Los pecadores

Sinners impresses early with its stunning cinematography and solid performances. The film sets a moody, atmospheric tone and builds tension with a deliberate, slow-burn approach that hints at something truly impactful. Unfortunately, that promise is never fulfilled. When the vampires finally appear, the film takes a sharp downturn. Their behavior is nonsensical, lacking any real menace or intelligence, and they end up feeling more like a parody than a threat. It's a baffling creative choice that undermines everything the first half works so hard to build. Despite its strong technical elements, the film stumbles badly at the finish line. A stylish misfire-watchable, but disappointing. 6 out of 10.

Don't buy into the hype. Sinners is a slightly above average film that has been blown massively out of proportion. Its current rating of an 8.1/10 is absurdly high. It's not THAT good.

I'll start with the positives. First of all, I thought the acting was absolutely amazing. It was a really fantastic performance from the entire cast. I also thought the music was great; l'm not typically much of a blues guy, but l enjoyed what I heard.

As for the negatives, the biggest problem I had is that the film accomplished nothing. It finished and I was just like.....ok? What am I to make of this? It's categorized as Drama and Supernatural Horror, and while it is technically both of those, I wasn't impressed in either area. Suspense--a major part of both of those genres--was basically nonexistent. The 'normal' part of the plot (the stuff without the supernatural junk) was actually solid. It had a nice little twist in it, which the ending went back on. I just wish there was more of that.

Overall, it wasn't a bad movie, but it's not one I'd recommend. The best way to sum it up is this: it's a dime a dozen horror flick that's made watchable by a really good cast and great cinematography.

Final score of 6/10.

A film that adds nothing from an artistic and cinematographic point of view.

First part of a deadly boredom, second based on clichés, derivative and poorly used narrative elements.

A less than mediocre blockbuster.

Yet another case of a film exalted by obsolete criticism and an audience poorly educated to the true refinement of the seventh art.

The fact that in May it's considered the best film of the year would make one believe in a mass hallucination but unfortunately the acclaim and success it has had is only the mirror of the times: a lack of truly worthy creativity and an increasingly poor and faded appreciation index.

First half of the movie was very good. Great character set up. Second half of the movie the plot progressed very quickly with nothing particularly interesting happening. Not much of a story line involved and movie ended abruptly. The acting was great, Michael B Jordan did a wonderful job playing smock and stack and some of the supporting characters were great as well. The movie was filmed perfectly. Music was obviously great as well. Plot and storyline did not move the needle for me. Post credit scene was cool!

It feels like The Sinners was directed by two different Cooglers-one responsible for the first half, and another for the second. If I had to rate them separately: the first half is a solid 8, the second a disappointing 4.

The film starts off brilliantly. Set in the Deep South during the 1930s, it plunges us into a world of chain gangs, overt racism, and raw human struggle-all wrapped in the soul of music. The characters are distinctive and memorable, the performances are top-notch, and the world-building is rich and atmospheric. It's a western, a drama, and a musical all at once, and somehow it works. For a while.

Then comes the second half.

This is where things fall apart. The pivot to horror-specifically vampires-feels abrupt and half-hearted. There's barely a story holding it together, and the horror/action sequences barely last 10-15 minutes. They lack any real suspense or memorable set pieces. The execution feels rushed and undercooked, especially after such a powerful setup.

The final 5-7 minutes attempt a bold anti-Klan message, and it's likely this moment of violence and symbolism that won over many critics. But for me, it was too little, too late.

What's most frustrating is the wasted potential. This could've been a truly unique vampire film-rooted in history, rich in theme, driven by character and song. Instead, it leaves you wondering what could've been if the second half had lived up to the promise of the first.