El excampeón mundial de los pesos pesados Rocky Balboa es entrenador y mentor de Adonis Johnson, el hijo de su difunto amigo y exrival Apollo Creed.El excampeón mundial de los pesos pesados Rocky Balboa es entrenador y mentor de Adonis Johnson, el hijo de su difunto amigo y exrival Apollo Creed.El excampeón mundial de los pesos pesados Rocky Balboa es entrenador y mentor de Adonis Johnson, el hijo de su difunto amigo y exrival Apollo Creed.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 45 premios y 66 nominaciones en total
Gabe Rosado
- Leo 'The Lion' Sporino
- (as Gabriel Rosado)
Reseñas destacadas
Ryan Coogler's Creed delivers on everything that a great boxing film should, and represents a full return to form for Rocky. Directed by superstar in the making Ryan Coogler, and starring powerful performances from Michael B. Jordan and Sylvester Stallone the film is amazing. Creed is exhilarating, beautifully acted, while honoring the previous Rocky films lovingly. The film may be a little too familiar at times, but at least approaches it's overused plot lines with a different take.
From the opening scene the film captures your attention, showing us a glimpse into who this character is "a fighter." The film remains an exhilarating journey with this character, who is easy to connect with. As the film progresses, Coogler mixes old techniques like the famous Rocky slow motion sequences, with newer (less used) techniques like very intimate fight sequences, where the camera helps the viewer feel like they're standing in the ring. The film will draw you in from the moment it starts, to the moment it ends.
One reason the film is so exhilarating is the terrific acting of Michael B. Jordan, who leads this journey. Once again teaming up with director Ryan Coogler Jordan anchors the film, and in the process creates a relatable, and human main character. On this note, after seeing "Creed" and "Fruitvale Station" I would be willing to make the bold statement that I think Ryan Coogler is on his way to becoming the next Scorsese. All of this being said what may be even more satisfying is seeing Sylvester Stallone return to form as Rocky Balboa.
Some may criticize the movie for not bringing a lot of original plot lines to the movie, they would be right. However, while not very original the film handles these plot lines from a different perspective. No longer are we watching the nobody rising up against the odds, now we see a man trying to get out of the larger than life shadows of a man he never knew. Those who love the Rocky films recognize the slow motion moments in almost every film, and the iconic way the boxing matches were choreographed. Creed departs from the overuse of slow motion and more adapts the fight choreography of Raging Bull, while still mixing the essence of the Rocky fight scenes.
The way Coogler mixes old with new in many different ways helps make the whole film feel like the story it's telling. Coogler captures the tone of the older Rocky films, while also making a film distinctly different. Michael B. Jordan and Sylvester Stallone deliver, and Creed ends up being exactly what fans hoped it would be. In the end if you have the time go see Creed, it's a terrific 2 hours to spend.
From the opening scene the film captures your attention, showing us a glimpse into who this character is "a fighter." The film remains an exhilarating journey with this character, who is easy to connect with. As the film progresses, Coogler mixes old techniques like the famous Rocky slow motion sequences, with newer (less used) techniques like very intimate fight sequences, where the camera helps the viewer feel like they're standing in the ring. The film will draw you in from the moment it starts, to the moment it ends.
One reason the film is so exhilarating is the terrific acting of Michael B. Jordan, who leads this journey. Once again teaming up with director Ryan Coogler Jordan anchors the film, and in the process creates a relatable, and human main character. On this note, after seeing "Creed" and "Fruitvale Station" I would be willing to make the bold statement that I think Ryan Coogler is on his way to becoming the next Scorsese. All of this being said what may be even more satisfying is seeing Sylvester Stallone return to form as Rocky Balboa.
Some may criticize the movie for not bringing a lot of original plot lines to the movie, they would be right. However, while not very original the film handles these plot lines from a different perspective. No longer are we watching the nobody rising up against the odds, now we see a man trying to get out of the larger than life shadows of a man he never knew. Those who love the Rocky films recognize the slow motion moments in almost every film, and the iconic way the boxing matches were choreographed. Creed departs from the overuse of slow motion and more adapts the fight choreography of Raging Bull, while still mixing the essence of the Rocky fight scenes.
The way Coogler mixes old with new in many different ways helps make the whole film feel like the story it's telling. Coogler captures the tone of the older Rocky films, while also making a film distinctly different. Michael B. Jordan and Sylvester Stallone deliver, and Creed ends up being exactly what fans hoped it would be. In the end if you have the time go see Creed, it's a terrific 2 hours to spend.
There's no other way to say it; Creed is a knockout.
From start to finish, this film exhilarates and crackles with brilliant on screen performances and masterfully directed fight sequences. It wholeheartedly captures what was so brilliant about the first film: the characters. Yes, I'll return to theaters to see the fights, but it's the characters, particularly Rocky and Adonis that truly captivated me from start to finish.
I can't say enough great things about writer/director Ryan Coogler. The way he masterfully captures the modern spirit of Philadelphia and the visceral tension of standing toe-to-toe with a man who wants to see you hit the ground is second to none. What stood out the most, however, was his writing of Rocky Balboa. The subtle nuances that we love about the Italian Stallion are effortlessly worked into the script and flow like water from Sly's crooked mouth. Speaking of, the script would be for naught if it weren't for the beautiful performances by Michael B. Jordan and Sylvester Stallone. I'm not ashamed to say I was brought to tears at various parts of this film.
I'm just so happy to say that this film wasn't a disappointment. This film exceeded my wildest hopes of a 7th Rocky installment and had me feeling amped up for hours after the credits rolled. I can't wait to see more from the talent involved in this film, and I proudly endorse and recommend Creed to Rocky fans and film fans alike.
From start to finish, this film exhilarates and crackles with brilliant on screen performances and masterfully directed fight sequences. It wholeheartedly captures what was so brilliant about the first film: the characters. Yes, I'll return to theaters to see the fights, but it's the characters, particularly Rocky and Adonis that truly captivated me from start to finish.
I can't say enough great things about writer/director Ryan Coogler. The way he masterfully captures the modern spirit of Philadelphia and the visceral tension of standing toe-to-toe with a man who wants to see you hit the ground is second to none. What stood out the most, however, was his writing of Rocky Balboa. The subtle nuances that we love about the Italian Stallion are effortlessly worked into the script and flow like water from Sly's crooked mouth. Speaking of, the script would be for naught if it weren't for the beautiful performances by Michael B. Jordan and Sylvester Stallone. I'm not ashamed to say I was brought to tears at various parts of this film.
I'm just so happy to say that this film wasn't a disappointment. This film exceeded my wildest hopes of a 7th Rocky installment and had me feeling amped up for hours after the credits rolled. I can't wait to see more from the talent involved in this film, and I proudly endorse and recommend Creed to Rocky fans and film fans alike.
As a boxing movie Creed packs a heavyweight punch.
Sylvester Stallone (as the film's producer) has covered a lot of miles with his Rocky legend, most recently with his 2006 Rocky Balboa. As such I had thought there was little milk left in the cash cow, but "Creed" proves me wrong. This time, with Stallone's advancing years, he wisely doesn't stretch credibility by having Rocky Balboa as the center of the pugilism, but hands the baton to young contender Adonis ("Donnie") Creed (Michael B Jordan). Adonis is the illegitimate son of Apollo Creed, Rocky's protagonist and later close friend in the first four Rocky films.
Donnie is a kid from the wrong side of the tracks with a big chip on his shoulder and a reputation for finding trouble with his fists. Brought back from the brink by Apollo's wife (a touching performance by Phylicia Rashad) Donnie can't escape his family legacy and seeks Balboa's help to make it in the ring, using his own adopted name. Balboa's help leads to a number of 'traditionally' brutal Rocky-style encounters in the ring.
I must admit I don't normally 'go' for boxing films like this, but this is extremely well done. All of the boxing training is gritty and believable and the actual bouts, particularly the classic finale, is suitably thrilling and a technical masterpiece of camera-work (hats off to cinematographer Maryse Alberti, who also filmed "The Wrestler" so is no stranger to the ring).
A real surprise is just how good Stallone is in the role. There are scenes where Stallone really has to act – particularly an emotional locker-room scene when Rocky faces up to his own personal crisis – and any jokes about Sylvester "Expendables" Stallone's acting abilities are forgotten. Michael B Jordan is also a great find and a name to watch. He has to cover a wide range during the film and succeeds admirably.
Tessa Thompson, impressive in last year's "Selma", makes a similarly positive impression here playing the love interest in the form of songstress Bianca, with a difficult future ahead of her.
"Creed" is a love letter to the old Rocky films, and – with this quality, and likely success – the start of a whole new generation of films seems probable. The respect it shows to the originals is characterized by a moving tribute to the classic 'Philadelphia steps' scene that brings a genuine lump to the throat. That being said, the film is a lot more 'street' for a new generation, with a soundtrack (by Swedish composer Ludwig Göransson) that mixes rap and hip-hop with more classic orchestral elements. Without outright plagiarism of Bill Conti's classic score, Göransson subtly weaves in some of Conti's themes, notably Adrian's theme, as well as coming up with his own "Fly Now"- equivalent musical high-point.
Impressive direction is by Ryan Cooglar in only his second feature film (after Fruitvale Station, also with Michael B Jordan). Cooglar also wrote the story and co-wrote the script. Without any spoilers, the story is delightfully 'un-Hollywood" by being unpredictable in where it goes. However, an area for criticism is that it took a few 'easy' short-cuts in places: a particular 'change of heart' in the film is way to glib and quick.
Finally, i would love to watch this film in a cinema in Liverpool, when the "hallowed turf" for a bout is revealed as being Everton's ground, Goodison Park .! Generations of Liverpool FC fans will be turning in their graves and I predict that cinemas in the city could become scenes of the worst hand to hand combat since the finale of Kingsman!
(Please see the graphical version of this review at bob-the-movie- man.com. Thanks.)
Sylvester Stallone (as the film's producer) has covered a lot of miles with his Rocky legend, most recently with his 2006 Rocky Balboa. As such I had thought there was little milk left in the cash cow, but "Creed" proves me wrong. This time, with Stallone's advancing years, he wisely doesn't stretch credibility by having Rocky Balboa as the center of the pugilism, but hands the baton to young contender Adonis ("Donnie") Creed (Michael B Jordan). Adonis is the illegitimate son of Apollo Creed, Rocky's protagonist and later close friend in the first four Rocky films.
Donnie is a kid from the wrong side of the tracks with a big chip on his shoulder and a reputation for finding trouble with his fists. Brought back from the brink by Apollo's wife (a touching performance by Phylicia Rashad) Donnie can't escape his family legacy and seeks Balboa's help to make it in the ring, using his own adopted name. Balboa's help leads to a number of 'traditionally' brutal Rocky-style encounters in the ring.
I must admit I don't normally 'go' for boxing films like this, but this is extremely well done. All of the boxing training is gritty and believable and the actual bouts, particularly the classic finale, is suitably thrilling and a technical masterpiece of camera-work (hats off to cinematographer Maryse Alberti, who also filmed "The Wrestler" so is no stranger to the ring).
A real surprise is just how good Stallone is in the role. There are scenes where Stallone really has to act – particularly an emotional locker-room scene when Rocky faces up to his own personal crisis – and any jokes about Sylvester "Expendables" Stallone's acting abilities are forgotten. Michael B Jordan is also a great find and a name to watch. He has to cover a wide range during the film and succeeds admirably.
Tessa Thompson, impressive in last year's "Selma", makes a similarly positive impression here playing the love interest in the form of songstress Bianca, with a difficult future ahead of her.
"Creed" is a love letter to the old Rocky films, and – with this quality, and likely success – the start of a whole new generation of films seems probable. The respect it shows to the originals is characterized by a moving tribute to the classic 'Philadelphia steps' scene that brings a genuine lump to the throat. That being said, the film is a lot more 'street' for a new generation, with a soundtrack (by Swedish composer Ludwig Göransson) that mixes rap and hip-hop with more classic orchestral elements. Without outright plagiarism of Bill Conti's classic score, Göransson subtly weaves in some of Conti's themes, notably Adrian's theme, as well as coming up with his own "Fly Now"- equivalent musical high-point.
Impressive direction is by Ryan Cooglar in only his second feature film (after Fruitvale Station, also with Michael B Jordan). Cooglar also wrote the story and co-wrote the script. Without any spoilers, the story is delightfully 'un-Hollywood" by being unpredictable in where it goes. However, an area for criticism is that it took a few 'easy' short-cuts in places: a particular 'change of heart' in the film is way to glib and quick.
Finally, i would love to watch this film in a cinema in Liverpool, when the "hallowed turf" for a bout is revealed as being Everton's ground, Goodison Park .! Generations of Liverpool FC fans will be turning in their graves and I predict that cinemas in the city could become scenes of the worst hand to hand combat since the finale of Kingsman!
(Please see the graphical version of this review at bob-the-movie- man.com. Thanks.)
Creed is the 7th installment in the Rocky franchise but this time focuses on Adonis Creed, Apollo Creed's son. He wants to follow in his father's footsteps and is trained by Rocky Balboa himself. More than boxing, this movie really goes into the relationship between Creed and Rocky and how they both support each other when they most need it. Michael B. Jordan is fantastic as Creed. He is so energetic in the boxing scenes and he is even better when his character is being developed. Now we come to Sylvester Stallone as Rocky. In his signature role, he absolutely knocks it out of the park in what may have been his best performance in his career as an actor. He honestly deserves an Oscar for this part. He brought tears to my eyes on multiple occasions and still has the same charm from the old Rocky movies.
Creed perfectly mixes elements from past Rocky movies, especially the first, with modern culture. The amazing Rocky score is complemented by modern styles. Creed's story is told just like Rocky's and it is so beautiful to watch. The cinematography is also visually pleasing. Coogler captured the look of Philadelphia extremely well. The boxing scenes are excellent. There is a fight that is done completely in one take and I have no idea how they did it. It was amazing. This movie is a drama that tugs at your heart a lot, but at times it still manages to be quite funny as well.
I love Creed as a film. Its characters are so well realized and acted, the cinematography is gorgeous, and the boxing is glorious. Creed is definitely one of the best films of 2015. Creed gets an A.
Creed perfectly mixes elements from past Rocky movies, especially the first, with modern culture. The amazing Rocky score is complemented by modern styles. Creed's story is told just like Rocky's and it is so beautiful to watch. The cinematography is also visually pleasing. Coogler captured the look of Philadelphia extremely well. The boxing scenes are excellent. There is a fight that is done completely in one take and I have no idea how they did it. It was amazing. This movie is a drama that tugs at your heart a lot, but at times it still manages to be quite funny as well.
I love Creed as a film. Its characters are so well realized and acted, the cinematography is gorgeous, and the boxing is glorious. Creed is definitely one of the best films of 2015. Creed gets an A.
Although young Michael B. Jordan has the title role in Creed the film really belongs to Sylvester Stallone. Sly joins an exclusive club of players like Bing Crosby, Paul Newman, and Al Pacino who got two Oscar nominations for playing the same role. In the case of Sly and Newman both aged naturally into the parts of Rocky Balboa and Eddie Felson. It's hard to believe that it has been 39 years since Stallone debuted Rocky Balboa. It's also 39 years between the nominations that Stallone got for Best Actor for Rocky and Best Supporting Actor for Creed.
But between that there have been several Rocky films over the years as Sly has developed more facets to the fighting Mr. Balboa of Philadelphia than I'm sure he even thought of when he debuted Rocky. It all really comes together with Creed.
But as for the story it seems that back when Apollo Creed was killed in that fight with that Russian steroid machine Dolph Lundgren in Rocky IV he had a dalliance that resulted in a post mortem birth of an illegitimate son who grew up to be Michael B. Jordan, character name of Adonis Johnson. Apollo's widow Phyllis Rashad took him out of foster care as his natural mother had died and raised him.
Jordan has an interesting dichotomy to deal with. He's his father's son and wants to make it in the fight game, but on his own as Adonis Johnson. He seeks his father's old friend and rival Rocky Balboa as a mentor and Rocky trains him for a title shot at the light heavyweight championship.
Rocky Balboa is not the most articulate movie hero ever developed, but he sure imparts a lot of wisdom to Jordan. Those scenes with Jordan are what got Sly Stallone that second Oscar nomination. Also Rocky has some personal crises of his own to deal with. These guys are of incalculable help to each other.
I really loved this film and how Stallone developed Rocky to this point. Like fine wine, Rocky gets better with age.
But between that there have been several Rocky films over the years as Sly has developed more facets to the fighting Mr. Balboa of Philadelphia than I'm sure he even thought of when he debuted Rocky. It all really comes together with Creed.
But as for the story it seems that back when Apollo Creed was killed in that fight with that Russian steroid machine Dolph Lundgren in Rocky IV he had a dalliance that resulted in a post mortem birth of an illegitimate son who grew up to be Michael B. Jordan, character name of Adonis Johnson. Apollo's widow Phyllis Rashad took him out of foster care as his natural mother had died and raised him.
Jordan has an interesting dichotomy to deal with. He's his father's son and wants to make it in the fight game, but on his own as Adonis Johnson. He seeks his father's old friend and rival Rocky Balboa as a mentor and Rocky trains him for a title shot at the light heavyweight championship.
Rocky Balboa is not the most articulate movie hero ever developed, but he sure imparts a lot of wisdom to Jordan. Those scenes with Jordan are what got Sly Stallone that second Oscar nomination. Also Rocky has some personal crises of his own to deal with. These guys are of incalculable help to each other.
I really loved this film and how Stallone developed Rocky to this point. Like fine wine, Rocky gets better with age.
¿Sabías que...?
- CuriosidadesWhile training, Adonis wears a shirt with the message "Why do I wanna fight? Because I can't sing and dance..." This was a line from Rocky to Adrian on their ice skating date in the first Rocky (1976).
- PifiasAfter leaving the dressing room to enter the arena at Goodison Park, Merseyside, England, an American exit sign with red text can be seen above the door. UK exit signs are green with a pictorial of a man and a door. This was clearly not shot it the UK.
- Citas
Rocky Balboa: Time takes everybody out; time's undefeated.
- Créditos adicionalesOnly movie in the Rocky series which Stallone didn't get top-billing.
- Versiones alternativasSPOILER: In the final theatrical release of the film, Adonis Creed loses the fight to Pretty Ricky Conlan by split decision, mirroring the end of the original Rocky. However, another ending was filmed in which Creed wins the fight.
- ConexionesFeatured in Football Focus: Episodio #15.25 (2015)
- Banda sonoraEl Padre Armando
Written by Xocoyotzin Herrera
Performed by Macias & Macias
Courtesy of LMS Records
Under license from Latin Music Specialists
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Creed. Corazón de campeón
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 35.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 109.778.883 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 29.632.823 US$
- 29 nov 2015
- Recaudación en todo el mundo
- 174.178.883 US$
- Duración2 horas 13 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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