Black Box Diaries
- 2024
- 1h 42min
La periodista Shiori Ito investiga su propia agresión sexual y busca procesar al delincuente de alto perfil. Su búsqueda se convierte en un caso histórico que expone los obsoletos sistemas j... Leer todoLa periodista Shiori Ito investiga su propia agresión sexual y busca procesar al delincuente de alto perfil. Su búsqueda se convierte en un caso histórico que expone los obsoletos sistemas judiciales y sociales de Japón.La periodista Shiori Ito investiga su propia agresión sexual y busca procesar al delincuente de alto perfil. Su búsqueda se convierte en un caso histórico que expone los obsoletos sistemas judiciales y sociales de Japón.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 21 premios y 35 nominaciones en total
- Self
- (as Shiori Ito)
Reseñas destacadas
The documentary's power lies in Itô's ability to turn pain into action. This isn't a plea for sympathy; it's a demand for attention. In recounting her fight against Noriyuki Yamaguchi, a man shielded by his power and political connections, Itô doesn't just expose her assailant but also a legal system that catastrophically failed her. "Black Box Diaries" paints a disturbing portrait of contemporary Japan, spotlighting how an outdated, insensitive law from a bygone era still governs sexual violence cases.
Itô's choice to show her vulnerability-whether it's crying at an unexpected gesture of support or nervously laughing in moments of discomfort-makes the film a deeply intimate experience. She takes us through her journey of trauma and recovery with relentless honesty. This is a raw, unpolished portrayal that refuses to hide the emotional scars left by her ordeal. Even the documentary's evolving visual style, moving from rougher aesthetics to a more polished finish, mirrors Itô's transformation-from a withdrawn victim to a confident filmmaker and activist.
The film also shines a harsh light on the widespread insensitivity in Japanese society toward survivors of sexual violence. Messages Itô receives, like one from a woman who expresses sympathy for her assailant or advice to avoid showing her face in public, are heartbreaking. They reveal how survivors are often put on trial themselves, judged for their "exposure" instead of being supported for their courage. This revictimization, both in court and in the public sphere, is one of the most striking aspects of "Black Box Diaries."
The decision to include moments where Itô speaks directly to the camera or films herself in private settings is a masterstroke. These scenes feel like intimate confessions, acts of trust that heighten the urgency of her story. The metaphor of the "black box" is particularly potent-the idea that her story, like an airplane's black box after a crash, holds undeniable evidence of a tragedy that cannot be ignored.
Visually, the documentary is simple but never simplistic. The lack of elaborate aesthetic flourishes keeps the focus squarely on Itô's narrative, creating a claustrophobic atmosphere where every word and gesture carries weight. This stylistic choice reinforces the film's authenticity, ensuring the story is told with unfiltered clarity.
One of the most moving moments comes during a phone call with the hotel doorman, who, despite the risk of losing his job, decides to testify about what he witnessed that night. Itô's reaction-crying and repeatedly thanking him-encapsulates the fragility and strength that define the entire film. These moments remind viewers that while Itô's bravery is extraordinary, she is, at her core, just a person taking on a colossal system.
"Black Box Diaries" isn't just a documentary-it's an act of defiance. It's the testimony of a woman who refuses to be silenced, turning her story into a tool for change. Watching it, you can't help but question the power structures that enable impunity and your role in challenging them. The film is a powerful, necessary work, reminding us that individual acts of courage can illuminate systemic flaws and maybe even spark their transformation.
Similar to the process of writing a memoir, the creation of this film serves as a therapeutic means of confronting trauma, allowing for reflection and analysis, and enabling others to engage with her experience and empathize with the cause. Through this endeavor, Shiori Ito emerges as a remarkable figure, one who has put aside her own comfort to advocate for necessary reforms in her country's antiquated justice system.
In 2015, Shiori Ito was an intern at Reuters when she was drugged and sexually assaulted by Noriyuki Yamaguchi, the senior journalist and head of the Washington bureau for the Tokyo Broadcasting System. He refuted her claims, asserting that their encounter was consensual, exemplifying the all-too-common "he said, she said" dilemma that many women face. Throughout her struggle to file charges, she encountered numerous obstacles, highlighting a flawed system where the definitions of rape and consent are murky, and the process of obtaining a rape kit for evidence is fraught with challenges. This contributes, as I mentioned at the beginning, to the alarming underreporting of such cases in Japan.
In May 2017, she finally decides to go public, making one last effort to push for an investigation into her case. She documents her journey, sharing her thoughts, the behind-the-scenes aspects of the court proceedings, and the writing of her memoir - and this was the part where it felt like a rae victim exploitation documentary! Just my feeling - uneasy one. With CCTV footage from that night and interviews with peripheral figures like the taxi driver and door concierge, we witness the online vitriol directed at her and the political connections Yamaguchi had, highlighting the immense frustration and scale of her struggle.
Documentaries of this nature are challenging to watch, and they should be. Ito emerges as a natural journalist, relentlessly pursuing the truth amid the chaos. She is determined and strong, yet also vulnerable and fearful for her safety. She understands that her efforts are for others who have faced similar experiences and been overlooked. Aware that she will be labeled a victim and that this could impact her career and treatment by others, her bravery shines through. The film elevates her from victim to champion, and while the trauma of the assault occasionally surfaces, it does not define her or portray her as weak.
Shiori Ito creates a difficult yet compelling and powerful documentary about her experiences with sexual assault and exposes the corruption of Japan's legal system and the toughness of what she has went throughout. Ito's approach on the subject was well handled with good discussions, insightful information and great presentation throughout as many of the themes, twists, and subjects explored were quite difficult to watch, yet important to understand.
Ito is really brave on creating this documentary to document her story and there are some conversations that were emotionally investing and quite frustrating to watch. Perfectly capturing the struggles of victims who encounter sexual assault and the corruptions of the legal system without feeling inappropriate and exploitive. It isn't easy to create such a story and I do applaud Ito for making this.
With the #MeToo movement emerged years back, many countless documentaries about sexual assault have been created that were compelling and Black Box Diaries does an amazing job on exploring the issue and exposing the corruptions behind the scene.
¿Sabías que...?
- CuriosidadesIn the UK the BBC broadcast the Black Box Diaries (2025) documentary, as episode 2 of series 29 of their long-running documentary film strand Storyville (1997); first shown on February 4, 2025, as part of the 2025 series.
- Citas
Shiori Itô: There's a famous producer in Hollywood, and many women have told what he has done to them. So now there's the hashtag MeToo. It feels like people all over the world have started to talk about it.
- ConexionesEdited into Storyville: Black Box Diaries (2025)
Selecciones populares
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 26.864 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 7000 US$
- 27 oct 2024
- Recaudación en todo el mundo
- 233.449 US$
- Duración1 hora 42 minutos
- Color
- Relación de aspecto
- 1.78 : 1