Love & Jane

I really wanted to like this one but the magical realism stuff isn't for me. The script was very weak and lots of stuff required suspending belief. Ali Sweeney is 47 years old but this script felt like it was written for a 27 year old. Can we please match actors to more age appropriate stories? I know Hallmark wants more younger and new viewers but they also have a loyal and aging fanbase and need to find that balance that appeals to both groups. Ali Sweeney and Ben Ayres do have chemistry but I don't think they're good screen partners because they're too similar. The Chronicle Mysteries were an absolute snoozefest too. This may have worked better with different actors but still a weak script overall.

Also, the set design was horrible. The bookstore looked more like a university library and wasn't welcoming at all. I did like the message about the importance of bookstores and the community aspect but the policy change at the end was ridiculous.

With a different female lead, I might have really liked this for a Hallmark 'film'...I was particularly impressed when the classic Hallmark telltale sign that the final scene has arrived and you just know the credits will roll immediately...passed right by and the story continued, to provide a proper conclusion. Vaguely better writing with this Austen outing, and the odd fantasy elements meshed well with the book club, fan obsessed background. The fantasy element also consistently helped drive the plot along; Jane pushed the lead to make better choices in her life. Who wouldn't want Jane around to help us do that?

I'm pretty sure I've been a fan of Alison Sweeney in my younger years, on Days, but she's stilted and awkward throughout, and it is beyond distracting. She's not the ONLY poor actress (the "Jane" actress seems to be putting on a British accent - couldn't they find a Brit for the role? Otherwise, her acting is fine) in the cast, but as the lead, it's egregious. There were only a few moments of authenticity with her, like the popcorn fight with Jane. The bookseller's initial business idea was poorly conceived, to the point that nobody got it, but unlike others, I loved the sexy lead actor with the gravelly voice - or grew to love him, as we're meant to. Mr. Whitcomb was delightful! The Punjabi coworker/friend was good, too - both her acting skills and realistic subplot elevated the film's overall level and I wouldn't be surprised to see her in non-Hallmark fare. That is to say, there were a few bright spots, even among the actors, but the casting was...inconsistent.

If you are a Jane Austen fan, you will really enjoy this movie. It's a little quirky at times, but it has the imagination, allure & romanticism of Jane Austen at her best. In modern day, a frustrated writer, who is inspired, and at times, obsessed, by Jane Austen's work, struggles with her own life, friends & aspirations. A book club, a book store, and a small group of friends, real and imaginary, are the fabric of a sweet, intriguing story line. Imagine! If only! What if? Like a Jane Austen novel, this movie opens doors to possibilities. I wasn't really crazy about the choice of the male lead, but if you can get past that it's quite enjoyable.

IN A NUTSHELL: The story is about a woman who is a literary enthusiast who works at an ad agency and runs a Jane Austen book club on the side. When she wishes Jane Austen could help her with life decisions, the famous author materializes and offers tips for love.

The Hallmark channel is featuring movies about Jane Austen fans during February. They're calling it "Love-uary." The story was written and directed by David Weaver.

THINGS I LIKED: The diverse cast includes Alison Sweeney, Benjamin Ayres, Kendra Anderson, Aadila Dosani, and more.

Many of the characters represent those in Jane Austen's books.

It's nice to see a romance with a woman who isn't 20.

If you love the famous lines in Jane Austen novels, you'll enjoy how often they're quoted in the movie. You'll definitely feel the passion for her books.

As an author of 31 books, myself, I'm always fascinated by movies about authors and where writers get their inspiration.

The last scene is pretty cute and a wink to something that Jane Austen said earlier in the film.

THINGS I DIDN'T LIKE: There's an odd, dusty filter on every scene. Is that supposed to make the modern world feel old?

The dialogue feels so stilted.

So many awkward acting moments.

It takes a long time before we see Jane Austen appear in the film.

The actor who plays the Darcy character looked more like a villain than a romantic lead.

Sadly, I didn't feel any chemistry between the two leads.

A side story halts the pacing.

Lilly's character acted like a young, awkward girl rather than an older woman settled in her career.

TIPS FOR PARENTS: Kids will be extremely bored unless they're big Jane Austen fans.

We see a lot of cleavage.

Alcohol No profanity. Yay!

To see my full review, go to my YouTube channel called Movie Review Mom!

There have been other stories where one of the leads sees and talks to a ghost, but this story is a bit different. This story is quirky. The flow is convoluted at times. But most of all it is filled with words and quotes and hero worship. I also assume there are general references to Jane Austen without quoting, but I am no expert on Austen. At times the story is nonsensical beyond the ghost, but I think it is meant to be. I never understood what Trevor was trying to do with the bookstore.

Regarding the flow, one example is how in the middle of Lilly's story, her struggles with the presentation, her book, and her relationship, everything pauses while she plays matchmaker to her best friend. Complete pause. Everything focuses on that. And then Lilly's story is back. Other movies have a subplot like that, but the complete pause for it was distracting.

Alison Sweeney and Ben Ayers had some chemistry. It is surprising that came through because they had so little screen time together given everything else going on.

I didn't like Lilly's character, but I suspect Austen fans might find her perfect. She lives in the clouds, not to mention has a relationship with a woman dead 206 years. (Not sure of the significance of the "just 206" line.) She worships Austen like some god. Austen's wisdom trumps all logic.

Some of the acting other than Sweeney and Ayers is not good, but perhaps the overacting is intentional. There is some dialogue that many will find witty. At least the Trevor's investment idea at the end got a laugh out me.

Two more weeks of Lovuary and Jane Austen stories on Hallmark.