Una mujer que aparece repetidamente en el jardín delantero de una familia y a menudo entrega advertencias o mensajes inquietantes, haciendo que los residentes se cuestionen su identidad y su... Leer todoUna mujer que aparece repetidamente en el jardín delantero de una familia y a menudo entrega advertencias o mensajes inquietantes, haciendo que los residentes se cuestionen su identidad y sus motivos.Una mujer que aparece repetidamente en el jardín delantero de una familia y a menudo entrega advertencias o mensajes inquietantes, haciendo que los residentes se cuestionen su identidad y sus motivos.
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- 1 nominación en total
Reseñas destacadas
A slow-burning psychological horror that lingers in the mind long after it ends. I've been a fan of Jaume Collet-Serra's horror movies (Orphan and House of Wax) for a while, mostly for the their over-the-top scares. Here he crafts a quiet, creeping dread as Ramona (the fantastic Danielle Deadwyler), grieving her husband's death and immobilized by a broken leg, watches an ominous woman inch closer to her isolated farmhouse. Subtle visual storytelling replaces exposition, with deep-focus shots and eerie sound design immersing us in Ramona's unraveling psyche. The film methodically builds tension through whispered horror before plunging into full-blown terror in its final act, recontextualizing everything with a surreal climax. Not every theme fully locks into place, but its haunting atmosphere and layered symbolism make it a compelling, rewatchable experience I didn't expect from this studio.
6.5/10.
6.5/10.
This movie will scare you. That's for sure. But there isn't much to talk about with this movie. Because the plot is so bad that a 10 year old would have wrote better. Pretty much all you will get out of this movie is being scared. But the ending, as well as pretty much everything else besides being scared, falls short. This movie would have been better if it was 1 hour. It was 30 minutes too long. If you're ready to be bored for 30 minutes and then feel scared and bored for an hour, then come see this movie. The only reason I didn't rate this a 3 is because it's actually scary. And that's all it is, scary.
I can't say I was impressed by The Woman In The Yard. It starts promising, a bit intriguing and mysterious but then it just went downhill. Weak writing was the major cause for a failed horror movie. The acting from the very small cast was okay though, nothing bad to write about them, but the plot just didn't help to save this movie. I'm not going to go into details as I don't want to spoil the story for future viewers but there were just things that didn't make any sense at all and that's why this wasn't a good movie. A bit boring as well at one point. I wouldn't waste my time with this one if I were you.
Jaume Collet-Serra may not be a perfect director but I have enjoyed his fun popcorn flicks like The Shallows, The Commuter and underrated horror Orphan. While it's messy script and structure does suffer from uneven directions and tone, it's interesting concept and solid thrills offer a good fun horror movie.
Placed with some interesting themes and good camerawork, the slow-burn tension and atmosphere does offer some good build up throughout. Including sound designs and colors used throughout. I do wish the writing does explore some different territories and ways, especially it's third act being pretty rough. Undoubtably, the concept was pretty interesting. Once again, Danielle Deadwyler shines with a strong performance and keeps the characters somewhat interesting, even if it doesn't always work.
For 87 minutes, the movie does feel as if it would work as a short film or a short episode. But as a whole, it's a decent horror flick.
Placed with some interesting themes and good camerawork, the slow-burn tension and atmosphere does offer some good build up throughout. Including sound designs and colors used throughout. I do wish the writing does explore some different territories and ways, especially it's third act being pretty rough. Undoubtably, the concept was pretty interesting. Once again, Danielle Deadwyler shines with a strong performance and keeps the characters somewhat interesting, even if it doesn't always work.
For 87 minutes, the movie does feel as if it would work as a short film or a short episode. But as a whole, it's a decent horror flick.
This movie was trash! I really wanted to walk out the theater. I'm done with Blumhouse ... This crap was the last straw!
Blumhouse Productions has become a powerhouse in modern horror, churning out low-budget films that consistently turn a profit. However, while their financial model is impressive, the studio's approach to horror often lacks depth, originality, and genuine terror. Rather than crafting stories with meaningful narratives or psychological complexity, Blumhouse frequently resorts to predictable jump scares, recycled tropes, and shallow characters designed to appeal to the broadest possible audience.
Blumhouse Productions has become a powerhouse in modern horror, churning out low-budget films that consistently turn a profit. However, while their financial model is impressive, the studio's approach to horror often lacks depth, originality, and genuine terror. Rather than crafting stories with meaningful narratives or psychological complexity, Blumhouse frequently resorts to predictable jump scares, recycled tropes, and shallow characters designed to appeal to the broadest possible audience.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
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¿Sabías que...?
- CuriosidadesTodas las entradas contienen spoilers
- PifiasWhen Annie is in the kitchen cutting the block of cheese its size changes dramatically when her mom comes to help her. (Time: 8:43)
- ConexionesReferences El espejo tiene dos caras (1958)
- Banda sonoraMiddle of This Storm
Written by Lorne Balfe & Ayanna Witter-Johnson
Performed by Ayanna Witter-Johnson
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- The Woman in the Yard
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 12.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 22.405.985 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 9.395.255 US$
- 30 mar 2025
- Recaudación en todo el mundo
- 23.311.502 US$
- Duración1 hora 28 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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