describing a series as one thing and then prostrating something else is like lying. If they had of stayed true to the genre I might have given this series a 9 rating....

These lines from final episode left a lasting effect on me. Somewhere, i sympathized with 'Se Jin' but largely was annoyed at his cowardice. This is a perfect cinematic experience for lovers of Korean Bl that is suitable for audience of all ages. Firstly, i appreciate JungHa for understanding his role so well, the right amount of denial masking occasional longing. Each frame, between male leads (tension) or brothers facing each other on the rooftop (trauma) or physical responses between hyungs (tandem), resonated with me quite well. Camera angles captured gestures meaningfully. The only short coming i found was the novice actor playing 'Tae Yi'. Emotional connect at certain times stooped down due to his stoic face. I hope he grabs an antagonist role soon. It wouldn't be an exaggeration to say that every chapter in this plot is a melody. Those who read, know it. The adaptation proved to be better than the manhua. I was not impressed by the style of art considering the availed tools in today's illustrative arena. This time we support Han Gyeom... (pyu..pyu...pyu..) Theudio, 'Seo Joon's manager nim has a story for himself. Chukkaye, ja baksu....

Precision and discipline of Classical Music has always been considered superior to the improvisational swerve of Jazz. Advocating actuality of queer feelings (detested in most parts of Korean society) through a heartened impromptu, this drama rides you along the cherry blossoms on Nami island. Enjoy it.....